wonderful track, the sax is just sublime!

Here is a sample of 30 min long of similar sounds.

Recorded in the oldest rainforest on Earth (one of the oldest), in Belum-Temenggor (Malaysia) during the night. 
We placed drop rigs attached to trees near salt licks.
One elephant found one of our rig, and detached it, then play around, eating mud, chewing and blowing with its trunk. 
Then he completely destroyed the gear. Hopefully we were able to read the memory card.

Wild Elephant Munching Mud, Blowing Trunk, Then Destroying Recorder

White lies

Lady of Fire Poetry original

Do what you will...

If you need stems of my vocals...let me know. I can only give them to you with sound effects.

Enjoy!

Once Upon a Time (Open Collab)

I did say I'd drop something in June soooo gotta be consistent ahah 
Since it's a bit dark, I'll share a more upbeat song I've been working on in July. I might even start dropping one track every month. or if ppl are interested put them into an EP format. 

Lyrics:

"Silver tongue, don't bite the dust / it turned to rust / evil tide, don't bite the dust / it turned to rust..."

Flowers Of Evil (demo)

Hologramme sauvage

Another experiment with electric guitar loops. The main difference between today's and yesterday's (https://soundcloud.com/disquiet/passing-waves) is that yesterday's was recorded serial, so anything coming from the first loop also appeared in the second loop. That gave it a certain density, but, well, it also gave it a certain density. This was recorded in parallel, meaning whichever looper was recording at a given moment was only recording what was being played by the guitar, not what happened to be coming out of the other looper. This means the density took quite a while longer to achieve, but also that the individual segments are much more distinct, even after density has accrued. Also, the loops are quite a bit longer. Recorded from stereo speakers into a phone (yesterday was from a mono amp), though I'm not sure if the separation is particularly apparent. Major noise reduction in Adobe Audition, and a tiny amount of reverb.

Parallel Normal

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

Want to tell me what you saw 
What made you scared, what made you crawl 
Under the covers and hide your eyes 
You keep it bottled up inside 
It might be better to confide 
Let me discover what made you cry

What was said to seal your lips 
What kind of threats what kind of tricks
What rules were broken, and how 
Was there solidarity
Any plans to break free
Even unspoken, even now 

Shout out, shout loud, shout now 
You’re allowed, stand your ground 
Stand your ground 

How do you sleep
Do you have something that can help 
To keep The demons at bay
Do you twist and do you turn
Do you shiver do you burn 
As you count the hours away

And does the distance help
With every day and every step 
That brings you further from harm
Can you take the weight 
Or is the damage too great 
As you try to carry on 

Shout out, shout loud, shout now
You’re allowed, stand your ground
Stand your ground

I hear that speaking out is a sin
I see the bruises on the skin 
Of those who dare to take a stance
You look to me and then behind
Afraid that you will find
That every kindness is a trap

Want to tell me what you saw 
What made you scared, what made you crawl 
Under the covers and hide your eyes 
You keep it bottled up inside 
It might be better to confide 
Let me discover what made you cry

Shout out, shout loud, shout now
You’re allowed, stand your ground
Stand your ground

Stand Your Ground

Hand-pan mixed from @joaomsousa's open-collab https://soundcloud.com/joaomsousa/divagacao

Divagação - Svayam | EnigmaCurry

TRAMPELFÂD
rec.name: "the balance home"
credit:vst synth,allen+heath,lyra4,sp404a.kp3
date:27-1-2021

exhausting cashmere (TRAMPELFÂD)

This is contained in the 8th report. You can download:
https://epia-tloe.bandcamp.com/album/a-report-of-intergalactic-investigation-aug-2019

Long version for your work:
https://youtu.be/v2vAxn3XFt8

A Report Of Intergalactic Investigation Aug 2019

Download HQ

20190810Ens1 v3 (short edit)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Deep Blue 01 (Giving Thanks) - disquiet0465

Daniel Diaz

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