My Dear is the parisian duo formed by Raw Man (Romain Seo) and his beloved Blanche. After «First Time», their first maxi, including their memorable track «Standing in this Dream», they came back with a second EP entitled «Better Dance».  Directed by Daft Arts (Daft Punk’s production company) and shooted in 8 and 16mm, their two music videos « Standing in this Dream » and « Better Dance » remind California in the seventies and eghties. Then, My Dear stayed true to its romantic-vintage mood with 2 other singles. «Week end in Paris» -  a track composed as a tribute to a lengendary couple, Gainsbourg and Birkin -  and «A Day With You», a taste of holidays' pleasures on the compilation Kitsuné Parisien IV.On March 30, 2018, My dear realease thier debut album "Together We Go", the soundtrack of a romantic and dreamy road trip. Blanche and Romain shoot the music video "Dreamer" themselves, with their son Oscar. On this disco-atmospheric song, they tell the chimeric epic of a little astronaut filmed in super 8.

My Dear est le groupe parisien de Raw Man et Blanche, sa bien aimée. Après leur single remarqué «Standing in this Dream» (au générique du Petit Journal de Yann Barthes sur Canal +) issu de leur premier maxi «First Time», ils signent un nouveau deux titres intitulé «Better Dance».  Réalisés par Dafts Arts (Société de production de Daft Punk) et respectivement tournés 8 et 16mm, leurs deux clips « Standing in this Dream » et «Better Dance» évoquent la Californie des années 70 et 80. Le duo reste ensuite fidèle à son esprit romantico-vintage avec 2 autres singles. «Week end in Paris» - un morceau qui rend hommage au couple mythique qu’étaient Gainsbourg et Birkin - et «A Day With You »,  qui a la saveur des plaisirs de l'été et qui sort sur la compilation Kitsuné Parisien IV. Le 30 mars 2018, My dear sort sont premier album "Together We Go",  la bande son d'un road trip amoureux et rêveur. Blanche et Romain réalise eux-même le clip "Dreamer" avec leur fils Oscar. Sur ce titre disco-planant, ils racontent l'épopée chimérique d'un enfant astronaute filmé en super 8.

www.blende.co.uk
all enquiries:  johan@blende.co.uk

♕ Tako Tsubo ♕ 


Nouvel album « Tako Tsubo » le 26 mars 2021 ! 🐙💙
Écouter et commander : https://qlima.cool/TAKO-TSUBO

Tako Tsubo :  le « syndrome des cœurs brisés » se manifeste par une déformation du cœur dû à un trop-plein d’émotion, qu’elle soit une intense tristesse ou une joie sidérante. 

Ce deuxième album est un album de rupture, comme un cœur qui bat très fort mais d’une pulsation discontinue.Hématome, Submarine, Fou, Peur des filles, L’équilibriste… Une ode en 13 titres à l’amour ambivalent, aux doutes, euphories, chagrins, succès et folie : autant de symptômes qui, réunis, désignent le syndrome de Tako Tsubo. 

Dates de concert — http://qlima.cool/LIMPERATRICE_TOUR-2021

Youtube — http://qlima.cool/IMPE_youtube

Facebook — https://qlima.cool/Limpe_FB

Instagram — https://qlima.cool/LImpe_INSTA

☼ microqlima records — www.microqlima.cool

♕ 

label/ microqlima — antoine@microqlima.cool, alexandra@microqlima.cool
booking/ — antoine@thetalentboutique.fr
newsletter/ — qlima.cool/bulletin-impé

♕

Une couronne, plusieurs visages...

Four years have passed since Swedish producer, songwriter and musician Andreas Kleerup was named as one of the world’s hottest producers by NME. The reasons were obvious: his self-titled debut album was a Top 10 hit in his homeland, but its influence impacted upon a tidal wave of artists who desperately tried to recreate Kleerup’s ability to meld retro elements into a pop sound that was both futuristic and innately melancholic. It resulted in him winning big at the Grammis with the prestigious awards for Newcomer of the Year, Producer of the Year and Composer of the Year. Even Lady Gaga was enamoured by Kleerup, and subsequently commissioned him to remix her track “Alejandro”.

His collaboration with Robyn, ‘With Every Heartbeat’, kick-started the trend – a huge international hit (#1 in the UK and a Top 10 hit in numerous other territories) that also won the adoration of discerning music fans. Other guests on the album ranged from the then newcomer Lykke Li through to the legendary Neneh Cherry. Not only did Kleerup demonstrate a surfeit of talent in his own right, but he could expertly judge and apply it in others too – and his ability to combine those two traits is a rare and compelling strength.

A common trait amongst other like-minded musicians is a desire to explore every possible facet of their creativity. It’s something which Kleerup shares. He could’ve simply taken the easy route and watered down his approach for the masses, but as the kind of guy who can reference both King Crimson and Boards of Canada in the same sentence it can’t have been too appealing an idea. Instead, he scored a stage adaptation of former Nobel laureate Harry Martinson’s sci-fi poem “Aniara”, the accompanying album of which earned him a Grammis nomination, and also fronted his Fleetwood Mac and Thin Lizzy-inspired country-rock sextet My and My Army on their debut collection “Thank God For Sending Demons” which garnered yet another Grammis nomination. 

Kleerup had spent the early part of 2014 experimenting on new ideas and technology, and had begun to sketch out some basic ideas. But then tragedy stuck with the death of his mentor Christian Falk. “He really was like family, friend and mentor – he was everything,” sighs Kleerup. A year prior, Kleerup had hit upon the sort of bouncing, insistent bass groove that Falk himself had mastered so well. Perhaps as a subliminal way of addressing his loss, Kleerup revisited the idea and soon had something strong enough to share with kindred spirit Susanne Sundfør (Björk, Röyksopp, M83) who added the mesmeric topline. And so the upcoming single “Let Me” In was born – a song which captures the adventurous spirit of Kleerup’s earlier work while pushing the Eighties influence to a new level.

Const Deseine is following