Music of a grim, Cold War Britain (2010-2025).

Aside from the odd project, Concretism is now mothballed. I'm doing other things elsewhere.

Sorry, I cancelled my 'pro' account on here, so my massive back catalogue going back to 2010 is no longer available. It just wasn't worth the £80 a year.

You can still buy my old stuff on Bandcamp:

https://concretism.bandcamp.com/

Chris, June 2025.

© 2010 - 2025
℗ 2010 - 2025

All rights reserved. Strictly no unauthorised use or distribution.

At the absolute forefront of the new generation of unforgiving artists for whom integrity is everything, Content Nullity hails from Dorset and is one of the youngest power electronics projects in the country. Last seen stalking the stage of London’s Slimelight venue drenched in mud, he utilises an arsenal of self-made unique hardware and programmed software tools. Mixing cut-up scrap metal noise precision drenched in synthesizers alongside scathing vocals, Tommuel Reynolds crafts a blend of surreal mystery superimposed with personal self-destruction which leaves you drained, inspired by artists and writers such as Max Ernst and J. G. Ballard. Nullity is absolute.

Industrial, Hip-Hop downbeat noise and rythyms.

Artwork by Warren Criswell

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

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