techno

Shipibo (Original Mix)

A++ &  Lolla Tek - 9nemy (Ovi M & Ferrum Remix) - CSMD048

<p>Sasha Carassi&#8217;s summer hit gets the full remix treatment and Chicago Loop is up first with his beefed-up version, sprinkled with the Original&#8217;s chopped-up chords and an epic breakdown. Alberto Ruiz is next with a more dubbed-out approach, letting his airtight rhythm section do all the talking. Frankyeffe takes us on a cavernous ride, complete with the familiar progressions and tasty squelches, which ultimately lead us to Taster Peter&#8217;s pad-led remix that relies heavily on the synths as it stomps away.</p>

Sasha Carassi - Clorophilla (Alberto Ruiz Remix) [Phobiq]

<p>It&#8217;s time for another &#8220;Agility&#8221; V/A compilation which, once again, acts as a blueprint of the sound to come, with cuts specially picked for this occasion by label boss Uto Karem himself.&nbsp; Expect nothing less than chrome-plated rides through the midnight air with the style and finesse that Agile has accustomed you to.</p>

D.R.N.D.Y - Gave You (Original Mix)

The duo make their debut to Drumcode Limited with a heavy, two track release. The EP showcases a mix of their talents and influences to create a moody, dark techno groove. The atmospheric EP is enriched with gritty reverbs and a deep kick drum and the slow, deep crescendos in each track create an intense sound. Mullaert and Siech prove themselves again with a powerful offering to Drumcode Limited.


Patrick Siech & Sebastian Mullaert - Rivers Will Turn (Vox Version) - Drumcode Limited - DCLTD18



BEC – Relentless EP [SECOND STATE: SNDST017]

Beatport: btprt.dj/249jIwT

It's been more than a year since UK native BEC joined the Second State roster and although she has been touring regularly with the crew in that time, she has yet to release her first EP. Until now. With the release of her Relentless EP, BEC showcases her enigmatic style in two exceptionally solid tunes that are primed to take on dance floors worldwide. Kicking things off is the title track 'Relentless' and it flawlessly boasts BEC’s approach as both a producer and DJ.

With the groundwork laid on a foundation of robust percussion, a mesmerizing shimmer of arpeggios transport you to a far off cluster of stars while a lush wash of warm pads spawn a vibrant backdrop of enduring scenery. It's the perfect combination of energy and depth, ripe for peak time trips in any kind of environment. Following up on the B-side is 'Nascent' and it's the ideal counterpart to 'Relentless'. Taking a darker, more serious approach, 'Nascent' grabs a tight hold right from the "get go". An infectious rhythm rapidly sets the pace as flickers of cosmic effects and rich stabs drive the energy upward. Soon an eery, yet elated sweeping synth bathes you in an euphoric sense of comfort before it slowly fades away into a deep dark distance.

We are very excited to bring you the debut of the young and talented BEC!

@r_godfrey
@secondstateaudio


Video

BEC - Nascent

Three Electro-Bass bombs, collaboration between DJ Controlled Weirdness and The Dexorcist, limited to 300 copies with insert. Released 2009.

DJ Controlled Weirdness vs The Dexorcist - The Countdown (2009 - Unearthly Records 007)

The Willers Brothers hit Egg London’s What Came First label next week (Friday 26th May), with their four-track ‘Shimmy Shimmy EP’. We’ve got the exclusive play of its title track above.

On ‘Shimmy Shimmy’, the Egg residents – who have previously seen release through Beste Modus, No Fit State and Nordik – present a stripped-back tech-house groover that pushes percussion to the fore.

Speaking about the track, Liam Willers told DJ Mag, “We’re happy to be releasing this on Egg’s label after holding down a residency at the club for the past few years.”

Listen to ‘Shimmy Shimmy’ from The Willers Brothers’s forthcoming EP above.

PREMIERE: The Willers Brothers ‘Shimmy Shimmy’

A bold, stomping workout with fresh percussion and a jovial analogue riff. As the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through.

APO028

Shonky - Torro Rosso (B1 | APO029)

Amsterdam house label PIV Records ADE Sampler finds the label showcasing their exciting sound with four fresh cuts from label artists Ben Rau, Prunk, Chris Stussy and Bas Roos.

Man of the moment Ben Rau goes first and again shows off his slick drum programming skills with No Walls. It’s a bristling and bubbling number with woody kicks and clean hits forcing you to dance. Woozy chords and 303 licks add to the overall deepness and carry you away into the night. 

Luxury is a more upbeat house number but one with spacious cosmic vibes and fluttering snares. It’s sci-fi and soothing as well as being nice and dynamic.

Listen to Her from Chris Stussy is another fresh effort with grooving drums and synths all gliding along in smoothly seductive fashion. It’s cerebral and atmospheric and cannot fail to get you moving. 

Lastly, Nuyorican Jam is more zoned out and horizontal, with jumbled percussion and crowd noises as well as spoken word
samples all creating a nice cosy house party vibe.

This is a tasteful sampler that really shows off the classy house sound PIV is known for.

Chris Stussy - Listen To Her (PIVADE) FREE DOWNLOAD

Buy Link: http://bit.ly/2mIQK5o

https://soundcloud.com/musicrelated
https://soundcloud.com/billyrathdj
https://soundcloud.com/putrimai

Release info

Premiere: Billy Rath - Smart Boy (Putri Mai Remix) - Music Related Records

DJ Antoine Vs. Mad Mark Pres. Pizza Boyz  – La Chitara [2001] (E. Craig Remix)

Neil Keating aka Controlled Weirdness has been rocking the decks and rinsing rough beats for a few years now. As a young kid, Electro and early eighties pirate radio started his obsession with nasty electronic music, breakbeats and hard edged funk. This was the start of a lifelong vinyl obsession that still continues to this day. January 1984 he was asked to DJ at a new club "The House of Dolls" in Farringdon. There he became resident and spun a mixture of electro, industrial, punk and new wave. At the same time he was going out to clubs like Delirium,  Mud Club and Pyramid at Heaven (the first place to play house music in England in 1985) as well as warehouse parties from Family Function and Soul II Soul. These parties were held in old abandoned warehouses down by the Thames. Fast forward to 1987 and the start of Acid House and Neil starts a club called Collision in Islington spinning early house and acid. Through running this club he met a band called Ruff, Ruff and Ready, a South London crew playing a mixture of ska, funk and hip hop. They asked Neil to DJ with them on several gigs and tours, including one round Ireland with Back to the Planet. They were signed by Paul Morley at Island and Neil added some DJ touches in the studio for their debut album. Unfortunately Island lost interest and the album got shelved and the band dissolved. There was one mad gig before they split where they were first on the bill at Spike Island, the legendary Stone Roses event. Neil was one of the dancers on stage as the crowd hurled abuse, batteries and coins. It was a horrible event and The Stone Roses finished it off with an awful set echoing into the night over a sea of flared trousers. Neil moved to New York in 1989 and started going to all the hottest house clubs in the city including parties by Todd Terry and artist Keith Haring. There he met Joel Bevacqua aka DJ Deadly Buda. Joel returned to his hometown Pittsburgh and Neil returned to South London where his sister Stacey had started playing on the early rave pirate station Fantasy FM and was running a record stall selling the latest white labels. Joel decided to hold the first ever rave in Pittsburgh in 1991 and flew Neil over. He brought all the hottest early breakbeat/rave tunes for the party and they were astounded when nearly 1000 people turned up. This was one of the first times early jungle harcore was played on the East coast of America. For the next six months they held some celebrated parties in Pennsylvania culminating in a spectacular event down South at the Mardi Gras in New Orleans, staged whilst the city whilst was on full riot alert after LA had erupted. Neil eventually returned to London in 1992, a week after the legendary Castlemorton illegal rave and soon started going to Spiral Tribe parties. Neil and Stacey started doing a Saturday night radio show on pirate station Chillin FM. Through Ruff, Ruff and Ready he had met Phil Conynhgam, a highly accomplished Aussie didgeridoo player who had been making twisted music since the late seventies. Discovering a mutual love of the bizarre they started collaborating on music. Phil released a record on the Stay Up Forever label and on the flip there was a hard and nasty Controlled Weirdness mix. Neil and Phil formed the infamous Waxhead Perverts and embarked on a tour of Germany. Over the next few years there were plenty of mad parties and events. Neil did a 3 hour DJ mastermix on Saturday night on Kiss FM Berlin. Back in London he was playing at The Dead by Dawn parties, held by Christoph from Praxis as well as Techno clubs like Hardware, Electric Underground and Analogue City. In 1996 he formed Unearthly records and the first releases were distributed by Spiral Tribes Network 23. Since then he has played worldwide from plush clubs to dirty warehouses and has appeared on a variety of labels  including Audio Illusion, Control Tower, Praxis, Zhark, Dirty Needles, Fdb and Still Raven.