This track was made for Disquiet Junto Project 0486: Earths Days
The Assignment: Celebrate Earth Day on or for another planet.

I have noticed that Ableton has a lot of outer space themed sounds. This track features Neptune Arp 1, Space Paddy C, and Atmos Futuristisch, among other sounds.

https://disquiet.com/2021/04/22/disquiet-junto-project-0486-earths-days/

A Message From Planet Ableton (disquiet0486)

What your computer needs is more computer hum. Recorded inside an HP Pavilion.

More Computer Hum (Sound 365)

Putting on the Ritz in Istanbul

Generated by a fractal algorithm. No wood or frogs involved. 

Wooden Frogs

Whistling Madly

Arizona Fountain

Computer generated fractal music. Generated from a voice sample. 

You can wish it all away

I sang a bit of "Will the Circle Be Unbroken", fractalized it, and put some more vocal harmonies on top.

For more on fractal music see www.fractalmusicmachine.com/fractal-explanation.

Underbrush

Unbroken

This is based on the fractal in the picture. 

An audio clip is split into fragments. Up and down represents the location in the clip where the fragment starts. Left to right represents time within the track. Many layers of the fragment starting at different times are stacked together, creating an echo effect.

Kyrie (Geometric Clouds)

This is a slightly new direction for me, I am using python to generate fractals in MIDI and importing them into Ableton to add the sounds. This is using Ableton's Operator synth and basic sounds. This is for the Disquiet open mic. Feedback is welcome, I am especially interested in pointers on how to improve my synth sounds. 

Disquiet Junto Project 0336: Open Mic
Share a piece of music you’re working on in the interest of getting feedback.

Step 1: Choose a track/composition you’re working on that isn’t quite finished. Share the recording on the Lines forum at llllllll.co (see specific URL below).

Step 2: When posting the track, mention that you’re looking for feedback, and if applicable specify some aspects of the recording you might want feedback on.

Six More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0336” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0336” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Other Details:

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, June 11, 2018. This project was posted in the late afternoon, California time, on Thursday, June 7, 2018.

Length: The length of your track is up to you.

Title/Tag: When posting your track, please include “disquiet0336” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 336th weekly Disquiet Junto project (Disquiet Junto Project 0336: Open Mic / Share a piece of music you’re working on in the interest of getting feedback) at:

https://disquiet.com/0336/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

There’s also a Junto Slack. Send your email address to twitter.com/disquiet to join in.

The image associated with this project is by Gabriel Gilder and used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/ymxsn

https://creativecommons.org/licenses/by-nc-sa/2.0/

Composition 3 [disquiet 0336]

Computer generated fractal music. 

MIDI generated in custom Python, rendered with grand piano instrument in Ableton Live.

For more on fractal music see: http://www.fractalmusicmachine.com/fractal-explanation/

Solidity

Computer generated fractal music. 

For more on fractal music see here: http://www.fractalmusicmachine.com/fractal-explanation/

Remember Hope

Made entirely with sounds from a scotch tape dispenser.

Tape Loop

Wild Roses in Dunes (disquiet 0362)

The sound of ice in a glass, recorded and put through a sampler and sequencer in Ableton Live. Made for Disquiet Junto 366, see more at https://disquiet.com/2019/01/03/disquiet-junto-project-0366-ice-breaker/

Ice Machine [disquiet0366]

This is fractal music created by repeating a pattern over and over at many levels.  

More on fractal music: https://www.fractalmusicmachine.com/fractal-explanation/

Source code: https://github.com/erika-n/blockish

Piano Track 6

This track was produced by taking a recording of ice in a glass and repeating it at different speeds in Audacity. 

Based on the following prompt from the Disquiet Junto:

Please record the sound of an ice cube rattling in a glass, and make something of it.

More about Disquiet Junto 471: https://disquiet.com/2021/01/07/disquiet-junto-project-0471-phase-transition/

Erika Nesse

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