It all started with a research that has united them and, goes beyond all technical and musical knowledge. A research that lead to the observation of an existential prison to which the key can only be found in the quality of presence: being without necessarily making. Being music as a fluidity that marks each instant in the passage of time with open eyes and heart, by observing the constant hum of the mental dissolution, and by diving into the flow of sound. They _ sought _ sound from the beginning, without another code or language being used. “It” emerged after having ”electro accousticly talked” for several hours. “It” is a conversation between a piece of brass with a vibrant past (and present) in classical studies, performances ranging from orchestras to jazz clubs, from the road, to audio-visual installations, and a sophisticated mix of samples. A dress woven of acoustic sounds with electronics, “A Dark Dress” ventures into landscapes without borders, the most of which are still unknown. Therefore, common experiences for Stefan Röslmair (piano, voice and live electronics) and Max Di Carlo (trumpet, voice and electronics) _ were fused together in a journey that began in 2011 by making a soundtrack for a projection mapping at the Kernel (Desio – Milano) festival and continues between Genova and Marche by shaping songs and live sets that arise through improvisation and interaction with each other.

Cooking Five is following