42 يوم, biju, العلاقه, Free Music Library, Onlinecourse, Bluesky, Mustard, Producercommunity, Salter, wellness, Social Media, 2017,Слушать, Corrientelatina, No Copyrigh Music, Singhfluent, Opera, Willsmithslaps, Prek, Wirlebenkomplementärmedizin, anime music, Pap, Studybeats, Lucina, savage, Trials., Elle Musique, Uknew, Leur, Neku Sakuraba,  Indie Electronic, Sad Edo Saiya Guitar Type Beat, Richii Price, amg, توزة, Motivarionpiano, Neworleansrapper, Myheadspace, meek mill type instrumental

Retnhagwen news background music FREE DOWNLOAD

Lyrics:
Can anybody hear?
Are my words even clear?
I don't know, I believe you.
If I would only reach you.
I think that it's time to realize,
Where we are.
And maybe then we'd know,
If anybody sees.
Are these things make believe?
Does anybody know?
Can we find out way back home?
I think that it's time to realize,
Where we are.
And maybe then we'd see the light.
............................................................
Can anybody feel?
Is anything even real?
Where are you right now?
Is anything even real?
I think that it's time to realize,
Where we are.
And maybe then we'd see the light.
Drifting just above you,
Although I said I love you.
I must be moving onward.
My soul is aiming skyward.

Skyward

For   Cello  and  Piano

CELLO   --    ULRICH    LANGENBACH
PIANO   --    DROR        ELIMELECH

BEHIND  CLOSED  DOORS  -  4  --  COLLABORATION

Oterplar

My beat for this week's TPC sample challenge!
One love to the fam

Masta DblG - Defective Rice (TPC 296)

For piano, viola, cello, prepared piano (clothespin), and Japanese bell.

Kokadera

ー龍郷ー真実は古き口伝に/Ancient Legends

(Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizer and sequencer programming, sampler and sample editing, drums and drum machine programming, and 'found sounds'
Composed and Recorded ca. September 3 to 4, 2023.
sm5 [eM 01] [24WAV].

-~-

"I often just sit down with the intention of 'writing' an [audio] track. When I experience no inspiration, or have no idea for a concept of an original recording, I usually turn to the Diquiet Junto prompt of the week to set-out to compose one. 

This week was no different:

I read the disquiet prompt -- 'record a simple track at 60 BPM in 4/4 that will be reworked subsequently by other musicians' --  Sunday evening, and started that minute. I worked seven straight hours on it without getting out of My seat.

I set-out to create something simple, tonally, and mode- and key-wise, and something that did not have a bunch of changes or sections, that COULD be easily reworked into a more, highly complex piece.

Recording a lone, aggressive, staccatto, string patch and looping it led Me to recording another variation with slight percussion, and then I just added a long, time-expanded bed of a violin being tuned judiciously in sections.

I added a 'head' [introduction] and a 'tail' [cadence], and that was it.

Here is, ' ... to the Beach, Asunder.'"

~ Michael Ash Sharbaugh

-~-

"More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/ "

~ Marc Weidenbaum

-~-

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Copyright,Lofi

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