Z-Cirrostratus Clouds

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " aleatoric no jazz improvisation  "
credit : 
date: 1-09-2024

30 years ago ..the first live setup 1994
https://www.youtube.com/watch?v=fRzDNKt1MnE

Do5 Lig Bass

Singing fridge and fan - and couldn't resist singing along.

More on the 661st weekly Disquiet Junto project, Consumer Drone Product — The Assignment: Record a piece of drone music using sounds from your home — at https://disquiet.com/0661/

Fridge vs Fan (Disquiet0661)

DCR - FRIEND OF THE DEVIL - DCOMPOSED

We believe

2024-09-16

On A Long Journey

Marco Lucchi: synthesizer, piano; Jeff Gburek: electric guitar

Soliloquy Take 4

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (The Eclectic Collective)

So the Disquiet Junto assignment this week was simply to make a piece of music in 29/16 time. This is a super weird time signature. I remembered fooling about with Dilla-type beats using quintuplets (where you count 5s between every beat) and I figured exploring groups of 5 16ths might be worth it. It's a strange feeling to try and take a very mathsy approach, like fitting beats tightly on a fixed grid of 29 steps, and try to replicate some kind of "real" shuffle.

In the second half of the track I use this sample pack from Freesound. A Korean instrument that sounds like a koto. https://freesound.org/people/spt3125/packs/1534/

More on the 664th weekly Disquiet Junto project, Mother Beat — The Assignment: Record a piece of music in 29/16 time — at https://disquiet.com/0664/

Jet Jaguar - Kāo [disquiet0664] (free download)

Video; https://youtu.be/RlXZVqx3HTI

Made in #Ableton (September 2024)

Genres;
#Electronic
#EDM

https://hega.bandcamp.com/

Stories Within

This week's Disquiet Junto was in memory of the founder of the Mille Plateaux record label, Achim Szepanski. We were invited to listen to the compilation _Clicks and Cuts_ and compose a piece that paid homage.

I listened to the album a couple of times over and took notes on what I heard: rhythm is centered; non-traditional percussion samples; dry mix; musical elements downplayed; no obvious structure; repetitious, hypnotic; lots of thoughtful, small touches.

I stepped away for a few hours and listened to familiar music to clear my head. When I was ready I hit the studio equipped with only my notes. I set out to make a piece that met the criteria I had observed more than something that sounded like the examples we had been given.

Since the rhythm is so central, I hand-programmed a few 5/4 drum patterns and shopped for an appropriately glitchy drum kit. I layered on some additional percussive samples for flavor.

The drone synth was performed on my Moffenzeef Modular Stargazer. There's no clock sync on this unit, so I had to set the LFO rate by hand and pray that I didn't accidentally bump that knob while performing. I doubled the Stargazer and panned the two tracks hard left and right. I quantized one and not the other, meaning that the LFOs drift in and out of phase. I also blended in a +7 pitch shift to fill out the sound some.

"Mise-en-scêne" is best experienced with headphones. Recorded at NO SIGNAL Multimedia Lab in The Shambles, Chicago.

Mise-en-scène (disquiet0665)

Coraline Ada Ehmke composes, records, and produces original experiential music from NOSIGNAL Multimedia Lab in The Shambles, Chicago. The Hard Times has described her music as "creepy, haunted, but also a little bit uplifting."

Mise-en-scène (disquiet0665)

Coraline Ada Ehmke

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