Disquiets

Netushki

Disquiet Junto Project 0683: Space Shot
The Assignment: Combine reverberant and non-reverberant.

There is just one step to this project. Record a piece of music in which half of the material is recorded in a highly reverberant space (or has spaciousness applied to it through effects) and half of the material is just sound in isolation, devoid of any sense of space or place.

Deadline: Monday, February 3, 2024, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0683

Disquiet Junto Project 0683: Space Shot

this plays while you go to the barn after beating space boyfriend 

OMORI - Sugar Star Planetarium Slowed

omori - remember to be patient slowed and reverb extended

Original video https://youtu.be/BZcScyzyPcw
Link of the image https://twitter.com/omori_game/status/899248564068466688

OMORI OST - Lost Library W  Rain Ambience (Extended) [High Quality]

My first contribution to Disquiet Junto, responding to the prompt "Know the Shadow".

With the reference to "The Shadow Knows" in the prompt, I had the idea to recreate an old radio program. I dug around in the Internet Archive and found recordings of 1930s radio from which I cut samples. Select samples were then arranged to tell the story I wanted to tell, of a mentalist named Professor Penumbra hypnotizing the listener through the radio.

The concept of a shadow is expressed in multiple ways: in the title, within the samples, with stereo imaging, with polyrhythms, and using high- and low-frequency EQ sweeps.

To fully experience the shadow, please enjoy with headphones.

About Disquiet Junto: https://disquiet.com/2023/11/30/disquiet-junto-project-0622-know-the-shadow/

Disquiet Junto

Professor Penumbra (disquiet0622)

My second contribution to Disquiet Junto, responding to the prompt "A Fresh Pair".

The prompt invited me to consider two disparate influences and bring them together somehow. I missed the word "cultural" in front of "influences" and assumed musical influences. I immediately had the seed of an idea: Gary Numan 1978 vs Gary Numan 2018.

Please enjoy "Splintered Android" with headphones, and be kind to your electric friends.

About Disquiet Junto: https://disquiet.com/2023/12/14/disquiet-junto-project-0624-fresh-pair/

Splintered Android (disquiet0624)

This week's contribution to Disquiet Junto, responding to the prompt "Noise Ceiling".

The prompt consisted of a photograph of a bare bulb light fixture on a roughly-painted section of ceiling. We were asked to describe how the space sounded.

It felt like a closet to me. So I took my stereo field recorder to the utility closet in my basement and recorded a CLAP, converted it to an impulse response, and then turned into a convolution reverb patch. Essentially, I created an aural simulation of that space, which lets me place any sound within that space.

The rhythmic breathing and kick drum are placed fully in that simulated closet space, to create a sensation of "close air". The background pads also migrate from a very spacious tone to the constricted space of the closet.

Ready your headphones for "Futility Closet".

About Disquiet Junto: https://disquiet.com/2023/12/21/disquiet-junto-project-0625-noise-ceiling/

Futility Closet (disquiet0625)

A reflection on my past 12 months of music.

1. Who Not While. A discarded sketch that set this year's solo album in motion.
2. A raw recording of an ARP-2600 that I was able to play at the Melbourne Electronic Sound Studio. (https://mess.foundation) This synth part is used in the opening and closing tracks of the album.
3. You Dream You Die. This started as a purely piano composition, and I like the tension between the messy organic and the mathematical clockwork.
4. A Sensation of Nightmare and Stain. The album is well underway at this point. 
5. The Iconoclast. This year's Drone Day composition, which also marked my first live in-person performance since the 90s.
6. A Convincing Story of the Self. Experimenting with using AI-enhanced text-to-speech as a vocal element.
7. True Colors. I finally got around to finishing production of my tracks in the Cyndi Lauper cover I'm doing with Eloquent.
8. A fragment from a jam session with my friend Fred, who I am secretly recruiting for a Live Band Thing.
9. A fragment from a jam session with my friend Kevin, who I am also  secretly recruiting for a Live Band Thing.
10. Passions and Peculiarities. The title is taken from a sentence deep inside my partner's dissertation, and coincidentally this is their favorite song on the album.
11. Outside, Last Night. The last track I completed for "The Nine Doors", my first full-length Sudre's Violin album.
12. Professor Penumbra. My first contribution to Disquiet Junto.

You are twice as likely to be moved emotionally if you use headphones.

About Disquiet Junto: disquiet.com/2023/12/21/disquie…625-noise-ceiling/

Audio Journal 2023 (disquiet0626)

A response to Disquiet Junto 0627: Just Ice Society.

The vocals were created using AI-enhanced text-to-speech, using content adapted from WikiHow. 

Recorded and produced at NOSIGNAL Multimedia Labs, The Shambles, Chicago, IL USA.

About Disquiet Junto 0627: https://disquiet.com/2024/01/04/disquiet-junto-project-0627-just-ice-society/

Making Ice at Home May Seem Overwhelming (disquiet0627)

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

more halF unusuaL

halF reverberanT [disquiet0683]

Recorded, mixed & mastered on 10 Aug 2018, 02 Sep 2018 & 30 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA & Union Square, NYC, USA. 

Beer bottle, Korg Monotron Delay, grains, emulated springs. 

Artwork/Photography - Jim Lemanowicz, near the corner of 8th Ave & 44th St, NYC, USA - 31 Jan 2018

©2025 Jim Lemanowicz

---

This original version of “My Boots Are Filled With Spacey Eyes” was submitted as part of Disquiet Junto Project 0683: Space Shot. The Assignment: Combine reverberant and non-reverberant.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

#disquietjunto #disquiet0683 #unionsquare #soundart #electronicmusic #sounddesign #ableton #bottles #monotron #reverb #dry #spaceshot

My Boots Are Filled With Spacey Eyes (disquiet0683)

Disquiet Junto prompt 0683 instructed us to make a piece of music that is half in space and half not in space.

Radio waves travel at the speed of light, and when the first radio transmission crossed the Atlantic it was said that distance had been abolished. Without distance, there's no space. So half of the song is a story that takes place on a radio, and is about a radio, and was performed in part on a radio, removed from place and space.

There are no synthesizers or synthetic samples in this piece. Instrumentation was a heavily processed guitar played with ebow, a Schechter Damien 7-string guitar, shortwave radio, shoebox cassette recorder, and field recordings. The radio noises and vocal parts are removed from space through a custom convolution reverb I created using a spike of low-frequency AM noise as an impulse response, essentially placing the sounds in the ionosphere.

The story I tell in the song is true.

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Soft, Driven, Slow, and Mad (disquiet0683)

An electronic sequence created in Pure Data with additional gradual panning and reverb.

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Panned and Spaced Out (disquiet0683)

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

This is five channels of earthquake synth by David Hilowitz (four pads and one drum) partly into Norns RPLS and several reverbs. Also a field recording. Halfway through the reverb is completely of. It still sounds roomy though, so I consider this a bit of a failure. Maybe it’s the earthquake synth that needs (and creates) space? I guess an earthquake does not fit into a shoebox... 

Disquiet0683 - Earthquake in a Shoebox

My Confession (Yuri Muffled ver.)

yandere simulator low atmosphere soundtrack

I create original experiential music from NOSIGNAL Multimedia Lab in Chicago. The Hard Times described my music as "creepy, haunted, but also a little bit uplifting." Prolific.

Soft, Driven, Slow, and Mad (disquiet0683)

Coraline Ada Ehmke