Track text is spoken by sono-poet Ilaria Boffa from her book Beginnings and Other Tragedies. Translated it says "Time does not pass, we pass through time in stages or blocks and we become. Spatially and temporally scattered we have experiences in other places inaccessible to us here and at other times unavailable to us now."  Also spoken:  "Clouds are moving fast. They're shifting perspective. Carry me with you"

Non è il tempo a passare (feat Ilaria Boffa)

Musique Concrète - a mix of electronic and recorded sounds.

Undercover Harpist (naviarhaiku618)

Electric guitar, analog bass synthesizer, effect pedals, voice, unsynchronized loops, two tube amps, broken heart beats and a lot of time manipulation. Field recording: electromagnetic waves made audible with Soma Ether. All sounds, voice, mixing and production: Velvet Something Superdark. Image: inside a shop-window in Berlin Neukölln (photo VSS).
This is the second part of https://soundcloud.com/velvetsomethingsuperdark/wonderful-wasted-world-part-1

Wonderful Wasted World, Part 2

slowworldmusic - a remaster from 2013 release
Andrew Janik is awesome at:- https://soundcloud.com/soundpainter
Illusions In Retrograde Remastered -4 tracks out now:https://burythejar.bandcamp.com/album/illusions-in-retrograde-remastered
available on all other streaming services in the coming weeks

Soundpainter & The Oxford Ambient Collective - Illusions In Retrograde - 01 Illusion 1 Odyssey

Embers

Inspired by and built around a field recording of the last, lurchy moments of arrival by rail into Grand Central Terminal, as carriages clatter across successive marshaling-yard merges.

Lower Level

From the new album 'Welcome Anomaly"
moodexhibit.bandcamp.com/album/welcome-anomaly

On "Welcome Anomaly" Mood Exhibit returns to electronic sounds with a fierce enthusiasm.
This new album contains some of the boldest and most adventurous electronic music from the mind of ME. - exploring IDM, electro, melodic electronica, and granular experimental, all with an emphasis on detail and evolution.

Mood Exhibit - Choke/Essence

A years-overdue COIL tribute.  Rest in peace, John & Sleazy.  


11-29-25 (Coil:  MU-UR reworked)

Made for the haiku challenge 622 of Naviar records.

Under the burning sky -
a procession of ants,
without end.

Haiku by Santoka Taneda

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.
Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Under the burning sky (naviarhaiku622)

A mammoth 30 minute jam here using the same gear as in my previous track (“Hello (bliss out)”) so check that page for more info. No edits were made so this is the complete jam with some mastering added (Wavelab/Ozone). 

Played a bass patch live in parts (used 5 different patches on the NM) so may not be a 100% tight (unquantised). The bulk of synthesizer sounds here are from the Nord Modular. It has the capacity to have 4 patches in memory simultaneously so switched between these from time to time. Samples were pre-prepared by sampling short phrases of my voice into the pocket size Teenage Engineering PO-35.

Will record more of these jams as a way to practice. Headphones give the best clarity imho:) Due to massive size of the 24 bit wav only uploaded a 320 kb/s mp3 file, enjoy!

Technical note: The high pitched melodic sequence is mostly the K2 with LP filter resonance full on but is similar to high piched sounds coming from the Syncussion (FM/bell type sounds). Also the Nord modular can make these type of sounds (6 op FM patches).

What is wrong?

The Disquiet Junto prompt this week (0728) instructed us to create a melody that slowly loses its notes. 

In thinking about my composition, I imagined that the song was slowly losing its memory, with each retelling of the story of its melody losing a little bit of itself.

As the instructions called for a repeating melody, I tried to mix things up in the layering and percussion to give each repetition its own distinct flavor. Hopefully this lands as the narrative arc that I tried to evoke.

This was the first time I recorded my new Modal Electronics Argon8M wavetable synth, which was a blast to use. A drone/pedal tone provides a sonic foundation through multiple key changes, topped with what I hope is a memorable melody starting on the 2nd degree of each scale and featuring a nice little augmented 5th for tension/color. 

The lead synth line on the Argon is doubled with a software synth with heavy tape delay, which you can hear isolated and distant in the outro once the main lead has lost all of its notes. The drone tone gets a little low-end boost from arpeggiated bursts played on the Moog Minitaur analog bass synth. A combination of electronic drum machine and synthetic acoustic drums provide the frantic beat to round things out.


...Sometimes I Forget (disquiet0728)

I create original electronic, postpunk, and experiential music from my studio in Chicago. The Hard Times described my work as "creepy, haunted, but also a little bit uplifting." Prolific.

...Sometimes I Forget (disquiet0728)

Coraline Ada Ehmke

Related tracks