Hey - thanks for listening to this live improv, performed & looped & overdubbed as presented here. Hope you like it!

Note: [open E - A - E - A - B - E] [+ ehxbeat]
[rehearsals for Japan]

avigate_rx

three 90s jungle beats, all slowed to 128bpm, switch out across two channels

morse code plays the phrase "fog dissolves to rain" on ableton's "EFX Small Cymbal" rack

four granular soundbeds

a melody i played through three sampled instruments (upright bass, piano, guitarophone)

one atmospheric drone from the "though-forms" patreon

mary says "maybe tomorrow"

[naviarhaiku586] clear the vista

[disquiet0693] gnoorsuy

I took an unpublished electronic composition and passed it through various filters, in conjunction with some adjustments to dynamics etc, to produce a thinner and drier sound. I added a touch of echo for a smoother finish.

More on the 695th weekly Disquiet Junto project, Disquiet Junto Project 0695: Clean After Each Use — The Assignment: Put a piece of music through the dryer — at https://disquiet.com/0695/

Dry Run (disquiet0695)

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Stones and Wood "
credit : ipad9

Support us : 
Buy randomized generated music compositions at:
trampelfad.bandcamp.com

date:26.04.2025
https://www.youtube.com/watch?v=JRB8F8Q_KOg

https://www.youtube.com/watch?v=iaC2r1QsjeE

For Henry Moore

Here's my musical resonance to this week's haiku from @naviar-records.

dreadful the stream
without so much as a name!
early-summer rains

by: Yosa Buson

https://www.naviarrecords.com/naviarhaiku590-dreadful-the-stream/

Thank you Marco.

Dreadful the stream (naviarhaiku590)

Phew! Thankfully this track didn't pass muster with the SoundCloud algorithm ... and so won't be recommended to potentially interested listeners ... Always a signal that something is probably worth a listen! 😁

See the accompanying video at https://youtu.be/wjrGJtwQnP0

This project is the first of three that are being done by the Disquiet Junto in collaboration with the 2025 Musikfestival Bern, which will be held in Switzerland from September 3 through 7. The festival topic this year is « Kette » — which translates, as the organization explains, to “Chain”: “Chains connect but they also bind. They create relationships but also restrictions. As a gift they look nice, feared when used in vice, and yet they can span bridges across fire and ice.” All three Junto projects will engage with the work of Svetlana Maraš, who is the Composer-in-Residence for the 2025 festival.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

visuals

halF layereD [disquiet0696]

Edited, mixed & mastered on 01 May 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

Layered guitar synth

This piece evolved through three distinct passes with the last having three of its own:

1 - Almost every day, I record something. On April 13, I recorded about 20 minutes of guitar synth with a voice sound using a cheap SX guitar as the controller. I recorded with DAW effects but for this piece, I used the raw recording without effects. The synth has some built-in though.

2 - On May 1, I spread this recording across 15 tracks, stretching some to fit the same duration and adding leftover bits throughout. I panned them across the sound field. Though I created a wall of sound and did a rough mix, I felt this arrangement wasn't working for me.

3 - Inspired by fabric patterns and metal chains, I drew a subtractive volume automation on one track, moving down and diagonally, bouncing off the side and back until reaching the 15th track. I then drew another pattern at the beginning of the last track, moving up diagonally. As the piece took shape, I added a third pattern in untouched spots where it felt right. These patterns began precise but became organic—like a handmade garment rather than a machine-made one. The final run evoked an old painting shirt, and that's when I knew it was complete.

Photography/Art - Jim Lemanowicz, Aug 2019, Massapequa, NY, USA - at the time, an in-progress painting I called “Injury Or Suffocation.” 

©2019, 2025 Jim Lemanowicz

---

This original version of “Stepmother In Chains” was submitted as part of Disquiet Junto Project 0696: Chain of Layers. The Assignment: Make music change by altering its layers.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696

Stepmother In Chains (disquiet0696)

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

disquiet0696

This is my submission for this week's Disquiet Junto assignment.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

250503 [disquiet0696]

Disquiet Junto 0697 is the first in a series of three, where each successive prompt's response is a contribution to a trio created via asynchronous collaboration.

To get this one going, I decided to contribute a bass/arp layer. I recorded three tracks on a keyboard controller and played back the notes on a tabletop Moog Minitaur bass synth while sculpting the sound in realtime. I love the Minitaur’s monophonic analog sound so much, and it’s a joy to perform on.

There is minimal processing on the tracks (light sculpted distortion and chorus) and no reverb. It’s also in mono so easy to pan left in the next prompt! If anyone wants stems, please let me know.

The piece is in C minor at 80bpm. I tried to provide a foundation while leaving plenty of room for other people, hopefully I struck that balance. I can’t wait to hear what you do with it!

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

The Minotaur's Lament (disquiet0697)

Coraline Ada Ehmke creates original experiential music from NOSIGNAL Multimedia Lab in Chicago. The Hard Times described her music as "creepy, haunted, but also a little bit uplifting." Prolific.

The Minotaur's Lament (disquiet0697)

Coraline Ada Ehmke

Related tracks