We need a 10 minute stretch of this track PLEASE!!!!!

Sambala deep house how long we dont listen to this kinda off song who heard deep house funk knows what i am talking about

Mock & Toof - My Head

The first 12" of Trickskis upcoming album "unreality" on Suol
www.facebook.com/trickski

A1 Wilderness (12 Inches Version)

Under Low Pressure marks a striking debut from BREACS — a genre-bending odyssey where crisp electronic textures collide with earthy, streetwise soul. Across 15 captivating tracks, BREACS constructs a soundscape that seamlessly fuses synthetic pulses with human nuance, bridging the worlds of the digital and the organic.

This isn’t just an album — it’s a collaborative atmosphere. BREACS invites a host of talented guest musicians to enrich the sonic palette: smoky trumpet lines, hypnotic flute motifs, tight live drumming, and raw vinyl scratches bring warmth and dimension to the production. These live layers don’t just complement the electronic foundation — they push it further, elevating the project into timeless territory.

Throughout the album, vocal samples drift in and out like fleeting memories, anchoring each composition in emotion and narrative. From moody introspective passages to surging city-borne energy, the journey is fluid and cinematic — a true storytelling experience carved in rhythm and tone.

For listeners drawn to intricate sound design, gritty grooves, and forward-thinking production, Under Low Pressure delivers. It’s a hypnotic blend of hip-hop heart and electronic innovation — raw, soulful, and endlessly transportive. BREACS doesn’t just blur genre lines; they redraw the map entirely.

05 BREACS - Pacifico

SAfro Ft My Music

Dive into the heart of the Maasai savannah with “Echoes of the Savannah.” Tribal chants, rhythmic hums, and organic percussion evoke the pulse of East Africa. From kalimba to horns, the ancient rituals of the Maasai are transformed into a cinematic, Buddha Bar-inspired ritual chill experience.

I chose this region because of the Maasai people's deep spiritual connection to the land. Their rituals, with their rhythmic chants and animal-call-like sounds, have been passed down through generations and resonate with the natural pulse of the savannah. The Maasai’s bond to the earth, rhythm, and ancestral traditions make it a perfect backdrop for this ritual journey.


#EchoesOfTheSavannah #MaasaiRitual #TribalAmbient #AfricanChill #WorldFusion #BuddhaLounge #Ætherflux


Song of the Baobab Leaves

Two remixes for Soul Clap Records. Yellow Vinyl

Buy: http://shop.crewlove.us/product/bosq-tumbala-remixes-12-soul-clap-records

Tumbala (Auntie Flo Dub)

A modest little re-trip of this confounding dreamweave.

Modern Re-Loves Volume 2

Adanowsky Ft Devenrda Banheart ~ You are The One (Mojo Filter Love Trip Edit)

Cord Labuhn / Durch / Outtakes OUT009

'Da müssen wir durch. We got to get through this...A universal mantra, you can apply to a million situations. Find yours...' C:

Primarily OUTTAKES is a series of musical compositions - songs, beats, tools, recordings and sonic fragments designed to encapsulate a time, vibe and feeling.  These collections will see Cord Labuhn open up a selection of his personal folders and archives to give listeners an intimate insight into his mindset and creative processes whilst simultaneously showcasing the talents of some his closest friends and supporters. After a lifetime of crate digging and absorbing music, OUTTAKES sees a rejuvenated Cord go back to his roots and follows a rekindling of his love affair with Hip Hop that saw him hit the studio with iconic names such as KRS-One, Masta Ace and Jeru The Damaja.  Coupled with the recent geographical displacement of Robosonic - fate and the Atlantic Ocean have separated the pairing, with Sacha now residing in Los Angeles whilst Cord continues to live and work in Berlin - the time was right to think outside of the box with the creation of an outlet for these evolutionary ‘works in progress’. 

Aiming to channel the spirit of the memories that helped him form his cultural and musical identity, OUTTAKES won’t be limited to sonic offerings and will include photographs and video footage in its bid to tackle ‘real life matters’. What Cord means by this is open for interpretation but one meaning he attributes to the phrase is it being a metaphor for physical products you can touch, trade and give-away. Known for his affection for towels  - stick with us here - he’s also applied his mind to the invention of a towel/scarf hybrid which he calls PUNCHI and uses and distributes around the necks of likeminded people and wet cats.

In the tradition of creating physical product to enhance the musical experience, further opportunity for fans and followers to show some love and support for the free floating digital content on offer will follow with the opportunity to purchase items from his soon to be launched OUTTAKES category on the PUNCHI store: www.punchi.de/outtakes. 

To receive downloads and to catch up with the continually evolving OUTTAKES collection by periodical love letters, make sure you sign up for the newsletter at www.outtakes.co or mail to outtakes@cordlabuhn.com. This email address can also be used to contact Cord regarding feedback, sponsoring and collaboration opportunities in addition to his social media channels which can be found below. 

www.soundcloud.com/cord
www.facebook.com/labuhn.cord 
www.instagram.com/robosonic_music
www.instagram.com/punchi.love
www.robosonic.cc

Download & Stream

Durch [OUTTAKES #009]

An exclusive stream courtesy of http://www.mixmag.net 

Typesun - Last Home
Crackazat - Passagem
Simpson - Till U Were Dead
Behling - Last Chance
Eats Everything - Slink
Maxxi Soundsystem - Into the Future
Christophe - The Scene
Eats Everything + Lukas present The Eel - 0200
Waifs and Strays - Back Down
Lukas - Space Junkie Race

Typesun - Last Home (Clip)

Aperitiv Selected Reworks

B1 Kozmetika (Trumpet Version)

Night Plane’s Miami Mix of Soul Clap is for the heat, palm trees, shimmering turquoise, tequila, bad neighborhoods, and a metal bar in Little Haiti. 
Out now on Soul Clap - The Alezby Inn Remixes (Wolf + Lamb)

Soul Clap - Ecstasy (Night Plane Miami Mix)

BOOKING
world : ben@radiusartists.com
australia : mike@thickasthieves.com.au

contact: info@robosonic.cc

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...

Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 

To date, his longest running project is ROBOSONIC, which was formed as a DJ-producer duo together with Sacha Robotti over 10 years ago. A while after their unconventional, free-spirited debut album „Sturm und Drang“ (2007) they took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous or lately Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
Today, after his partner emigrated to the US, Cord the DJ is playing most of the ROBOSONIC shows alone. The house & techno driven sets and releases under this moniker are internationally recognised and performances in 40+ countries (and counting) reflect the universal appeal of a trademark sound they unleashed into the world. And with a string of new remixes and releases it seems that he won’t stop shedding club sweat and tears.
For 2017 Cord Labuhn has redefined his structures and launches a series called OUTTAKES. The label and collaborative hub serves primarily as a studio-to-listeners feed – to pilot an own musical direction, independent from A&R decisions, laws of the market – out of the box. A conscious counterpart and soulful antidote to the dance music business with its particular formulas. 
The zero point (#000) of the OUTTAKES series is the ‘SLEEP OUT’ mixtape - a carefully composed 3 hour set indulging in the tones and frequencies of sleep, representing this important human state in musical form –  horizontal business. Two of his own productions ‘Gone Love’ & ‘Unter Deck’, which bookend this mixtape, are being released through the label as a wake-up call, followed by hypnotic beat science, hiphop infused electronica, songs, fragments, field recordings and probably some dance music in the future, that would not fit under any other label than: OUTTAKES.

Durch [OUTTAKES #009]

Cord

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