🚨 W1 | Oldshool/B

Keep The Fire Burning- The House Crew

House Crew - Euphoria (Nino's Dream Remix)

Uplifting piano breakbeat with 3 different piano melodys and a touch of dark bass lines     free 4 all 2 download

Let It Hit Em

Mike Pickering Live @ The Hacienda Manchester (xx.xx.1989)

Hacienda August 1989

Graeme Park & Mike Pickering Live @ Hacienda (05.05.1989)

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Great Tune from the 90's. Used to play this at parties when I was a kid around the time I was getting into DJ'ing. Very Mellow. Please Enjoy - LOL! Sorry - meant 'hope you enjoy'.

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More Tunes Here On My YouTube Chan - https://www.youtube.com/channel/UCDpZXQCdcl6WZltqWuILOZw?sub_confirmation=1

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Recorded direct from Vynil for superior sound!

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ALSO Please add this playlist to your 'Likes' and 'Reposts' as ALL UPLOADS that I add across my 3 SoundCloud Accounts will always be added here and will be in date and time order:

soundcloud.com/user887961091/sets/dj-kaz-all-uploads?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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Pure White - 4am [1993] [Whitelabel] | *** Rare Jungle / Hardcore Track

RyKennon's remake of the classic 'Soothe My Soul' from the Concrete Jungle E.P from 92

Shout outs to all the old ravers on this one, keep the vibe alive!

Strictly limited to 100 copies so grab it whilst it's hot =)

Justice & Mercy - Soothe My Soul (RyKennon 2012 Remake)

DJ Sets 1992

Andrew Weatherall - Rhumba, Edinburgh Part 1

1992 inspired hardcore tune done on the Amiga, let me know what you think!
Recorded straight from the mixer with no processing (... so could be better).

Gear used: 
Amiga A1200 (OctaMED 4) 
Akai S1000 (most samples) 
Akai S3000 (Sub bass) 
Roland Alpha Juno 2

Core2lee - Come On ('92)

BUY NOW >>> https://www.vinylfanatiks.co.uk/product/serotonin-dramatical-style-rumblism-12-aquatic-turquoise-vinyl-vfs025

It’s been a year since I was last chatting to Bernie and Terry AKA Serotonin AKA the world famous Krome & Time. The last interview covered their debut release on their infamous Tearin Vinyl label whereas for this interview we are taking a step back, well, quite a few steps back being how quickly the hardcore, rave and jungle scenes were progressing back then. From 1994 back to the glory year of 1992. And what a big change the scene went through over those two years and what an advancement of sound Bernie & Terry went through during that time too. So how did this project come about guys?

“This release was the bridge between us leaving Suburban Base and getting round to starting Tearin Vinyl” Terry aka Krome explains “We wanted to start something new. But we wanted to do it without people knowing it was us. To be a bit more experimental and to try a few new ideas”.

Bernie, also known as Mr. Time adds more background to the project “This was the time when the white label was king. That’s what people wanted. It felt more exclusive and special and we wanted to do something like that, to get in on that scene. So we pressed up a load of copies and filled up the boot of the car and just drove around the country. We use to use flyers to help us. Often these big raves would list local record shops where you could buy tickets, so we used those to build up a list of shops around the country using those as our resource and we would hit the road”.

Bernie continues “We use to choose an area and hit 2-3 record shops a day, dropping off records ‘sale or return’. Going back a week or two later to collect our money. With the Serotonin release we sold them all ourselves without distribution. We had pressed up a couple of thousand copies and sold them for about 5 or 6 quid each. It could of even been 3000 units for that releases, I can’t remember! It was so much fun as you were in total control of your money, as long as the shops paid you that is. But you think about it, 3000 records at £5 each, that’s not a bad chunk of change for a couple of kids. It kept us going”. Terry adds “We were based in East London, so we only travelled a certain distance every day. No further north than Milton Keynes but the vast majority of what we sold was either in London or down South. We went down to Brighton, Gravesend, Worthing and Portsmouth, as well as other places down there that I can’t remember right now. Our main fanbase was down south actually and I think that’s a lot to do with Sterns and that we played there a lot. We were well known down that part of the country due to that club and Mensa and the support he gave us. The south had such a vibrant scene which started in Worthing thanks to Sterns and it just spread out from there, along the coast”.

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Core2lee - Come On ('92)

Core2lee91