Core Opulence Music is a PhD project inspired by Doctoral student Madison Miller focused on nature soundscapes and relaxation.

Operating at the intersection of acoustics, audiology, urban design, sound art, soundscape studies, and experimental music, Drever’s practice represents an ongoing inquiry into the perception, design and practice of everyday environmental sound. He has a special interest in soundscape methods, in particular field recording and soundwalking. Resulting from the findings of his study on the noise impact of high-speed hand dryers, Drever has been developing the concept of auraldiversity, attempting to reconceptualize hearing in sound practice that diverges from a paradigm predicated on a singular, idealized, symmetrical model of hearing (i.e. the auraltypical) that has predominated.

Drever is Professor of Acoustic Ecology and Sound Art at Goldsmiths, University of London, where he co-leads the Unit for Sound Practice Research (SPR).

In 1998 he co-founded and chaired the UK and Ireland Soundscape Community (a regional affiliate of the World Forum for Acoustic Ecology) for whom he chaired Sound Practice: the 1st UKISC Conference on sound, culture and environments in 2001 at Dartington College of Arts.

Drever is an avid collaborator and has devised work in many different configurations and contexts. Commissions range from the Groupe de Recherches Musicales, France (1999), WDR Studio Akustische Kunst, Germany (2011), Shiga National Museum, Japan (2012). As a core member of arts collective Blind Ditch, he is currently working on the Common Line project (https://thecommonline.uk/), Britain’s first linear forest.

Core Opulence is following