so glad i got to hear this work - outstanding contemporary music !

A cycle looking into eschatological forces inspired by the works of Marlen Haushofer, Catherine Keller, Achille Mbembé, Norman Cohn & Kathryn Yusoff

States of Intermeshing

To A Greyed Rainbow

Performed by Longleash at Loretto (https://www.thelorettoproject.com/) in August 2024

Violin: Pala Garcia
Cello: John Popham
Piano: Alexa Stier

States of Intermeshing: xi.Épilogue

https://rimetrails.bandcamp.com/album/recollections

Recollections

Something Remembered

Isotopes

This track was created for the Naviar Haiku group.
568

https://www.naviarrecords.com/naviarhaiku568-liquid-flowers-hum/

2024-11-20

Liquid Flowers Hum ( Naviarhaiku 568)

Smiling Liquid Flowers (NaviarHaiku568)

Lullaby

El Chumbo_Sandia (EDA BROWN REMIX)

Original Version:::
https://soundcloud.com/arcondenieze4/orage-taon-x-oct24-retangled-no

Photo: Ivons

ORAGE [gen~] - TAON X - Senglar Version

https://www.beatport.com/artist/xfa/589219

MMXXIIIIIIIVKNDLNGCT

Track notes are here: https://llllllll.co/t/disquiet-junto-project-0675-arc-of-the-drone/69838/23

**Disquiet Junto Project 0675: Arc of the Drone**  
The Assignment: Record a drone that goes from simple to complex to simple.

Step 1: You may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Now think about what makes a drone simple and what makes a drone complex.

Step 3: Now record a piece of drone music that begins simple, gets complex, and then gets simple again. And note: The simple drone at the end needn’t necessarily be the same sort of drone with which the piece opens.

Disquiet_Junto_0675] Short Dazzle

"Depuis quelques années, mon intérêt pour les éléments entourant les forces eschatologiques s’est amplifié. En observant les racines historiques et sociales de tels mouvements, il devient rapidement facile de constater les liens indéniables entre les racines de la colonisation globale & le monde capitaliste tel que nous le connaissons présentement avec les discours apocalyptiques. Ces derniers ont et continuent de perpétuellement désavantager les communautés marginalisées, notamment les communautés afrodiasporiques. "States of Intermeshing, viii. what is past is prologue" explore donc la relation intrinsèque de la déshumanisation des communautés noires avec le discours apocalyptique visant l’extraction de ressources à perpétuité et une recherche d’une libération post-coloniale. Dans cette pièce, je rend hommage aux musiques souls et R&B, je présente brièvement des paroles issues d’Achille Mbembé, philosophe camerounais intéressé par la décolonisation, et déploie des mouvements de libération post-colonisation au travers des cellules sonores pour les interprètes sur scène."

Interprété par Paramirabo et Totem Contemporain
Flûte: Jeff Stonehouse
Clarinette: Gwénaëlle Ratouit
Table de babel: Jean-François Laporte
Percussion: Alexandre Lavoie
Piano: Pamela Reimer
Violon: Hubert Brizard
Violoncelle: Viviane Gosselin

States of Intermeshing: vii. what is past is prologue

States of Intermeshing: iv. in-situ

[a mixed shorter version of a live performance at Elebash Hall, CUNY]

Interprété par pinknoise

Flute: Roberta Michel
Clarinet: Kai Hirayama
Piano: Gabrielle Chou
Violin: Johnna Wu
Cello: Iva Casian-Lakos
Electronics I: Simon Kanzler
Electronics II: Corie Rose Soumah

States of Intermeshing: v. of emptiness cut out into black lighting

[live electronics from a live performance at Elebash Hall, CUNY]
pour Simon Kanzler

Electronics I: Simon Kanzler 
Electronics II: Corie Rose Soumah

States of Intermeshing: vi. come to fall

composer_compositrice | new music sorceress

States of Intermeshing: vii. what is past is prologue

Corie Rose Soumah

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