World Wide Booking:

Booking@ismaelrivas.com

IT, DJ/PRODUCER and UNCAGE label founder.
Released on Rekids, Drumcode, Filth on Acid, Ovum and more.

Ever since Marien Baker won a national DJ contest in her home country Spain, obtaining an international record deal with the record label Parlophone Records, owned by EMI Music by then (which is now a part of Warner Music Group), she hasn’t stopped accumulating success after success.

The Valencia-born has proven that her talent has no limits, traveling all over the globe and gaining new fans in every foreign club she has performed at. The renowned DJ and producer was none other than the first woman DJ from Spain to enter the UK Dance Chart.

Marien Baker’s DJ set is an exciting “dancefloor-filler”, perfect to be heard during the peak time of the night. A set that easily extends a bridge between music lovers in general and clubbers around the world. House beats building up an atmosphere that lifts you up to glory. Intense and empowering, Marien emphasizes the attractive and blunt Tech elements and melodies in a stylish technique and energetic attitude that conquer from the moment she gets on the DJ booth.

Her sound has made club-goers dance in spots like Space Ibiza, where she became one of the resident DJs of the weekly party Café Olé by Space Ibiza; Pacha clubs worldwide, also being an official Pacha Agency and Pacha Ibiza World Tour artist; Stadium Club in Jakarta, Piramide in Vienna, Guaba Beach in Cyprus, Ermitage in Kazan, Opium Barcelona or Ministry of Sound in London.

In the last years, Marien has performed in France, Ukraine, Portugal, Indonesia, Italy, UK, Russia, Bulgaria, Switzerland, Egypt, Kosovo, US, Morocco, Cyprus, Turkey, Albania, Croatia, Angola, Brazil, Belgium, Slovenia, Czech Republic, UAE, Qatar, Oman, Dominican Republic, South Korea, Kazakhstan and Guatemala amongst other places and she has released EP’s via No Preset Records and Techaway Records, to later on become the new Label Manager of Lemon-Aid Music, a record label owned by the prestigious tech-house artist Dennis Cruz.

2018 kicked off for Marien with an enormous push thanks to her first solo EP called ‘Rock Star’ that immediately climbed on Beatport to the Top 100 Tech House Chart. In April of the same year she released her second one: ‘The Gift’ on Lemon-Aid Music, this time hitting the Top 100 Minimal / Deep Tech Chart on Beatport.

She has been a frequent guest artist at Medusa Beach Club, sharing the stage with Fatima Hajji, Cristian Varela, Los Suruba, Wally Lopez and Karretero, and her latest EP ‘Ayahuasca’ released under the Mexican Habitat Label, has been supported by names like Neverdogs, Nicole Moudaber, Stefano Noferini or wAFF, amongst others.

Her fourth solo EP called ‘Be The Answer’ has just been released via the Italian label Killertraxx Muzzi K, house of artists as renowned as David Morales, Luca M, Roland Clark, Cassimm or The Deepshakerz, and this summer she will release a brand new single called ‘Black Cat’ on Clarisse Records, label owned by Mendo.

Cori Matius es una conocida Dj de electrónica que se define como un torbellino musical; ha pasado por los mejores clubs de la capital Madrileña, habiendo pinchado en países como Cuba (FAC) fábrica de arte cubano (la Habana), Italia (Roma),Alemania(Colonia-club favela), Londres, Suiza.
 sesión primavera.mp3
Comienza a formarse en el mundo de la producción hace dos años, descubriendo nuevos sonidos a través de estilos musicales desde el techno más melódico hasta sonidos mas tribales como el afro- house. 
El verano pasado fue la encargada de cerrar el Low festival suponiendo un reconocimiento a nivel nacional de su pequeña y gran trayectoria como dj. 
Además de su carrera como dj, es fundadora de Papa Loves Mambo una sesión mensual en una de las mejores salas de la capital, Café Berlín.

My label VIRGO : https://soundcloud.com/virgotransmissions
My label Deep Moves: https://soundcloud.com/deepmoves

Interview for SKY italia. Matchmusic TV 

http://www.youtube.com/watch?v=uQp7_irqGOs

My Alter EGO : http://soundcloud.com/ill-r

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


Connecting club culture to the wider world, on screen and irl through parties, film and video.

NIN3S (aka UNER) is the new alias of one of the most important talents of the last 10 years in the international electronic music scene, UNER. With a classical background including an undergraduate degree in Music Theory & Piano (which he began at the early age of 4), and a Summa Cum Laude graduation in the Art of Mixing from the Berklee College of Music, together with his passion for film scoring and orchestral composition and his love for the art in general led him to focus on this new project and make a big change in his career in September of 2019, after making his first complete soundtrack for an a Polish dramatic film, obtaining since then several international jobs in this new facet.

He is immersed in this and other main musical projects, which combine electronic and classical composition between analog, acoustic instruments and live musicians as well as other artistic projects in the movies industry, arts and live shows.

As a UNER, from debuting in 2009 on Diynamic (Solomun's label), to remixing one of the world's electronic music icons, Laurent Garnier, in 2015, he has had very exciting moments with a brilliant career.
After a life dedicated to music, the rewards came in the form of excellent reviews and audience success, performances around the world and musical releases on the best electronic labels such as Cadenza, Cocoon, Visionquest, or Diynamic, in which he released his debut album “Tune 432", showing his more personal side. In addition, this album showed the continued musical maturity as an artist.
Looking back, we can see that he was one of the top artists on Resident Advisor's annual charts in 2012, in 2013 he was named best newcomer at the Ibiza DJ Awards, and in 2014 the sophistication came with his album, as well as being awarded with more than 10 awards in his career as an international producer and artist throughout all these years. Every milestone reached is celebrated and appreciated, but Manu's ambition made him a stepping stone to the next level. The results are clear: 25 years of career, awards, tours around the world and respect from the music industry. 

Currently, we find Manu completely involved in bringing his knowledge and transferring all his love and passion in all his productions, making a fusion from neo classical composition to electronic music, connecting music with other arts giving that personal and unique point of view that characterizes him. This is how NIN3S was born in the world of arts and comes to position itself in the right place, as he did previously with its other aliases.

Cori Matius is following