Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin

Get Spirited Radioshow! Every Sunday at 8pm on www.radionova.bg

Originally from Ireland,Scratch has been involved in the House scene since '94.Learning his trade on vinyl,he has embraced the digital movement and is as comfortable with a CDJ as he is with a Technics 1210...
Now based in Perth for the last 4 Years he has become heavily involved in the ever growing House scene here.
In a short period of time he has gathered a large fan base and has been  extremely busy playing and promoting house music here.
In the past few year he had the privilage to share stages with some major players and also some house legends like Robert Owens and more recently Erick Morillo,Roger Sanchez, Frankie Rizardo,Sam Divine ,Low Steppa,Dosem, Gene Farris,David Keno,Nic Fanciulli, Monkey Safari, Stacey Pullen, Sebastien Leger,  Bjarki, George Fitzgerald, Nina Kraviz,Weiss and Dennis Cruz.Scratch has also played at the last Stereosonic festival in Perth.And more recently has played for Clockwork Orange at Redhill Auditorium where he shared the main stage with the legendary Tall Paul,Seb Fontaine and Jeremy Healy.
Now being one of Deepsoundz  resident djs and co-presenting Radio show Looney Choons on RTR FM, this has been an extremely busy year and 2017 promises to be even bigger.
Along with his partner in crime Dj DMC these guys always put on a great show and are an essential booking if you are serious about House.
For bookings:
https://www.facebook.com/pages/Deepsoundz/1391607067765562

Inspired by the Berlin way to define Techno.
Since February 2015 I play at Events on our own built record label called JustSin.

Feel free to contact us through justsinmusic@gmail.com

https://www.facebook.com/justsin.de/?fref=nf

BOOKING REQUESTS
World: heike@familyaffairs.de

https://linktr.ee/torstenkanzler

Torsten Kanzler stands for impulsive and powerful techno. Like a chief engineer he operates his set and takes the crowd into a universe of mind-blowing drum-arrangements, creaking synths and warm growling basslines, using „Maschine“ of Native Instrument, two Allen & Heath Xone K2, and an iPad. His direct interaction combined with a spontaneous set with up to four decks spinning make his sets a true happening.
His gigs in all the high places around the globe stand for powerful and profound techno as well as his numerous productions, which make their way into well-known international acts' record bags. Numerous releases on in-demand labels or his own with passion run imprint TKR stand on their own and reflect his obsession and love for techno. Whether as a DJ, producer, or remixer Torsten Kanzler lives techno.

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

Cor Ipskamp is following