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Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

A daily breakdown of the latest story lines, trends, and important developments in the NBA. We promise to keep the Sixers and Celtics discussion to a reasonable amount … or to at least try.

«True Electric» returning to our roots within electronic music

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

In 2008, Denis Lihotzky and Max Keck noticed a void in the Cologne underground music scene. So the two friends decided to start a project with the aim to fill that void: to provide Cologne with a regular event, which focuses on Melodic Techno. As an ode to their homeland, the Oberbergischer Land, they named their event Bergwacht or “Mountain Rescue”, and began to host parties once a month in Cologne’s Artheater. Denis “Liho”, who not only manages its bookings, but is also Bergwacht’s resident DJ, programs each event with an eye for upcoming talent and an ear for extraordinary music. Bergwacht’s guest DJs continue to attract a loyal and energetic audience, and by 2012, Bergwacht has become an important part of the Cologne underground Techno scene. Continuing to follow their passion, in September of 2012, the Oberbergischer troupe launched Bergwacht Records as an outlet to curate and present the music they love most, “Melodic Techno”. Their debut release features Max Keck and his longtime friend and collaborator Sven Kirchner as Tool..8 with remixes by Lanny May and Boss Axis. Bergwacht releases will be available on Vinyl and as digital download. Open your ears and let Bergwacht rescue you.

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