The alchemy of techno is forged with a variety of tools. In darkened concrete crucibles, flowering tongues of light leap lapping across flesh slick with sweat, as bass hammers the shape of the sound into the minds throbbing within. In a city that both reveres and takes such institutions of arcane aurals as commonplace, what revelations may yet be gleaned on the dance floor?
—
The sonic world of Halv Drøm delve deep into this burning question. Weaving science and spirituality into well-established engines of industrial, EBM and post-punk, Saxon Jorgensen’s work seeks to break out of the confines of “dark” music (by this point an overused descriptor, particularly in these crumbling times) to shape something far more imperious and personal. Whereas techno is so often used as a sledgehammer, Jorgensen wields it like an ice-sculptor with a chainsaw.

Rooted in an appreciation of personal magick and political upheaval, accordingly a strong DIY aesthetic is Halv Drøm’s backbone. Field recordings, guitars churned into shrieking maelstroms, binaural frequencies that sidle beneath waves of polyrhythmic experimentation, and a willingness to go beyond comfortable dance patterns are all in play here. Modern electronics and ancient chakra tonal systems form a ritual of harsh healing; imperative in our time.

CNDSD {* _ *} Creative Technologist, Audiovisual Artist and Electronic Music Producer from Mexico City, develops soundscapes with a post-cinematic approach. Her music immerses herself in the vast electronic universe, skillfully fusing a variety of subgenres to offer a unique listening experience.
From Deconstructed Club, Glitch, IDM, Footwork to Sound Collages, through composition and algorithmic execution, CNDSD challenges the limits of hearing and stimulates dance, creating profound audiovisual experiences that have left a trail in the live coding community.
With a career spanning international stages, CNDSD has presented live audiovisual performances at festivals such as Sonart Shanghai, MUTEK in Mexico, Japan, Argentina, Spain and Montreal, as well as at the International Symposium of Electronic Art (ISEA) in Korea and Montreal in 2019, Medialab Prado and Medialab Matadero,  Center for Art and Media | ZKM, the International Live Coding Conference, Aural Festival, Vorspiel and Transmediale in Berlin, ADAF in Athens, and more.

CNDSD's compositions are an amalgamation of organic and synthetic elements, creating a dynamic and expressive atmosphere that invites introspection and also explosion. With a master's degree in sound design for immersive experiences and video games and a propensity for experimentation with unusual rhythms and soundscapes, CNDSD embarks on technological eclecticism in the contemporary electronic music panorama.

Slap people with wet penguins music. 

This is serious mum.

"The Altruist: The Best Of and The Least Maligned (1998​-​2023​)"​ 
The last CD release and sort of best of. Out on ENDE Records in 2024. 
 
https://enderecords.bandcamp.com/

Boris Otterdam - Noistruct/Mandark/Dead Edwood/Split Second/Basic Bitch/Chiprat/Crohn/Analogue Seaotter (formerly Deceased Estate)/DJ Low Turnout/DJ Reacharound/Holt/Midusa/Notex/Seroquelle/Teen Laqueefa/The Wreckener/The Antithesist. 

PLEASE NOTE: This page was initially set up to have somewhere temporary to dump tracks and recordings being passed between myself and other collaborators. 

Since 2021 it has become more of a typical Soundcloud page. My old Soundcloud page 
https://soundcloud.com/noistruct_mandark 

I can't access as the log in and email have long since been lost. You're more than welcome to add or follow it but I won't be on it again. Most of the tracks from there are linked here anyway. 

I have recently added as many of the artists I initially followed on the old Noistruct Soundcloud follow list. These are artists I still enjoy or in many cases are still in contact with. I'd recommend checking out any of them. 

I don't check this page that often and I very rarely check messages. If you want to contact email enderecordsofficial@proton.me

FURTHER INFO:
Co-Founder of The short lived West Australian Breakcore Scene with the Last Ninja, Deadcode, Orange Dust and Rob Curulli. (2000-2010)

One of the most Prolific LGBTQIA Contributors to The Australian Breakcore and Hardcore Scene since 2000. 

Noistruct has played more than 500 shows around Australia (and a few online) with the likes of Funksturong, Scorn, Merzbow, Anscenic (Rob Swire of Pendulum), Converter, Mono No Aware, Epsilon, Xylocaine, Tone Generator (Dom of SPK), Hedonist, Maladroit, Black Lung, Enduser, Animal Intelligence, Souls In Kaos, Tymon, Dep Affect, Captain Raveman, Laxenanchaos, Eiterherd, Din-ST, Istari Lasterfahrer, Duane Buford (Ministry/Revolting Cocks), The Haters, Deutsch Nepal, Whitehouse, E-De-Cologne, Matty Skitz (Damaged/Walk The Earth/King Parrot), Steve Mallinder (Cabaret Voltaire/Acid Horse), Dylan, Limewax, The Dynamic Ribbon Device to name a few. 

Noistruct has collaborated with 2nd Gen, Breakforce One, De La Sensi, Hecate, Nefarious, The Last Ninja, Travis Doom (RIP), Ghostsoul, Erohypnos, Krobatt, Michael T. Roper, Crippling Self Doubt, Soulscientist (RIP) and Solypsis to name a few.

Noistruct has been remixed by Mick Harris (Scorn/Quoit/Napalm Death/Lull/Monrella), CARTHAGE, Khost, Xylocaine, Bomb20, Aaron Spectre, Enduser, 4e (Khan), Bombardier, Kurrupt, Angie Reed, Somatic Responses, Sirius, Hellcreator, Bioxeed, Disrrr, Raxyor and Submerged to name a few.

Noistruct has played events, festivals, shows and podcasts such as Artrage Festival WA, Cybernoize, Teratology, Noize Kids Sound System, The Perth Arts Festival, The Distorted Festival, Therapy Sessions, The Difficult Music Festival, Hardsoundradio, Hardsoundradio (Aussie Edition), Toxic Sickness Radio, SickWeirdHard, Krachmacher, Reclaim The Streets, Black Cross and Soundclash to name a few. 

 Boris Otterdam has organised over 600 shows both around Australia and online and has released over 130 singles, EPs and albums on cassette, CD, vinyl and digital in PAYL (pay as you like), 100% free and paid releases as Noistruct, Mandark, Notex, Holt, Deceased Estate, The Antithesist and various other projects self released and released on labels around the world.  

Organiser and Curator of Australia's Largest Ever Podcast Streaming Festival "After Midnight" in 2020. 

Final Host of System Corrupt Radio Show on 2ser Sydney (2003)

Former Radio Show Host and Graveyarder at RRRFM Melbourne (2004-2013)

Founder, Promoter and Manager of Illegal Frequencies Radio Show and Event Promotions in Sydney Perth, Brisbane and Melbourne. (2003-2013)

Co-Founder of West Australian breakcore/IDM/experimental label 8-Bit Recordings with The Last Ninja and Deadcode (2000-2014)

Head Label Manager and Founder of Australian Independent Label/Distribution/Publishing Company ENDE Records since 2014. 

The founding Member of Australian noise collective Analogue Seaotter (since 1998), Post-Metal/Industrial band KFK (since 2002) and art-rock/noise band Muscl Nerv Preparation (since 2022).  

Former member of... 
Mindless Shit (1994-1995)
deadxdoll (1998-1999)
Procardia (1999-2000)
Trash Seaotter (1999)
Devastis (2000-2003)
Nauthiz (2000-2001)
Canesten Crotch (2001)
Ape Shall Not Kill Ape (2001-2002)
Spastic Ooze Monkey (2001-2002)
The Molklones (2002-2003)
The Longmore Boys (2003)
Goatma (2003)
Camp Hill (2007)
Gunt (2011)
The Lunchcutters (2011)
Cobra-La (2012)
The Fingermarys (2016-2017)
The Day The Music Died (2018-2023)
Doris Butterspam (2022)
The Asssouls (2022-2023)

Followers of Correctional Services