Heavy rock / doom metal

worthy covers only

accoustic

SC friends's covers

Best of SoundCloud June 2025

IT HURTS TO MISS YOU ALREADY, BROTHERS

June 2025 - Part 5

INTERACTION FINALITY IS TO LET DREAMS GO

[UNDER CONSTRUCTION]

Tradacoustic series no. 398

Music, mostly recent, a few days old, a few weeks.

created: 2025/06/23, released early with 4 tracks, max is 20

hk_tradacoustic_398

Lyrics, Arrangements, production & Melody Composed by Jah-Femi Telewa

Played/Co-Produced by Dmitry Strakhov

Rock: Heat Free - In War

K2 and the Three - drums, percussion, bass
@k2andthe3 / @k2-kara

Cosmic Keanu - mix, guitar and vocals

Mastered by Hobocop (OfficerMurphy)
https://soundcloud.com/metrocityrecords

Personal Jesus - Johnny Cash Cover (K2 and the Three & Cosmic Keanu)

The Dawn of the Mystics: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Cover Art / Photo: Evandro Lira aka Vintage Mutation (in the background, above, photo of the planet Venus)

“The return of the mystics for the awakening of human consciousness”.

“Even times of oppression are worthy of respect, for they are the work, not of men, but of humanity, and therefore of creative nature, which can be harsh, but is never absurd. If the times we live in are harsh, we have the duty to love it even more, to penetrate it with our love, until we have removed the enormous mountains that hide the light beyond them”. (Walter Rathenau)

The Dawn of the Mystics

Watch the video on YouTube: https://www.youtube.com/watch?v=5eMcNf-4FdE

Music & Production: Hobocop https://soundcloud.com/metrocityrecords

Vocals, Lyrics & Art by Cosmic Keanu

RUNNING MAN

We’ve come this far
can’t stop now
never give up
Remain strong

We’ve come this far
can’t stop now
never give up
Faith moves mountains

We can’t turn away from everything 
that we once knew
Everything that ever came before
What was sure

We do and everything will fall apart 
before too long
And all the dominoes come falling down
One by one

If we could only see through the lie,
Our hope won’t die
The truth will be revealed in time,  
Keep the faith

Convenient illusions of security
killing slowly
The poison rises exponentially 
Leaves us blind

What’s called belief Is a living energy
Communion is gained
When we are separate from this  reality 
there’s nothing

Our hope will never be extinguished
The flame persists
Even in our very darkest hour 
It lives on

Video

Running Man (Hobocop & Cosmic Keanu) VIDEO AVAILABLE

a COVER of a great song written by JIMMY REED in 1961 
Bass David Warner 
rhythm , lead and slide Guitar Roger Walker
percussion Francis Hornby 
vocals Roger Walker and 
Francis Hornby . 

recorded in Stockport (which isn't shit !!) 
and Macclesfield 2023

i do not claim or own copyright to this song

powdered mountains 

bright lights big city COVER . written by Jimmy Reed (pictured) 1961

Soldier

I am happy to present a further great collaboration with southafrican Singer Songwriter Mike Hill.

Credits:
@mikehillravenscall: vocals and lyrics
@nobsmeyer: guitars, bass, drum production, mix and mastering.

In a world where we all live with broken dreams,
Through the storms we will walk, legs shackled in chains
With fiery eyes, Uncontrollable rage
Still defiance in faces. Our souls are still wild
With passionate cries, we fight for our places
We’ve seen all the signs, we’ve seen all the signs
Chorus
Oh, we’re floating through fire. Our hearts are on fire, we’re holding on
We carry on, nothing controls us.
We’re floating through fire. Our hearts are on fire, we’re holding on.
We’re holding on. We carry on. Nothing controls us
Floating through fire. Floating through fire. We carry on, floating through fire.
We carry on.
Bridge
Oooooh. Ooooh. Oooooh, OOOOH
We’ll be holding on with fire in our eyes.
We’ll be fighting on with fire in our hearts
We’ll be floating on, onto paradise
We’ll be holding on, onto paradise
We’ll Carry on
Chorus
Oh, we’re floating through fire. Our hearts are on fire, we’re holding on
We carry on, nothing controls us.
We’re floating through fire. Our hearts are on fire, we’re holding on.
We’re holding on. We carry on. Nothing controls us
Floating through fire. Floating through fire. We carry on, floating through fire.
We carry on.

Floating Through Fire

Songteksten cover  

If you, if you could return
Don't let it burn
Don't let it fade
I'm sure I'm not being rude
But it's just your attitude
It's tearing me apart
It's ruining every day
I swore, I swore I would be true
And honey so did you
So why were you holding her hand?
Is that the way we stand?
Were you lying all the time?
Was it just a game to you?
But I'm in so deep
You know I'm such a fool for you
You got me wrapped around your finger
Do you have to let it linger?
Do you have to, do you have to, do you have to let it linger?
Oh, I thought the world of you
I thought nothing could go wrong
But I was wrong, I was wrong
If you, if you could get by
Trying not to lie
Things wouldn't be so confused
And I wouldn't feel so used
But you always really knew
I just want to be with you
And I'm in so deep
You know I'm such a fool for you
You got me wrapped around your finger
Do you have to let it linger?
Do you have to, do you have to, do you have to let it linger?
And I'm in so deep
You know I'm such a fool for you
You got me wrapped around your finger
Do you have to let it linger?
Do you have to, do you have to, do you have to let it linger?
You know I'm such a fool for you
You got me wrapped around your finger
Do you have to let it linger?
Do you have to, do you have to, do you have to let it linger?

Linger (cover Cranberries) remastered

Pabellon_street

Original The Beatles 1968 this is a cover of Jeff Healey's version

PdB Orchestra : Guitars & Organ

While My Guitar Gently Weeps

Harvest Moon

Original sung by Bette Middler (1979)
Written by Amanda McBroom

This is one of my favorite song, just had to do it....

I used Piano backing track

The Rose (Cover)

I recorded this at about 4 AM chicago time.  Its spring ahead daylight savings time. We lose an hour and hopefully gain some sun. 
I really have a very small catalog of cover songs I know. This one I used to play live at every show.



Summertime  ( Gershwin )

Roy Roy:  strum guitar, arpeggio guitar, chorus, broken beat loops https://soundcloud.com/user-967672349

J.J. Terrell: lead vocals, piano, accordion https://soundcloud.com/j-j-terrell

Lost Cause - A song by Beck

Your sorry eyes, they cut through bone
Make it hard to leave you alone
Leave you here wearing your wounds
Waving your guns at somebody new
Baby, you're lost
Baby, you're lost
Baby, you're a lost cause
There's too many people you used to know
They see you coming, they see you go
They know your secrets, and you know theirs
This town is crazy, but nobody cares
Baby, you're lost
Baby, you're lost
Baby, you're a lost cause
I'm tired of fightin'
I'm tired of fightin'
Fighting for a lost cause
There's a place where you are goin'
You ain't never been before
There's no one laughing at your back now
No one standing at your door
Is that what you thought love was for?
Baby, you're lost
Baby, you're lost
Baby, you're a lost cause
I'm tired of fightin'
I'm tired of fightin'
Fighting for a lost cause


Lost Cause - Beck cover by Roy Roy and J.J. Terrell

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

Original by The Beatles (1970)
I used a piano backing track on this

I have been sick, and my voice is not completely healed yet, but it is what it is :)

Let It Be (Cover)

A soundtrack from the double star system Døåregæan 51

Hybrid Symphony Nr°3

Drip, Drop, Jump & Run

E-Nobody Anticipated

We are having too much fun with these cover songs! This blues-inspired ballad has been covered by everyone from Sting to Stevie Ray Vaughan. 

Music Production & Photo by Thomas Mierkiewicz @user-297959700 Lemonbrew
Guitar solo by mugwump nazz 
Vocals by Kate Stanton 5/9/2025

Written by Jimi Hendrix 1967
Well, she's walking through the clouds
With a circus mind that's running wild
Butterflies and zebras and moonbeams
And her fairy tales
That's all she ever thinks about
Riding with the wind
When I'm sad, she comes to me
With a thousand smiles, she gives to me free
"It's alright" she says, "It's alright"
Take anything you want from me, take anything
Anything
Fly on, little wing

Little Wing (with Lemonbrew)

We all need moments to disconnect from everything and just breath.
Todos necesitamos momentos en los que desconectar de todo y simplemente respirar.

Day Break

Liz Dreher - Resonate - The Ruff Mate Remix

Dystopia- Short Movie main theme. Now on Fetchflix

This is the story of a young woman looking for her husband in the city devastated after a modern civil war caused by an evil and greedy leader.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental. And for those who did not get it, Fetchflix TV is also fictitious.”

Music: Syrel
Photography: Meta AI

Musical notes: I was probably high when I composed that one because I can’t refer to anything I listened to or everything I listened to. Too much camomile probably. Cheers

Dystopia

This is your life

HELLO FRIENDS AND MUSICAL COMPADRES!  TO BE TRUTHFUL, I HAVENT BEEN VERY MOTIVATED TO CREATE MUSIC, ARRANGEMENTS, SOUNDZZZZZ, OR ANYTHNG MUSICAL REALLY....UNTIL LATELY, I TRY NOT TO MAKE ANYTHING UNLESS I FEEL IM DRAWN TO DO SO, OTHERWISE, IT SEEMS THE END RESULT FUCKING SUCKS MOST TIMES....I AM VERY HAPPY WITH THIS NEW ONE HERE, SO TAKE OFF, BLAST OFF INTO WHEREVER YOUR MIND TAKES YOU....BIGGGGGG LOVE ALWAYZZZZZZ, ROOTS!!!
P.S. IM GOING TO GO THROUGH AND CATCH UP AND TAKE THE NECESSARY TIME TO TRULY ENJOY YOUR PIECES THAT I AM VERY BEHIND ON....I TRULY LOOK FORWARD TO IT !!!!

SAMPLES:  AUDIO/SOUND BYTES FROM 1991"BOYZ IN DA HOOD" FILM BY JOHN SINGLETON 
*I DO NOT OWN THE RIGHTS TO THESE SAMPLES

FINALITY HAS NO DEATH

It slips across the skin like water,
no edges, no beginning.
A breath not yours,
a gesture remembered but not lived.
Faces pass through you —
soft as mist, sharp as regret —
and somewhere beneath them all,
a silence grows,
where once there might have been a name.


Mask of the Mimic

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

desert dream

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — acoustic guitar, vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, and Roland organ
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitrar
Mistermark-- @user-432503709 -- Mark – triangle, and ancillary vocals

This song began when Carl, who is always making connections on the Cloud, was inspired to write a song about our bandmate, Mark. As you can tell from his lyrics, Carl shares our appreciation and respect for our resident Canadian singer and multi instrumentalist. So, when he had the chords worked out on his acoustic guitar, and a great vocal track, he recorded them and started a project, to which the rest of Eclectic Collective were invited.
  First up to bat was Ken, laying in his always clever, essential beat for the rest of us to work with. Stephen was the next person to lay down a track, which was his essential, but subtle electric rhythm track. Later, after it was almost done, he also added a fiery solo in the firt part of the ending section. Josh came along right after Stephen, laying down his signature fretless bass. He also added the organ shortly after, as well. Tez entered the fray next, adding the lightning, Gilmore-esque final solo in the end section. 
  We considered what to do with this song for a minute, too. The thought was whether to present it to Mark as a gift, or to include him in the mix. We decided to go with the latter, and he added the awesome vocalizations towards the end, as well as some cool triangle.
  Once we had it in the bag, we turned it over to Stephen for the production, mix, and mastering, which he always does in a very pro manner.
  This is our second of hopefully many songs with Carl. If you have good music on your page, there's a good chance that he'll hit you up to collaborate. Like the moon, he's everywhere, and he's a damn fine collaborator, too. We hope you enjoy hearing this as much as we enjoyed creating it.
Carl also wanted to share this message about Mark, as well.
  "This song is written for our Canadian friend Mark. Mark is a pivotal member of the Eclectic Collective who as a band and equally Mark as an individual I'm discovering are phenomenal to work with. I was particularly struck how multiple generations of Mark's family enjoy music and creating together. Thanks for your music man. You really do show a unique approach and I look forward to making more really enjoyable songs like this one with you buddy. In my head lyrically Mark is whoever you focus the love on. Rock and Real!" ----TBD

Original lyrics by The Beautiful Dark:
You are the Mark
Mister Lark
Pedigree Bark
Stunning musical stark
Meet Mistermark

From Wondr to Bossa
All from I' Spy
Projecting your best
Proud human melody cry

May 2019
Maybe some fear became esteem
Soft bands in garage channel a way
Internal dreams in sound found light this day

So Dad was a seed
Kudos big man
You do good breed
In music we learn with proper concern
I think now you found Josh the EP

So onto Collective
You expand their perspective
With you and your music
Now Earth gets more fuses
Because of your music
It's a better blue ball
I know I certainly love hearing Marks call

We pressed the remote
We having those jams
Let's get it on and get more brain tan
We singing to clan
Wham bam thank you man

Miss No Mark-The Beautiful Dark/Eclectic Collective

Life’s a wild ride

Conga and Bass brothers

THE TIME IS UPON US

Picture: The Return of the Prodigal Son, 1873 - Julius Schnorr von Carolsfeld

Cover of Johnny Cash's version of the original NIN song

Hurt (Johnny Cash Cover)

Soltás y das

Cuando el viento choca en los cristales
y la luna funde con la piel.
cuando sombras caen como puñales
y las horas van a su merced.
Y a pesar de los días en que dudas en creer.
Soltás, soltás, soltás y das, soltás, para ser.

Cuando la memoria vuelve al frio   
y el invierno espera en el umbral.
cuando llega del miedo y el astío
en silencio miras que hay atrás.
Y a pesar de los días en que dudas ensoñar.
Soltás, soltás, soltás y das, soltás, para ser.

Y a pesar de los días en que dudas en creer.
Soltás, soltás, soltás y das, soltás, para ser.

Letra y música
Pichy Sotomayor

Soltás y das

Swamp Interactions

Kemba - Already (Dramantic Remix)

God knows you

NIN Setlist 


Right where it belongs
Ruiner
Piggy
Wish
March of the pigs
The Frail
The Wretched
Reptile
Copy of A
Gave Up 🥳
Vessel
Parasite
Came Back Haunted
Mr Self Desteuct
Heresy
Closer
Afraid of Americans 😃 (the smile is because it's a David Bowie song 🙏🏽 It actually felt a little bit weird not hearing his voice but was still epic)

the hand that feeds
Head like a hole
Hurt


https://www.rollingstone.com/music/music-news/nine-inch-nails-perform-live-rarities-tour-kickoff-dublin-1235365343/

Love

Open Flesh Wound : Catheter Strangulation

Song: No Mafia
Artist(s): KooKerpo
Genre: Slap House

Verse 1:
He said he'd take me for a ride
And I said
"Baby
Not tonight"
He said
"I wanna change your life"
And I said
"Baby
Not tonight"

Verse 2:
I like the gold
I like the glitz
He said
"I got it
And it's lit"
I like the fame
I like the hits
But if you love me
Baby
Say it

Pre-Chorus:
Ooh
My body's got you wantin' it
Ooh
Your body's got me wantin' it
Ooh
My body's got you wantin' it
Ooh
Your body's got me wantin' it

Chorus:
No mafia
Just my lover
He just want my body under covers
No mafia
Just my lover
He just want my body under covers
[Post-Chorus]
He just want my body
He just want my body
He just want my body
He just want my body

Verse 3:
And I said
"Tell me all your plans"
He said
"You wouldn't understand"
I said
"You're not that kind of man"
He said
"You don't know who I am"

Verse 4:
And I said
"Baby
Get a grip
You're too obsessed with all that shit"
I said
"I'm so over it"
But if you love me
Baby
Say it

No Mafia

Houdini

Goin' Blind

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

Be excellent to each other!

"For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places."
--Ephesians 6:12

"Now may our Lord Jesus Christ Himself and God our Father, who has loved us and given us eternal comfort and good hope by grace, comfort and strengthen your hearts in every good work and word."
--Thessalonians 2:16

Enter through the narrow gate. 
For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.
--Matthew 7:13-14

For am I now seeking the favor of people, or of God? Or am I striving to please people? If I were still trying to please people, I would not be a bond-servant of Christ.
-- Galatians 1:10

"No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon."
--Matthew 6:24

Hurt (Johnny Cash Cover)

cosmic keanu