@regfant taking over for the second hour :)

tracklist: https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-regular-fantasy-17th-august-2023

NTS Radio Show - Episode 36  Pt. 2 w/ Regularfantasy

Kicking off the recordings from the last event back at the start of the month we have @midnightswimsounds. Laying down a gorgeous and groovy foundation of stripped back beats, luscious street soul, glimmering vocals and breezy grooves. 

As expressed, Tom's selections exude confidence and emit a very welcoming and safe aura. Years of steady grinding have built up this ability, It's something so unique, warming and comfortable that you won't find in most other DJ's. 

It's perfect for lazy summer days so get stuck in! 
Like and comment for ID's or just to say G'day and keep your eyes peeled for more to come!

Cosmic Boogie
xoxo 
❤️😘❤️😘❤️😘

Tom Studdy Live Cosmic Boogie 0510

MOVE ムーブ Presents: Telephones at DOMMUNE, Tokyo 2025.09.30

The recording of my set at Sustain Release Year 11 ~ playing 1.30-3.30AM Friday night at The Grove before Donato Dozzy 🌲🌲🌲

This set is a potent brew of pulsating deep techno, alienoid dubstep, freaky psy-prog, dubwise steppers, cosmic 90s techno, acid stompers & beyond ~ The energy in the woods was wild that night, with spaceship lighting taking us off into the galaxy 🧚🌲👽🔮📡🍄🦎🛸

Thank you so much to Aurora Halal and Amelia Holt for the invitation to be a part of Sustain Release this year, it meant so much to me to play at this special gathering  ❤︎ ⟡⋆˙

Feat. music from Polygonia, Emily Jeanne, Phil Berg, Mike Parker, Feral, Kincaid, Yogg, Shoal, Andy Martin, RM Estali, Blazej Malinowski, Mantra, Uun, Space Drum Meditation, Ness, Ruman, Psyk, Anomali, Trois-Quarts Taxi System, Cari Lekebusch +++

Sybil @ Sustain Release Year 11

The recording of my ambient set at Sustain Release Year 11, opening the Bossa Lounge on Saturday evening from 9PM-midnight. 

This set is 3 hours from the heart journeying through time&space across ambient, downtempo, trip hop, acoustic instrumentals, synthesiser pieces and all inbetween 💞 

This is one of my favourite ambient DJing experiences I've had, I felt so at home in the Bossa Lounge and such a deep sense of attentiveness from the audience, thank you to all those who travelled with me on this trip.

Feat. music from tarotplane, Wilson Tanner, Re:Axis, Artekaft, Biosphere, Vangelis, Martin Stürtzer, VC-118A, LF58, Pablo’s Eye, Kaspiann, Daniel[I], Miriam Makeba, Robbie Basho, Rene Lorenzo, Neotropic, Mad Professor, Jefferson Airplane +++

Thank you so much to Aurora Halal and Amelia Holt for the invitation to be a part of thie year's Sustain Release, it meant so much to play at this special gathering. 

I hope you enjoy this memory ❤︎ ⟡⋆˙

Sybil @ Sustain Release Year 11 {ambient set}

Slam City FM is back with the final show of 2025. First hour with a deeeep selection by label heads Rhode & Brown. Second half with a special B2B set by Denmark's finest DJ Popup and Track & Trace. Tune in 📡

@why_u_poppin
@levain8000
@rhodeandbrown

Slam City FM 60 I w/ DJ Popup b2b Track & Trace + Rhode & Brown I via Radio 80000

One of the defining producers of the 21st century steps up for a rare, era-spanning mix.

We've been in a reflective mood lately: mulling emergent icons, modern classic and the cyclical nature of trends. All things bend around eventually, but if you lived through the mid-'00s the first time, it felt tricky to envision some specifics of those interim years making a second splash. More fool us. Amongst many other things, dubstep is well and truly back.

This resurged appetite for low-end has been a central storyline in 2025. Clear tells were there in the form of Introspekt's Moving The Center and Tracey's "Sex Life," two major highlights of the past 12 months. Alternately, cup your ear to the tremors rumbling across the world and you'd find Mala packing up crowds with gusto. Which makes closing out the year with a mix from the man himself serendipitous.

The South Norwood-born sub sensei has held an anchor role in the movement since its earliest days. A little like what Upsetter was to Black Ark, the principles Mala, Coki and Loefah's DMZ laid down have been expanded on by Deep Medi, a label that has cultivated a loyal fandom who watch over the catalogue like a hawk. (Six years of frothy debate and knowing in-jokes between MEDi 99 and MEDi 100 paints a picture of both steep expectations and an affinity for gently ribbing their leader.)

But Mala's banner 2025 hasn't relied on the heads alone. The adrenaline of his fissuring basslines and barrel-chested vocals have drawn people into his orbit, and there are rarer qualities at play, too—like pacifism, winked at by the demilitarized name and reinforced on their all-time greatest tune; or contemplation, inked on flyers beseeching the crowd to meditate on bass weight.

In that spirit arrives a mix we've asked after for years. Subtitled The Listening Session, it's rare on two counts. Despite his enduring popularity, Mala is a conspicuous absence on most DJ series. (It's not that he doesn't enjoy recording, just gets spooked by the reaction.)

A nearly-three hour studio set—spaciously paced and laced with a combination of 2025 highlights, freshly-cut dubplates and some of the biggest anthems in the genre's history—is unheard of. No tracklist for now, on Mala's request. Soon come.

RA.1016 is the kind of document that jogs the memory back to when dubstep was a discrete enterprise, something you could only fleetingly access by, say, dialling into Youngsta on Sub FM, ripping 320s of "Circling" off long-forgotten blogs or hugging the back wall of Mass. Which, in service of thinking the evolution of 21st century electronic music, is pretty perfect really. 

Find the interview at ra.co/podcast/1035

@maladmz
@deep-medi-musik

RA.1016 Mala

Banana crew, here’s something special. 🍌

Our friend Axel Haxel is checking in from Peru — and he’s put together a mix that feels exactly like the person he is: warm, curious, a bit cheeky, and always digging for the good stuff.

It’s a blend of sunny grooves, Peruvian atmosphere and those little oddball tracks he somehow always manages to find. 

Hit play, lean back, and let Axel take you on a trip through his Peruvian soundscape. 🇵🇪✨

ID Requests -> @axelhaxel

To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖
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AXEL H

Collector John Gómez brightens up Mondays with some music from different times and different places.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-8th-december-2025

Soup To Nuts w/ John Gómez 081225

Wax'o Paradiso Meredith Sunrise 2025

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

MDC.316 Pure Science

Cosmic Boogie: The party for the people. No to Egos, Yes to Good Times. 

Party run by Rubio

Artists & labels please send promos/demos for radio play to: cosmicboogie1@gmail.com