3. Distraction

7" and Digital out May 13, 2014. 

Order the 7" and get instant download of this song : https://bastardjazz.bandcamp.com/album/montreux-sunrise-trans-alpine-express

After the dynamo sophomore release that was 2013's "Curiosities", New Zealand's Lord Echo returns to Brooklyn's Bastard Jazz label, this time producing Kiwi trio The Elder Statesman comprised of twin brothers and Wellington fixtures Christopher (piano) and Daniel (double bass) Yeabsley with Lord Echo himself on percussion and drums. 

On the "A" side, Montreux Sunrise is mellow meander through a laidback early 70s souljazz vibes, while "Trans Alpine Express" picks things up on the B side with a deep, spiritual piano groove, upfront doublebass, and Echo's percussion perfectly in the pocket. 

A timeless gem of a 7" from Bastard Jazz, releasing their own namesake for once!

Buy 7" or Digital

The Elder Statesman - Trans-Alpine Express

Order the 7" and get instant download: https://bastardjazz.bandcamp.com/album/montreux-sunrise-trans-alpine-express
Official remix: https://soundcloud.com/bastardjazz/04-montreux-sunrise-tee?in=bastardjazz/sets/bastard-jazz-presents-hear-no-evil-vol-3

After the dynamo sophomore release that was 2013's "Curiosities", New Zealand's Lord Echo returns to Brooklyn's Bastard Jazz label, this time producing Kiwi trio The Elder Statesman comprised of twin brothers and Wellington fixtures Christopher (piano) and Daniel (double bass) Yeabsley with Lord Echo himself on percussion and drums.

On the "A" side, Montreux Sunrise is mellow meander through a laidback early 70s souljazz vibes, while "Trans Alpine Express" picks things up on the B side with a deep, spiritual piano groove, upfront doublebass, and Echo's percussion perfectly in the pocket.

A timeless gem of a 7" from Bastard Jazz, releasing their own namesake for once!


Buy 7"

The Elder Statesman - Montreux Sunrise

🍜☁️🐉 (Vol.219 | Nov 30, 2025)

Dry Echo Under Skin

From some drift

** PRE-ORDER **
https://tenderlonious.bandcamp.com/album/the-shakedown-featuring-the-22archestra

Yussef’s Groove kicks off with driving drums, and each of the 22archestra enter steadily, fully utilising their virtuosic power, switching between low-slung bass, chic open piano solos and hazy electric piano.

The Shakedown

Yussef's Groove

YUSSEF’S GROOVE

Taken from the debut Kamaal Williams LP 'The Return'
Buy / stream here: www.smarturl.it/kw-thereturn

The Return 

Kamaal Williams - High Roller

Gilles Peterson's Havana Cultura Band - Orisa feat. Dreiser & Sexto Sentido
Digital release: 21st May 2012

01. Atjazz Love Soul Remix
02. Atjazz Astro Dub
03. Chancha Via Circuito Remix
04. Alex Patchwork Remix
05. Original Album Version

iTunes preorder:
http://itunes.apple.com/gb/preorder/orisa-remixes-feat.-dreiser/id523287695

www.havana-cultura.com
www.brownswoodrecordings.com 

iTunes Preorder

Gilles Peterson's Havana Cultura Band - Orisa feat. Dreiser & Sexto Sentido// Remixes

Clear Path Ensemble is the neu project and brainchild of Wellington jazz and sonic arts graduate Cory Champion. Also producing left field house and techno under the name Borrowed cs, Clear Path Ensemble is Cory’s first offering to the jazz gods. Having spent many years playing drums alongside some of New Zealand’s most talented musicians in the revered Wellington jam session scene this release is an amalgamation of the energy & spirit that the Wellington scene encompasses. Walking over the blurred lines of psychedelia and spiritual jazz and taking cues from planetary rhythms and celestial oddities, CPE invokes a higher sense of self through the transformative power of sound. In it’s truest essence these are a collection of cosmic compositions and a release that in our opinion is one of the heaviest to ever emerge from the New Zealand neo-jazz scene.

Vinyl - Digital .
https://clear-path-ensemble.lnk.to/cpe

Manufactured and Distributed by HHV Records
Artwork & Graphic Design by Jonathan Castro & Martin Groch

Clear Path Ensemble

Clear Path Ensemble - Jerry's Funk

Pulsing Afro-Latin roots and UK jazz combine on Grown, the latest album by London-based quintet Waaju, released via Olindo Records. Fusing dexterous hand-percussion, hypnotic guitar riffs and soaring melodies, Waaju connect a wide range of traditional musics percolating at different corners of the global soundscape yet with a distinctly of-the-moment and British jazz flavour.

Led by drummer and percussionist Ben Brown (Alfa Mist, Dizraeli, Ashley Henry), and comprising members across the UK’s extensive music scene including, percussionist Ernesto Marichales (Jordan Rakei, Sigala), guitarist Tal Janes (Nubiyan Twist, Bahla), Sam Rapley (Fabled, Maria Chiara Argiro) and Joe Downard (China Moses, Judi Jackson), Waaju’s unique and divergent sound connects the dots between the likes of Beth Carvalho, Oscar D’Leon, Alain Peters and Los Muñequitos de Matanzas. 

Waaju formed as a means of exploring music’s hidden connections, from trance-inducing Moroccan gnawa to Caribbean carnival music, and embracing them to reflect the different layers of London’s own musical culture. It was the band’s love for Mali’s folk music – and Ali Farka Touré’s stylistic prowess in particular – that first set the project in motion. London’s Jazz Cafe invited Waaju to reinterpret classic tracks from Farka Touré’s catalogue to sold-out audiences in 2018 and 2019. According to Brown: “Ali’s one of the best. He has such a unique sound. His playing is so gnarly. His spirit and attitude are things I always think of when making music.”
Waaju (meaning ‘to urge, inspire or influence to take action’ in Bambara) blend Latin polyrhythms, psychedelic Malian blues licks and dancefloor-oriented UK jazz arrangements. Following the group’s 2018 self-titled debut LP, Grown represents Waaju at their most distinctive and refined. The record begins with Moleman, a reminder of the craft and intricacy of composition Waaju has become known for. Gritty, clattering metal defines its sonic makeup, whilst gently hinting at influences such as dancehall and jungle. Listening Glasses follows and it’s clear why this is the album’s lead single – its Afrobeat-like energy and joyful interplay between guitar and tenor sax lies somewhere between Tony Allen’s grooves, chimurenga guitar and Headhunters’ funk.

Joe Downard’s skulking bass frequencies take centre stage as heavy dub grooves almost tear themselves apart on late night jam Rollando. Time’s Got a Hold was co-written by Waaju and Jordan Rakei for a live show together in November 2018. Kicking off side B, this version features guest vocalist Will Heard and some rhythmical triplets, evocative of 1970’s sega from La Reunion. Pulling back the tempo and dimming the lights, cavernous percussion fills each corner of the room on the sparse yet purposeful Wassoulou, whilst the title and final track shows off the many dynamic sides of the outfit’s far-reaching sound, with its expansive harmonies and explosive climax spanning influences as wide as Yoruba Andabo to Hendrix, signing off an exciting and energetic second LP from Waaju, at their most commanding. 

Pre order : 
›  https://olindorecords.bandcamp.com/album/grown

Diffusé le 3 juin 2020
Broadcasted on June 3rd 2020

Waaju 
› https://soundcloud.com/waaju
› https://www.facebook.com/waajumusic/
› https://www.instagram.com/waajuofficial
› https://twitter.com/waajumusic

Olindo Records
› https://www.facebook.com/olindorecords
›https://olindorecords.bandcamp.com/
›https://soundcloud.com/olindorecords

Clear Path Ensemble - Jerry's Funk

Cosmic Compositions