Goodbye Remixes

Giddy All Over (Jlin Remix)

Comenzamos nueva temporada publicando la sesión con la que arrancaba el proyecto Capsula. RADO, miembro del equipo del sello de electro “Noise to meet you”, nos regaló este set lleno de elegancia que cautivó al público desde el primer corte, una selección especial llena de delicadeza y que nos puso a bailar bien rápido. Un gusto haberle tenido abriendo la Capsula. 🙏🏼

Rado @ Cápsula ///00001

Carrier feat Gavsborg - The Fan Dance

Portal

Merzbow, Iggor Cavalera, Eraldo Bernocchi - Nocturnal Rainforest
Label: PAN
Cat.No.: PAN 154
Release Date: 03 October 2025
Purchase: pan.lnk.to/NocturnalRainforest

The first collaboration between Japanese noise titan Masami Akita, aka Merzbow, iconic Brazilian drummer and producer Iggor Cavalera and forward-thinking Italian guitarist and sound designer Eraldo Bernocchi, 'Nocturnal Rainforest' terraforms a sonic landscape that's almost overpoweringly dense and disorienting, but never aggressive or chaotic. It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere and sensory overload. The noise itself is used to provoke a refined level of focus; 'Nocturnal Rainforest' is mediative in its own way, enveloping listeners with waves of distortion, phantasmic unmetered rhythms and perplexing processed field recordings, but it's not intended for passive listening. Made using a fusion of bespoke techniques the trio have been developing for decades, it exists in a raw and mystifying liminal zone between the organic realm and the digital world - a place that's too hauntingly familiar to be ignored.

'Nocturnal Rainforest' is a product of each artist's ongoing musical evolution, powered by extreme music but tempered by deep listening techniques that expect presence rather than dissociation. On 'Swietnenia Macrophylla', evocative humid soundscapes provide a precarious sense of security at first, blurred at the edges by purring oscillations that mimic the jungle's fauna. And that peace is quickly ruptured by percussive, foghorn-like distortions that mark out the scale of the trio's vision. Not just raw noise, the rougher elements are cut with subtle waves of billowing ambience and muggy low- end drones before the track launches into a symphony of computerized stutters. There's a constant push and pull between organic and artificial sounds - before there's been time to acclimatize to the DAW corrupted noise, collaged tape saturations and slashed amplifier hum muddies the atmosphere, purposefully confusing the senses and obfuscating the sources.

And the thought is continued on 'Ceiba Pentandra' when the trio follow the jungle's teeming sonics with growling, whirring electronics and dense interference. What starts as birdsong and an choir of insects mutates into a wall of deafening, transcendent full-spectrum texture that cracks open like a slow-moving storm over a shadowy wilderness.

Merzbow, Iggor Cavalera, Eraldo Bernocchi - Swietenia Macrophylla

Powell
WDR-EP1
Digital 
Released: 14th November 2025
Diagonal Records (DIAG073)


6_Shuffle Me Fast (DIAG073)_M_4824

fabric.lnk.to/ratiosIV

Critically acclaimed producer Nick Worrall pka Wordcolour returns to the Houndstooth fold with his latest Ratios IV - a sublime 2 track cut with lead single “Spiral Emoji” showcasing his distinct and lauded production skills. Ratios IV follows on from his previous Ratios I, II, and III and will be the penultimate EP with Ratios V album coming in Q2 2026. Revered amongst his peers, with fans including Djrum, Aphex Twin, Arca, Autechre to name a few. Expect dazzling intricate music production on his latest offering showcasing his talent for true musical craftsmanship.

Spiral Emoji

🎧 Exp. Log » Listen » 🛰 DJ set by @bea-g-aranda for the Campos de Marte Expeditions · 05/10/2025 edition at Casabanchel (Madrid).

We continue documenting this expanded radio project in the Logbook. During that edition, music journalist and selector Bea G. Aranda closed the evening with a DJ set rooted in applied experimentalism, where we drift with pleasure between pre and post prefixes.

A journey that begins with Tangerine Dream and lands on Moodymann, passing through John T. Gast, Mark Fisher, Billy Woods, Coil and Manta Ray, among others. Simply exquisite.

Campos de Marte Exp.
A space for active listening, shared vibration and deep sonic experience.
+ Info: https://linktr.ee/camposdemarte

CdeM Exp. Log » Bea G. Aranda @ Casabanchel (05/10/2025)

Trystero returns with their new album Humming Fuzz on Knekelhuis — a kaleidoscopic voyage deeper into the band’s expanding cosmos.

Built on plunging basslines, acid-drenched loops, and spiraling kraut-inspired guitar textures, the record drifts between hypnotic repetition and free-flowing, hallucinatory songwriting. It echoes the visionary spirit of Psychic TV and the genre-blurring universe of Weatherall, while carving out a raw, magnetic space of its own.

Recorded once again on a canal barge in the North of France, Humming Fuzz feels like a natural evolution from their debut Sfumare e Vedere — denser, more alive, and charged with electricity. Now expanded with Nelly on bass and Alexia on vocals, Trystero channels this expanded energy into their wild, expressive live performances, soon to ignite audiences on their upcoming tours.

Humming Fuzz

Trystero - Buttering My Ears

My first set recorded at home with some of my most recent vinyl records. Even though I listened to some of the tracks for the first time in full, they all felt like a true reflection of my inner world somehow. Hope you enjoy it and feel free to leave a comment. More to come soon. 

Artist featured: 
Stephen O´Malley
Anthony Pateras
Otto Sidharta
Beatriz Ferreyra
Natasha Barrett
T.S. Elliot
Jacob Kierkegaard
Gammelsæter & Marhaug
Tózé Ferreira
Marja Ahti
松永伍一

Self-reflections Set. 07.12.25

—A ver, tal y como yo lo entiendo…
—Pagas tú la próxima.
—… O se les ha ido la pinza, o han sido torpes, torpes, torpes a la hora de gestionar su plan de trabajo, o les ha podido la vaguería, vamos. Pero it is done.
—Mm, mmm… ¿Cuánto ha sido entonces?
—Dos años y medio, a intervalos salteados. O sea, que han podido pasar meses sin que apenas miraran para el proyecto. Pero sí, de mayo de 2018 son las primeras versiones.
—¿Es esto relevante? ¿Entra en el examen?
—¿Relevante? Pseh… Quizá no para quienes observan desde fuera. Para ellos, sí: al fin y al cabo, hablamos de un retorno a la esfera pública tras más de cuatro años de parón.
—¿Y?
—Consideran que el cambio tras "Minimal Tendencies, Anemone Fields" es notable; el aprendizaje, significativo. Y en efecto, la exploración aquí de diferentes caminos estéticos se manifiesta como abandono, para empezar, del ruidismo informe de "Synthetic Flux No. 1" y, segundo, de la obstinación minimalista del ya mencionado "Minimal Tendencies, Anemone Fields".
—¿En favor de qué?
—¿Qué de qué?
—Que qué es lo que sustituye a eso que dices que abandonan.
—Ah. Cambio, variación, direccionalidad formal, delineación de múltiples secciones que conforman un complejo plano macroestructural. Todo bañado en color. Colorido, cual montaña de donuts.
—Podrán decir misa en lo que a diferentes caminos estéticos se refiere, pero tampoco hay duda de que ir de flipaos les mola: ¿"yuxtaposición entre elementos estilísticos propios del club y el rigor compositivo del clasicismo vienés"? LOL.
—En efectísimo.
—Y así les va, y así son: retrógrados, reaccionarios, si no carcas y plastas.
—El presente les aturulla. Lo mismo se puede decir de Kerban. Pide otra.
—¿Qué?

---

Artwork by S. Nieto x The Donut Pub

www.cosmiclithium.com

kern

cosmic lithium