Lucy Reworks

Virgo Rebellion (Lucy Remix)

The Colundi Sequence
51 Resonance Experiments & Sonic Spells
2 DVD + 2CD = £20 + p&p
www.ovuca.com

FLUORESCENCE

https://thomasmusic.bandcamp.com/album/tired-of-everything

3. i can't trust anyone

http://honestjons.com/shop/label/Berceuse_Heroique
https://boomkat.com/labels/berceuse-heroique
http://www.juno.co.uk/labels/Berceuse+Heroique
http://www.phonicarecords.com/label/berceuse-heroique/140433/all/latest/desc
http://www.redeyerecords.co.uk/vinyl/78690-bh031-don
https://bleep.com/label/4083-berceuse-heroique

2. BH031 Don't DJ - Pornoire

George Thompson aka Black Merlin is the man of the moment here at LYO. After his remix for Tapan on Malka Tuti premiered last week, he's now highlighted with a full ep four tracker called "Proto World" released on Berceuse Heroique. Deep & dark atmospheres all throughout . Here is our favorite, the b2 "Hope" which rather sounds like an hope for planet earth to end humanity. Already OUT !

LISTEN ON YOUTUBE

PREMIERE : Black Merlin - Hope

LIES-100
Terekke-Mix 91
from the upcoming Plant Age lp
to be released Nov 24th 2017

Plant Age

Buy LP direct

Terekke-Mix 91 (LIES-100)

Tristan Arp - Pipeline (Machine Woman Rework)

Buy/Stream here: http://smarturl.it/hp011r-rework

@tristanarp @machinewoman

Pipeline (Machine Woman Rework)

Tunes Of Negation - Reach The Endless Sea
Format: 2xLP  
Cat.No. CR10
Pre-order: http://bit.ly/2MYQDkp

As it has become a somewhat common occurrence in his discography, Shackleton’s Cosmo Rhythmatic debut as Tunes Of Negation opens with a song. Its structure and, most importantly, themes, can be integrally traced within his rhizomatic net of creations, consistent with a process that’s regularly wandered through spiritual depths by means of sonic perseverance. Sung by Heather Leigh, the double – cantos continuum of “The World Is A Stage” and “Reach The Endless Sea” deal with time, or rather its illusory, treacherous nature, as well as spiritually investigating ideas of immortality, memory, and grief.

Ultimately, it is a meditation on the non-finitude of life and spirit, and the limits of perception in dealing with it. It could be argued that the whole record, as well as Shackleton’s whole body of work, represents an attempt to break those limits and trespass beyond human experience, incorporating an immense vocabulary of music traditions in order to ditch linear narratives and the established grammar of electronic music.

Shackleton’s usual arsenal of resonating woods and metals, ceremonial polyrhythms and astral melodies acquire a freer, more spontaneous character by the intervention of keyboardist Takumi Motokawa and mallet player Raphael Meinhart, whose symbiosis with the producer generates a truly beautiful and multi-directional flow of energy. The sacral austerity of the music is paralleled by its sheer, seductive, harmonic power, one that draws new trajectories in time and space with its seemingly endless layers of arpeggios, beats, and drones.

For all their complexity and propulsion, these are indeed Tunes of Negation. The title, inspired by a poem by 13th Century mystic Jalalu’l-Din Rumi, is a description of what Shackleton himself hopes to achieve with the music, to “aid transmutation and enter into the light”.

Music written and composed by S. Shackleton except track 3 by S.Shackleton and T.Motokawa. Words for tracks 1 and 2 by S. Shackleton and H.Leigh.
S. Shackleton does the programming, electronics, synthesizers, and all related stuff.
T. Motokawa plays harmonium, keys, percussion, gongs.
R. Meinhart plays mallets and percussion.
Guest vocals on tracks 1 and 2, Heather Leigh.
Artwork by Zeke Clough.
Mastered and Cut by Rashad Becker @ Dubplates and Mastering. 
© Cosmo Rhythmatic 2019

Tunes Of Negation - Nowhere Ending Sky (CR10)

All 5 tracks on ​12" Matas Flores y Algo Más ​were jammed and recorded between late 2018 and early 2019, with Juno 106, Yamaha DX7, Korg Wavedrum and Pearl SC40. 
A1. Self Similar Melodies
https://tulips-de.bandcamp.com/

Sound enthusiast and percussionist Tulips, plays with NASSSAU, as P.VEE with TRJJ (Stroom), and MONTEL PALMER.

Tulips - Self Similar Melodies

Release date : 08.03.2021
Format : LP

It’s a great joy to host our long time friend and collaborator, Theo Delaunay aka Panoptique aka Constance Chlore, to release his first solo album on Macadam Mambo. Head of the Simple Music Experience label (dedicated to release punk experiment on tape), member of Violent Quand On Aime, Succhiamo, Simplists, Ono Omen and United Assholes, he had previously been part of the “Danzas Electricas” volumes 1 and 3, released a little single in 2019 and curated the “Simple Music Experience Vol.2” compilation in the house. 

Panoptique sticks to what he knows to do the best, to present his stories, singing spoken words, gogolitos deliriums, whispers and rough voices on Minimal Synth Wave ballads or Drexciyan’s Electro bangers. It’s brut, mental, sometimes brutal and so so groovy in the meanwhile. 
Special mention to his guest : Fiesta En El Vacio, for her ‘caliente’ featuring on “Menta Y Regaliz”.

Now you know how you find him!

A1. La Colonie Penitentiaire 4:31
A2. Slippery 5:43
A3. Sable 2:53
A4. How Did You Find Me 1:09
A5. Menta Y Regaliz (Featuring Fiesta En El Vacio) 3:36
B1. Rice & Beans 1:59
B2. My Desire 2:28
B3. Sulppice 6:30
B4. Sub RDV 3:01
B5. Look At The Stars (Shoot A Drone, Man) 3:28

How Did you find me?

MMLP9009 Panoptique "How Did You Find Me?" [PREVIEWS] OUT!

Cosmo Rhythmatic is a Berlin-based label curated by Shapednoise with the collaboration of Ascion and D. Carbone.
The imprint presents the abstract, noisy and organic side of REPITCH Recordings.

Tunes Of Negation - Nowhere Ending Sky (CR10)

Cosmo Rhythmatic

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