the keys - service:  https://nvrec.bandcamp.com/album/the-keys-service

"обезличенный даб для персонального прослушивания"
music - fgpjy (bass, drums) psor (pads, synths) dj warm (synth, noise)
artwork – cybersuicide
mastering – OL
© NVREC 2022

© NVREC 2022

[NVR12] the keys - 5

~ Deep Breakfast 169 by https://soundcloud.com/slowfoam ~

Tracklist:
01. Neilll & Slowfoam - Cyberpoetics
02. Madalyn Merkey - Pallet Fork
03. Sun An - THE DINING TABLES
04. Sam Gendel & Carlos Niño - Thiq
05. Phil Stroud - Multiverse
06. Astrid Sonne - One Inch Shrugs the Other Shoulder
07. Li Yilei - HUO / 惑
08. Ewer - detached sculpture
09. Maria Chavez - IV
10. Kali Malone - Bondage to Formula
11. Uwalmassa - Sembahyang
12. BFTT - Apple TV
13. FRKTL - Rhododendron Forest
14. picnic - enough (with Theodore Cale Schafer)
15. Aho Ssan - Outro (KMRU Remix)
16. Sun An - VALUE IN PROJECTS
17. Andrew Pekler - Description of Rain (Over Frisland)
18. Lea Bertucci - Grasslands
19. Gi Gi - Deudorix
20. Madalyn Merkey - Let Other’s Mouths
21. J - petals (with Emile Frankel)

Deep Breakfast 169 - Slowfoam

On Friday 7th October, Danish ambient artist Sofie Birch and Polish experimental singer Antonina Nowacka will release a collaborative album via Unsound and Mondoj. To celebrate they’ve now joined forces for an Unsound Podcast featuring some of their favourite music and influences, including Alice Coltrane, Enya, the soundtrack of Tarkovsky’s Andrei Rublev and a special rework of their morning performance at last year’s Unsound into a lush ambient meditation. 

You can order their album in vinyl and digital formats here
https://unsoundfestival.bandcamp.com/album/languoria
https://mondoj.bandcamp.com/album/languoria 

Tracklist:
Alice Coltrane - Harp Solo (Jazz Jamboree, 1987)
H. Takahashi - Blue
Vyacheslav Ovchinnikov - Track 2 from the soundtrack from Andrei Rublev
Meitei 冥丁 - Kyōshū 郷愁
Grykë Pyje - Landing On Sacred Ground
Nailah Hunter - Ruins
Joanna Brouk - The Reminder of Long Ago
Alliyah Enyo - Choral Fragmentation *latenights*
Pauline Anna Strom - Freedom at the 45th Floor
Omni Gardens - Nectar Grass
Sofie Birch & Johan Carøe - Connotes Beauty
Dialect - First Breath
Merope - Ei Dvipa
Slow Attack Ensemble - Bells
Wilson Tanner - Pilot
Enya - La Sonadora
Sofie Birch & Antonina Nowacka - Live at Unsound 2021 (reworked)

Unsound Podcast 82: Sofie Birch & Antonina Nowacka

Synthetic beats for couch surfing.

http://www.instagram.com/_____gank

gank @ The Lot Radio 05-31-2023

Going to Densel, leavin my surname

Denis Riabov, one of the most charming and requested DJs, a great selector that finds common ground in irreducible things and does it so masterly and subtly that you fall in love with every track.
As a flexible DJ, he fits in the loud parties, cozy museum exhibitions, and experimental events. Denis works smoothly with a wide variety of moods and styles, each of his mixes demonstrates his sophisticated taste.

Originally from Izhevsk city, Russland. Also lived in Saint-Petersburg and Moscow and represented this cities as artist. Currently lives in Yerevan, Armenia. Moved since war in Ukraine.

SoundCloud_ https://soundcloud.com/denisriabov

Mix of The Day On Resident Advisor_ https://ra.co/news/71840?fbclid=IwAR2WpVOgORVQHv0BoS2H6kNKgxVkhmGHmU6V-McUdJ6xIa-BxyI3jOes5sU

Set On Red Light Radio - https://soundcloud.com/denisriabov/denis-riabov-red-light-radio-06-24-2019

| EPISODE 177 | Densel

READ > inverted-audio.com/premiere-_imnot__here-water

Milan-based record label 51 Beats line up the debut extended-player from Italian multi-instrumentalist Davide Barucca aka _Imnot__here...Today, we are pleased to premiere ‘Water‘. During the opening scene, the track starts with a contemplative soundscape enhanced by secluded river flows, soon accompanied by a commotion of modular synths, proclaiming a common desire for a heaven-like planet filled with abundant life.

@51beats
@imnot_here1

Water

_Imnot__here - Water [51 Beats]

Seny

Bandcamp

Dreamlogicc v Sw. - CrunkDUNKup {funk Your Dub Up}

Image sans légende
Two hours of pure ruff reggae music material landed &ampamp; rooted for ya spirit and consciousness. Sounds electrically ionized and amplified by dub effect pedals to control tension and phase. ෴ 
« I &ampamp; I don’t deal with violence. 
I and I is peaceful Rasta man.
I don’t steal, cheat.
I-man serve… Selassie-I continually.
No matter what the weak heart say.
I and I is like a tree plant by the river of water.
Not even the dog that piss against the wall of Babylon shall escape this judgement.
All of the youth shall witness the day that Babylon shall fall. »


-Rockers- 
Artwork: Engraving on 7 inch record by Griffe Allure 𓃈


CASEMATE w/ BAL TRIBE (19/07/24)

tech palms - tomb

Runaway (Demo)

Tunes Of Negation - Reach The Endless Sea
Format: 2xLP  
Cat.No. CR10
Pre-order: http://bit.ly/2MYQDkp

As it has become a somewhat common occurrence in his discography, Shackleton’s Cosmo Rhythmatic debut as Tunes Of Negation opens with a song. Its structure and, most importantly, themes, can be integrally traced within his rhizomatic net of creations, consistent with a process that’s regularly wandered through spiritual depths by means of sonic perseverance. Sung by Heather Leigh, the double – cantos continuum of “The World Is A Stage” and “Reach The Endless Sea” deal with time, or rather its illusory, treacherous nature, as well as spiritually investigating ideas of immortality, memory, and grief.

Ultimately, it is a meditation on the non-finitude of life and spirit, and the limits of perception in dealing with it. It could be argued that the whole record, as well as Shackleton’s whole body of work, represents an attempt to break those limits and trespass beyond human experience, incorporating an immense vocabulary of music traditions in order to ditch linear narratives and the established grammar of electronic music.

Shackleton’s usual arsenal of resonating woods and metals, ceremonial polyrhythms and astral melodies acquire a freer, more spontaneous character by the intervention of keyboardist Takumi Motokawa and mallet player Raphael Meinhart, whose symbiosis with the producer generates a truly beautiful and multi-directional flow of energy. The sacral austerity of the music is paralleled by its sheer, seductive, harmonic power, one that draws new trajectories in time and space with its seemingly endless layers of arpeggios, beats, and drones.

For all their complexity and propulsion, these are indeed Tunes of Negation. The title, inspired by a poem by 13th Century mystic Jalalu’l-Din Rumi, is a description of what Shackleton himself hopes to achieve with the music, to “aid transmutation and enter into the light”.

Music written and composed by S. Shackleton except track 3 by S.Shackleton and T.Motokawa. Words for tracks 1 and 2 by S. Shackleton and H.Leigh.
S. Shackleton does the programming, electronics, synthesizers, and all related stuff.
T. Motokawa plays harmonium, keys, percussion, gongs.
R. Meinhart plays mallets and percussion.
Guest vocals on tracks 1 and 2, Heather Leigh.
Artwork by Zeke Clough.
Mastered and Cut by Rashad Becker @ Dubplates and Mastering. 
© Cosmo Rhythmatic 2019

Tunes Of Negation - Nowhere Ending Sky (CR10)

Cosmo Rhythmatic is a Berlin-based label curated by Shapednoise with the collaboration of Ascion and D. Carbone.
The imprint presents the abstract, noisy and organic side of REPITCH Recordings.