utyugon dub

@felicity-mangan

Tracklist:

Dialect - Yamaha Birds 1 
Maria Karpovich & Felicity Mangan - Untitled
Hideki Umezawa & Andrew Pekler - Dokkyaku
Vlad Dobrovolski & Sugai Ken - Advanced Retrospective Shit-phonic 1
Olli Aarni - Hehkuva 
Audrey Chen & Hugo Esquinca - Untitled 
FRKTL - Excision After Love
Grand River - Canopies 
Jacob Sachs-Mishalanie - Aogaeru
Felicity Mangan - Frog field recording
Tomoko Sauvage - Flying Vessels
Lucy Railton - Part 3 (5 S-Bahn) 
Felicity Mangan - Double-headed Emu 
Felicity Mangan - Until Next Summer (featuring field recordings by Stas Sharifullin)

Guest mixes 2020

Episode 13: Felicity Mangan

Glyn Maier - Psithurism Mix 

@glynmaier / @enmossed

Glyn Maier - Untitled (14 02 19)*
Thomas Koner - Serac
Taupe Set XL - Radiance*
Emily Berregaard - Waiting (Remix by Alie)
Glyn Maier - Untitled (11 06 21)*
Horatiu Radulescu - Subconscious Wave For Guitar And Digital Sound
Scott Fitzgerald - Bamboo Waterfall (Side A)
Northgate Syndicate - Lamellophone 1
Yannick Dauby - 太平山 Taipingshan
Marv - Prayer For The Little Ones
Chaperone - Travelogue (Side B)
Steve Roach - Reflections In Suspension (Remaster)
Glyn Maier - Untitled (12 05 21)*
Florian T M Zeisig - Been Listening A Lot (Reshape by Nick Klein & Glyn Maier feat. Alene Marie)
Jujiko Noriko, Lawrence English, John Chantler - I Can Hear The Heart
Joe Hisaishi - Real Eyes (Reshape by Glyn Maier for Osamu Sueyoshi)*

*Unreleased

Glyn Maier (enmossed) ~ Correspondence Nº30

@klammklang

Russian label Klammklang in our ethereal labels series. 
Today it turns 8 years old: its curators prepared a mix of released music and also took part in an interview.

Feature: vk.com/@etherealgrooves-ethereal-labels-klammklang

ethereal labels: Klammklang

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album 𝑊𝑎𝑡𝑒𝑟𝑖𝑛𝑔 𝑡ℎ𝑒 𝑆𝑡𝑒𝑒𝑙 𝐹𝑙𝑜𝑤𝑒𝑟𝑠. Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Watering the Steel Flowers

Joe Fujinoki - Artificial Vein (ENXPL11)

Available at nina.market nft platform on the Solana network, limited 50 copies. https://nina.market/FJXKDwVNebn6Gp18JDdTMXAkbYH2DLXoyBEWFSEkaHko

source

9.  Gulf Shores

NOISE - SLOWED

01 60 BPM

• stories written and read by Inger Wold Lund
www.ingerwoldlund.no/

• sound by Alexandra Zakharenko
http://zakharenko.es/
https://dome.pw/

An audio piece originally made to be listened to in a house in a harbor on the windy east coast of Iceland.
-----------------------
Some nights ago I dreamt I was holding eggs in my hands. Their shells were so fragile that just being next to each other could make them crack.

Inger Wold Lund – 7 stories

Tunes Of Negation Like The Stars Forever And Ever
Format: 2 x 12" Gatefold /DGTL
Cat.No. CR13
Pre-order: https://bit.ly/33DiEWA


Shackleton’s open-ended musical project Tunes Of Negation featuring Takumi Motokawa, Raphael Meinhart, and a guest appearance from Heather Leigh is back on Cosmo Rhythmatic after its acclaimed debut last year. 

While Shackleton’s output has often attempted to cross all musical borders, the newest manifestation of Tunes of Negation suggests themes of impermanence, rebirth, and transcendence with a fiercer dedication than ever before. In attempting to balance shadow with light, ‘Like The Stars Forever And Ever’ runs from sombre or gentle passages to dissonance through to uplifting finales and the whole range between. 

As always, Shackleton’s music feels ceremonial and narrative, at once commenting and facilitating the journey of all entities engaged in ritual listening. The fragility of life and the awareness of an inevitable end are transcribed musically in all their discordant, fearful, and mournful aspects. However, this does not at all make the album an overtly gloomy, depressing affair. In every track, the music ends up soaring towards a sense of ecstatic dissolution. A representation of a bewildering cosmic love in the transient, mortal nature of all things. A re-assimilation of energy towards new forms. 

There are no attempts to solve ultimate mysteries though, rather celebrate mystery in all its power, beauty, and contradictions. Shackleton’s ever-masterful embroidery of tonal and atonal percussions, of acoustic and electronic organs, of electronic sound design and physical ambiance, is—as always in his style—organized in compositions in which hypnotic repetition is the basis for evolution and ultimate change. The feast of life, death, and rebirth. Of fluctuation between multiple states of being and non-being. Like the stars, forever and ever.

Tunes Of Negations - Your Message Is Peace (CR13)

Cosmo Rhythmatic is a Berlin-based label curated by Shapednoise with the collaboration of Ascion and D. Carbone.
The imprint presents the abstract, noisy and organic side of REPITCH Recordings.