Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

mgmt : alexandra.pilz.hayot@savoirfairecie.com
booking : olivia@thetalentboutique.fr

info@adamskiofficial.com

Often referred to as "Rave Culture's first pop star", it was in the summer of 1988 that the artist ADAMSKI was born.

The following year Adamski quickly catapulted into the upper echelons of the nascent rave scene. Within a few weeks Adamski was playing to 1000s of people at all the key seminal illegal rave parties and became the resident musician at Ibiza’s hugely influential Amnesia nightclub and soon after released squiggly acid piano shuffler ‘N-R-G’. ,performed on Top Of The Pops, released ‘LIVEANDIRECT’ - an album cobbled together of various live recordings from raves. A then unknown Seal snuck a demo tape to Adamski and was offered the instrumental of what turned out to be ‘Killer’, reaching #1 in the UK, and top of the club charts across Europe & the U.S.

Throughout the late 90s Tinley shifted focus to his DJ career. He soon adopted a new moniker, Adam Sky, touring Europe, South America and Asia and making the odd UK appearance.

Besides Tinley's other projects, 3STEP and SONNY E., producer and DJ ADAMSKI of course still brings you bastardized and uniquely mixed club classics from the origins of the rave era through today and beyond....

Underworld are Rick Smith and Karl Hyde. Their peerless first album - dubnobasswithmyheadman - was released to universal acclaim in 1994. In the thirty years since that mould breaking debut, the band have established their reputation as one of the most groundbreaking and important electronic acts of all time, one that constantly pushes creative boundaries, twists genres and refuses to stay still. In those thirty years, their music has soundtracked approximately 100,000,000 nights out, and the mornings after. In the past year alone, Underworld have played live in front of over half a million people all across the globe.

New York City based Grammy Award nominated DJ/Producer/Remixer

Produced multiple top 40 hits on the UK pop charts including “U Don't Know Me” (UK pop charts #1), Dizzee Rascal & Armand Van Helden “Bonkers” (UK pop charts #1), Duck Sauce “Barbra Streisand” (UK pop charts #3), “Koochy” (UK pop charts #4), “My My My” (UK pop charts #12), Armand Van Helden & A-Trak Present Duck Sauce “aNYway”, “I Want Your Soul”, “NYC Beat”, “Flowerz”, “Hear My Name”, “Why Can't You Free Some Time?”, “Ultrafunkula”, “Witch Doctor”, and “Funk Phenomena”

Produced full length artist albums ‘Enter The Meatmarket’, ‘2 Future 4 U’, ‘Killing Puritans’, ‘Gandhi Khan’, ‘Nympho’, and ‘Ghettoblaster’

Mixed compilations ‘Live From Ya Mutha’s House’, ‘Get Up’, ‘Repro’, ‘New York: A Mix Odyssey’, and ‘New York: A Mix Odyssey 2’

Remixed platinum artists including Rolling Stones, Katy Perry, P. Diddy, Janet Jackson, Britney Spears, and Tori Amos (UK pop charts #1)

One half of the duo Duck Sauce with fellow DJ/producer A-Trak

Headlined clubs, festivals, and special events around the world as a DJ

Duck Sauce “Barbra Streisand”, "aNYways" and "Big Bad Wolf"  is out now worldwide with more to come in 2013

Based in Derry, Ireland, electronic music composer and performer The Fully Automatic Model is widely known for his fascination of sculpting sound via modular synths, tape machines, DIY instruments and feedback / distortion circuits.   

Musically, you can expect anything from Ambient shows on top of a mountain to IDM & Techno performances in world class clubs.

Visually, TFAM has been been experimenting with cutting edge technology and Generative Art for years, to create a truly unique visual toolkit that takes his live performance into a full audio visual experience like no other.  

Each performance aims to encapsulate the idea that everything is constantly ebbing and flowing and these cycles alternate and constantly influence sound, movement, life and the rhythm of everything.

Shire T (AKA Chris Davids, one half of celebrated electronic duo Maribou State, who released their latest album ‘Kingdoms In Colour’ to widespread acclaim in 2018) is set to release his debut solo album ‘Tomorrow’s People’ on 20th August, arriving as the inaugural long-player on Maribou’s own Dama Dama imprint. As Shire T, Davids draws on darker, more club-ready sounds, citing a broad range of influences which manifest in a record he describes as “a celebration of british dance music culture, pulled from all the experiences and memories I’ve had in that world over the years.” 

Having originally set out in early 2020 to work on new Maribou State music, the unfolding pandemic and abrupt change in circumstances led Davids to a renewed focus on his solo work. “I started feeling really nostalgic” he explains, “Sometimes you need a purpose to make music, something to work towards, but with this it was very much the opposite. It felt like the future had been erased and I ended up delving back into the past, into all the dance music that inspired me when I was growing up. It became a way to escape the madness that was going on at the time”

Tracks like lead single “Blue Kiss”—built around a TB-303 bassline and some classic drum machines—and album opener “Full Attention” wear their influences on their sleeves, building the pace early on with driving synth-lead rhythms in a nod back to 90’s rave. Elsewhere, tracks like “London. Paris. Berlin.” and “Serve No Tea” show off a gentler side to the record, the main piano refrains the result of a day spent tinkering on his old childhood piano. Regardless of the direction each track takes, Davids’ deft uses of melody and vocal samples keep everything tied together in a way that will feel both new and familiar to fans of his existing work.

Beginning life in 2017 as a way to create more club-ready tools for Maribou State’s DJ sets, Shire T soon became an important creative outlet for Davids, often seeing him carve out extra hours in the studio following Maribou recording sessions to work on the music. The project took on more significance as the pair began preparations for their ‘fabric presents’ release, resulting in two tracks—”Hackney Birdwatch” and “Gentlemens Whistle Club’—used to tie together the dancier-end of the various styles and tempos exhibited on the mix, which included new music from fellow Dama Dama label-mate North Downs, as well as new track “Mother” from Maribou State themselves.

Despite the period in which it was created, the album title ‘Tomorrow’s People’ serves as a more hopeful look towards the future, a time when dance music will once again ring out from club and festival sound-systems to be met by feet on the dance floor.

Shire T will release ‘Tomorrow’s People’ on 20th August on Dama Dama. Artwork is by Alexander Brown.

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