That was a brilliant listen my mate , especially enjoyed the pigeons eating plums

I have so enjoyed this mix 🔥🫶👏 Awesome! 😀

This idea is insane🔥
I was seriously inspired by it.
Your creativity is truly amazing — nobody else could come up with that!
It’s really inspiring🔥 Couch King😎😎😎 Respect🙏

amazing creativity 🙌🏽 really cool retro vibe 🥁🔥✨

CATS FALL IN LOVE IN A WILDFLOWER GARDEN

When there is a wind, she shakes her head. She is dancing.

Everything played by hands (vs midi programming) on Roland VerseLab pads for extra loose and lively feel. Cover art: California Poppy in rare red color. California State flower since 1903. iPhone, Tomales Bay, California, Summer ‘25.

Musically yours! ~ S.P. ~
~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Love

Wildflower

You will find the clip on my YouTube channel.

QUANTUM CANTICLE

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Losing Art Bar

guardame los gatos..subanstrjbaj

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

(no genAI involved - my voice and VST instruments)
At 55 years old, I am a grandfather and am rediscovering the magic of a newborn baby. When we see this innocence and fragility, we retrieve in each of us that simple but wonderful thing that is humanity.
(traduit plus bas)
---
It's not another morning
Not anymore
So deep inside me
I'm only starting to understand
Like never before
  
When living is so real
Your tiny hands are dreaming
And my heart is healing
My baby I can feel
Your soul, the meaning
A world arising  

My love,my son
Born of your ancestors
Now you're the sun, I'm your universe
You'll find me always there

I never knew the silence
Could speak so loud
You breathe, I listen
The world now slows just to hear from you
And time itself bows down

When living is so real
Your tiny hands are dreaming
And my heart is healing
Through my chest I can feel
Your soul, the meaning
A world arising

When living is so real
Your smile becomes the meaning
And hope  is softly ringing
My baby, you reveal
These beautiful things
That you imagine

When living is so real
Your tiny hands are dreaming
And my heart is healing
Through my chest I can feel
Your soul, the meaning
A world arising

When living is so real
I'm dreaming
I'm healing
When living is so real
I see the meaning
The world's arising
----
Ce n'est pas un matin comme les autres
Plus maintenant
Au plus profond de moi
Je commence seulement à comprendre
Comme jamais auparavant
  
Quand la vie est si réelle
Tes petites mains rêvent
Et mon cœur guérit
Mon bébé, je peux sentir
Ton âme, le sens
Un monde qui naît

Mon amour, mon fils
Né de tes ancêtres
Maintenant, tu es le soleil, je suis ton univers
Tu me trouveras toujours là

Je ne savais pas que le silence
Pouvait parler si fort
Tu respires, j'écoute
Le monde ralentit maintenant juste pour t'entendre
Et le temps lui-même s'incline

Quand la vie est si réelle
Tes petites mains rêvent
Et mon cœur guérit
À travers ma poitrine, je peux sentir
Ton âme, le sens
Un monde qui naît
 
Quand la vie est si réelle
Ton sourire devient le sens
Et l'espoir  sonne doucement
Mon bébé, tu révèles
Ces belles choses
Que tu imagines

Quand la vie est si réelle
Tes petites mains rêvent
Et mon cœur guérit
À travers ma poitrine, je peux sentir
Ton âme, le sens
Un monde qui naît

Quand la vie est si réelle
Je rêve
Je guéris
Quand la vie est si réelle
Je vois le sens
Le monde qui naît

When living is so real

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter
note by jo: for very real, material reasons, some people describe living entities as "stardust" and "all vibration". in our current, mentally largely dissociated state, it would make as much sense, though, to describe us as "stellar noise". It will take heartfulls of kindness and mindloads of understanding and nuances of acceptance of letting go and so much more to individually evolve into more harmonic states.

it is time, he said, to address the cosmic egg
the liquid consistency of what it holds
and the fact that insects and crusteceans
are clad in terrean space suits of their very own
and human skin can crack and bleed and peel and heal
and their minds are similar to that in more than one respect

it is also time, he put forth in further understanding
that the very nature of awareness, sentience and connection
to the entities we cannot smell or touch in our tuesday state of mind
and our wednesday protocols and even in our sunday suits
and unprotected glowing selves - unless that little voice trails off

and there is nothing left to win or lose or be or presuppose
and see the inside out in four dimensions, to welcome the upside
round and fingers that can shape the world without a tool

or a machine or automated processes and institutions and free
of data that informs the abstract mind but starves the living tentacles
of kindness and a self endowed with all the silence held to listen

that's why you will have to make a bold decision
to overcome your dizzy spinning sputtering state
of fuzzy feeling and self-involved confusion made
and all that fruitless pro- and inhibition
and turn that little voice off in your head
turn that little voice off in your head

(instrumental, including free static noises)

even in the southern realms and climes
the mongrels at the helm and lost in rhymes
tell wicked tales encumbered only by
some long forgotten memory
buried to the burnished hilt
while in a building built by lords and ladies of the cosmic court
while all the scouts appear as tiny lights
of white and red and blue and green
in smokey dreams of sorcery...........

scalar field pt 8: hide and Seek ---Sonic Structures and Silent Stretches

Title/ ON JULY-ft Tot.&Tea R.Sea
Khan -@Khan20233202 -Vocals & Lyrics
Tot - @tot-beat -Beat & Samples
Tea R.Sea -@tea_are_sea -Synth,Drums & Production


This is so happy piece of work that I created with my trusty teammate Tot and Tea R.Sea for the first time on July. It’s a relaxing , 'care free' and dope sound.
I’m very happy to work this song with this dream team.
Bravo Tot and Terry!
Have fun 

lyrics
We met on July
We don’t know music come from and why
I can hear the storm is coming down down down
We don’t see but we see eye to eye
We can hear muses are coming down down down
We don’t see but we’re brotherhood

I saw fireworks tonight alone
I got the Big echo tonight and moon
I saw fireworks bring me to them
I feel paradise is here for me


僕たちは7月に出会った
どうして音楽がやってくるのかわからない
嵐が来るのが聞こえる
会ったことがないけど分かり合えるんだ
音楽の女神たちがやってくるのが聞こえる
あったことがないけど僕たちは兄弟だって感じてる
夜一人で花火を見たんだ
大きな残響と月を受け取った
その花火が私を二人のところへ連れていくのを見た
ここが楽園

ON JULY(ft Tot.&Tea R.Sea)

this is a song I wrote for the Alters, a ragtag bunch of fellow amputees,,,sometimes we put our parts together to make a hole……this is the 2nd take with Don “heavyhand” Jones one of the best one legged drummers on the block……this is as far as we got before we started to get a bit “legless”……good fun though……..
Seems to be a lot of fakery around with just about everything these days,,,but they’ll never be a Rolling Stone,,,,,,,,peace and cheers for listening

Paul St Jack…Bass
Derf Lipskin…Elec Piano, Vox
Lionel Osbourne…Guitar
Jim  Mcgill…Warblin, other guitar




DingDong

ain't no tomorrow without today
yesterday waved, chased it away
now it's been running
through the middle of my mind

standing room only, come take a seat
feeling confused rinse and repeat
scrubbing the skin, and clean it all away

yeah it's there in the morning too
evening and noon
don't pretend you don't see it
it ain't leaving so soon

here's the news, it aint getting better
it's snowing in the Alice, but Don ain't no rolling stone

what will it matter, how will it feel
now that the fake, is the new real
nothing surprises, it's normal to us now

silence is noise, peace is a dream
if you're hearing voices, it's not what it seems
it's just the assistant, talking while you sleep

yeah they're there in the morning too
evening and noon
don't pretend you don't hear them
they ain't going so soon

heres the fake news, it ain't getting better
Harry got a job, but Andy ain't no rolling stone

you felt safe there on your island
where the ocean was so blue
come and going as you pleased
thought none really knew

if you believe it, it must be true
say the liars, speakers of "truth"
the court jester, who's really the king of the fools

and he's there in the morning too
evening and noon
don't pretend you don't see him, he ain't going so soon

heres the news it ain't getting better
the silks get paid and the purse gets fatter now
the uk 35 degrees, the icebergs are melting
but Jeff ain't no rolling stone

DingDong

Cast of Characters: 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Paul Reed Smith semi hollow body electric Guitar 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ and triangle
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song, in case you're not familiar, was written by Medeski, Martin, and Wood with guitarist John Scofield, and performed by them on an album eponymously named A Go Go. Josh has always been a huge fan of both MMW and J.S., and has always wanted to play more of their music, as he used to cover a couple of their songs in one of his main old bands. 
  Josh laid down the bass and after going back an forth a couple of times with Ken and his thrilling drums, they established the rhythm section. Soon after, Josh added his jazzy guitar, as well. We needed someone to play John Medeski's part, too, of course. So, we asked JJ if he'd do the honors, which he did in grand fashion. He also added some triangle hits you can listen for, that add a little bit more pizzaz to the whole thing. 
  Once it was all laid down, we needed a good mix, and no one is gooder than Stephen, so we asked him to mix it for us, which he did in his always pro manner. 
  This was a lot of fun to record, and we hope that comes through. This is a stripped down Eclectic Collective collab, where most of what we're all doing is improv. We hope you enjoy listening to it as much as we enjoyed making it.

A Go Go by Medeski, Martin, Wood and Scofield (Eclectic Collective cover)

Nihilist film noir existential jazz fusion detective dance music for our AI future  days.  Human music.
From the Album: "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
Another dark night in the promised land
Experiencing the universes empathic crushing hand
There are people today creating symphonies
With well worded prompts
You know me, I'm staying out of sight
At  late night haunts

I'm investigating black markets
Where people sell off all of their free will
They said you were gonna love me
But I could never ever seem to get my fill

The people out here 
They don't believe in nothing
No God of any kind
You said you were gonna love me
But I could not give you the reason why

You learn to live... (The AI prayer of life)

Another stoned day in the promised land
Experience randomness
And technologies charismatic helping hand
Hypothetical lovers through the screen
She said she was gonna love us
But circuits don't know what I mean

A whispered dream
Asato Ma Sadgamaya
(Hindu Prayer: Lead me from the unreal to the real)
Like a primal scream

Alter your creative spirit
(change the configuration)

Alter your consciousness
(change the configuration)

Alter your soul
(change the configuration)

Alter humanity
(change the configuration)

I'm like a primal scream
How docile we've become
I love how docile we've become...

Asato Ma Sadgamaya

Song written, sung, produced and engineered by Chris Scheri.
Instrumentation by Chris, Mark, David, Brendan

COULD HAVE STOPPED THIS

(Intro. Instrumental theme )
Walking in the park on a hot Summer night.
Make the best of this - he wants to help.
Walking in the park on a hot Summer's night.
Make the best of this - and help yourself.

But you know
You could have stopped this
could have stopped this
could have stopped this (repeat chorus)

(repeat instrumental theme)
Walking in the park on a hot Summer night
Where's the rest of this? Where are you now?
I'm walking in the park on a hot Summer night
What's the best of this? I need to know the rest of this.
Because I know
I could have stopped this
could have stopped this
could have stopped this
I could have stopped this

Over and Over. It keeps me awake at night.
“Could have stopped this” (background vocals)

Guitar solo.

M8 Just when you think, “Everything's alright.”
Just when you think, “We're under control.”
You trip on a thought and slip into “If Only”
If only I'd known, I would have been there!

There – on a hot Summer night
Your thoughts are everywhere.
Can I still help you?
Walking in the park on a hot Summer night,
You're the best of this!
Oh can you tell me, is there anything
I can still do for YOU?

(Choruses repeat till the end, joined by lead guitar on the
third repeat)
YOU COULD HAVE STOPPED THIS

Could Have Stopped This

You Could Have Stopped This

PIPI DANS LE JARDIN
UN CHIEN QUI ABOIE AU LOIN
LA LUNE POUR TÉMOIN PAS MOINS
MOI JE FAIS PIPI DANS LE JARDIN

PIPI DANS LE JARDIN
DEPUIS QUE TOUT GAMIN
MAMAN M’A DIT PIPI AU LIT C’EST PAS BIEN
MOI JE FAIS PIPI DANS LE JARDIN

PIPI DANS LE JARDIN
ARROSER LA ROSÉE DU MATIN
JE SAIS ÇA PISSE PAS LOIN
MAIS C’EST BON PIPI DANS LE JARDIN

PIPI DANS LE JARDIN
JE N’IRAI PAS PLUS LOIN
CAR ICI COMMENCE LE DÉBUT DE LA FIN
LES HUILES SONT AU PARFUM
LE MONDE SENT LE SAPIN
ET PUISQU’ON N’Y PEUT RIEN DE RIEN
MOI JE FAIS PIPI DANS LE JARDIN

PIPI DANS LE JARDIN (Lyrics)

Star crossed lovers with an arson problem. A mini musical movie about lovers on the run...
Added to the album: "Curiosities Of Outsider Art" (Sept  2025)

(Act 1: Young lovers on an arson spree)
Lyrics:
She puts the gasoline in my truck
And then we drive down
And we like to burn up
Local buildings
And alleys
And trashcans

She likes to come out with me at night
And burn things down
She can't explain it
It's just how she feels
It's what see needs
Simultaneous release
While burning down the Hardee's (a USA restaurant chain)

We got black magic spells right off the shelf
I have a split personality
And I hate Ourselves
We have  a compulsion
To  blow things up
It's all fucked up
Young arsonists in love
Young Arsonists in love (3X)

We have black magic spells
Right off the shelf
The good ones are mixed in
So it makes it hard to tell
We understanding the poetry
Of burning things up
Burning shit up
All fucked up
Young arsonists in love
(End Act 1)


(Act 2 : Chase and capture)
Young arsonists in love (3X)
We're on the run
She says: let's burn down a Chevron

We have black magic spells right off the shelf
The Doctors say we seem alright
But you know that we can't be helped
The Police ask: Is this behavior carnal?
"Officer"
She said:
"Have you forgotten how to marvel?"
Forgotten how to marvel?

Young Arsonists In Love

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

(Don't follow me here, best on my main page ;)

I love this SoundCloud community ❤️ 

Music Is Elation / Plastic Inevitable 

For song and album art visit Wou-Wou & the Wormling at:
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.com

For mixing and mastering visit: 
Russell Sinfield at: 
https://soundcloud.com/russell-sinfield
https://chaoscookhouse.bandcamp.com
Bitzone at:
https://soundcloud.com/bitzone

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Couch King Presents

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