Name: Wendur by VLDZ in Ma damn favorites
Duration: 2 min 59 s
Description: Track selected for SCOTD December 4, 2013

Imaginez que les notes de musique, sont des perles de pluie tombant sur le clavier du piano ... ;-)

vraiment une merveille tout à fait fascinée j'adore ces notes comme des gouttes de pluies

This is Perfection. My mind feel's truely at peace while this is playing.

Congrats on being named Soundclouder of the Day, Daniel! Well deserved!

innovative and capturing. congratulations on scotd. I was thinking about you recently. :-)

So fantastic and beautiful piece. Really impressive piano sound!!

Ma damn favorites

Acoustic Pop/Rock 
Words & Music By PHILIP JENKINS

Man On A Mission

Track selected for SCOTD December 4, 2013

Wendur

Morning Scroll
by: twitter.com/MSTRVLDZ

Social Commentary of the Digital Blockchain Art Scene through AI Song Making and AI-Assisted Tracks.

Created with SUNO AI
Mastered with Bandlab

Warmup (Morning Scroll Sequence)

post-punk groove garage rock

May 14, 2024 at 7:59 PM


[Verse]
I thought of a song that'd make you care
But you don't feel it
Just ain't there
I tried to find the words that'd make you see
But it don't matter
Not to you
Not to me

[Verse 2]
I thought about the melody so sweet
But it don't touch you
It ain't no treat
I tried to show you what it meant to me
But you're drifting
It's like we're out at sea

[Chorus]
I feel so awful for being myself
I feel so awful
It's like I need help
I feel so honest
But it's not enough
I feel so awful
Can't you see it's tough?



[Chorus]
I feel so awful for being myself
I feel so awful
It's like I need help
I feel so honest
But it's not enough
I feel so awful
Can't you see it's tough?

[end]

Honest No Likes (Feels Awful)

Minimal EDM Happy House 

May 22, 2024 at 8:32 AM


step spam spam
step step spam spam

Now spin it
Spam
Now win it
Spam
Deep in it
Spam
Bounce on it
Spam

low low low low low low
Spam - o 
get low - o



[end]

by: twitter.com/MSTRVLDZ

Social Commentary of the Digital Blockchain Art Scene through AI Song Making and AI-Assisted Tracks.

Created with SUNO AI
Mastered with Bandlab

Get Low (Spamo)

B_DWIL
https://x.com/B_DWIL/status/1793795941734199394

dreamy country

May 23, 2024 at 10:49 PM


There is a worm that lives inside me, 
It feed of my insecurity, my fear and my pain, 
Sometimes it even takes over, and I become all that I hate, 
Yet I’m not that worm 
And I’m not there yet
I’m just tired 
I’m just sad 
And this too shall pass…


There's a feeling deep inside me
Feeding on my doubts and fears
But I won't let it consume me
I'm not that worm
This too shall pass

[end]

Pass (Not There Yet)

Daniel's Ascent (Such a Man)
Prompt: a song about a mountain climber's triumph, latin, latin rock, pop, spanish rock, disco, classic rock,
Rock, Pop rock, Pop, Soft rock, Ballad, Classic rock, Latin, Disco, Instrumental
Unpublish
Remix
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Inpaint
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31
Lyrics
There is a man
His name is Daniel
He is such a man
[intro]

There is a man
Such a manly man
Well sorta manly but manly enough

His name is Daniel!

Daniel so cool
Daniel so smart
Daniel so strong

Go go go Daniel
Go go go Daniel
 
Go Daniel 
Such a fine fine man
what a catch
Go Daniel 
what a man

by: twitter.com/MSTRVLDZ



Created with SUNO AI
Mastered with Bandlab

Daniel's Ascent (Such a Man)

He's so big he's not afraid of AI music

trap lofi 

May 29, 2024 at 12:47 PM


Get ready
(omg who's that)

why it's
it's
it's
(daniel!)
Daniel!!!

Thunder and Lightning
Tidal Waves fight me
Mind over matter
I make the ladders

Blazing a path new
Bustin the old you
Let me cook Read this book
Ima teach you how to get these looks

by: twitter.com/MSTRVLDZ

Social Commentary of the Digital Blockchain Art Scene through AI Song Making and AI-Assisted Tracks.

Created with SUNO AI
Mastered with Bandlab

Titan (Why it's Daniel!)

still here on X web3

Neon Pulse ext v1.2.1.2.1.1
Prompt: Techno, piano, microhouse,
Electronic, Idm, Atmospheric, Electronic dance music, House, Tech house, Microhouse, Melancholic, Repetitive, Mysterious, Piano, Instrumental
Publish
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21
Lyrics

 by: twitter.com/MSTRVLDZ

Social Commentary of the Digital Blockchain Art Scene through AI Song Making and AI-Assisted Tracks.

Created with SUNO AI
Mastered with Bandlab

Spaces of X (Pulse/ Pump)

Testing Udio upload and extend original track feature

Chasing Shadows edit v1.2 ext v2
Prompt: drums, epic drums, rock
drums, Epic drums, Rock
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31
Lyrics
I see you reaching out, it's true
For warmth, for love, for something new
I see you reaching out, it's true
For warmth, for love, for something new
[Synth Build-up Crescendo]
 
[drum solo]

by: twitter.com/MSTRVLDZ

Social Commentary of the Digital Blockchain Art Scene through AI Song Making and AI-Assisted Tracks.

Created with Original recording Reason + Udio 
Mastered with Bandlab

Chasing Shadows (Human Touch)

https://x.com/maxOSIRISart/status/1800285002380280251

organic math house

June 12, 2024 at 9:36 AM


i think the abstractions, marketing, and accoutrements beyond the actual art have led too many people astray and chasing bullshit

your experience with a singular creation is the throughline ... and always has been 

and people who are all on the "marketing is art" nutsack, that just feels like cope for your lack of still or taste, which I'm sorry only one of those you could maybe affect with enough practice to marginally raise the other, but even that is uncertain

sirens everywhere
i know, i've seent em
i've bled on rocks from them

no where else has this been more pronounced more than in "NFTs" to my recent recollection

the reality is that the real comes through, and can't be faked to anyone who's aware enough to notice

the real thing is real

your experience with a singular creation is the throughline ... and always has been

sirens everywhere
i know, i've seent em
i've bled on rocks from them

the reality is that the real comes through, and can't be faked to anyone who's aware enough to notice

the real thing is real

your experience with a singular creation is the throughline ... and always has been

throughline 
(the real thing is real)

throughline 
(the real thing is real)

throughline 
(the real thing is real)

(sirens everywhere
i know, i've seent em
i've bled on rocks from them)


[end]

by: twitter.com/MSTRVLDZ

Social Commentary of the Digital Blockchain Art Scene through AI Song Making and AI-Assisted Tracks.

Created with SUNO AI
Mastered with Bandlab

The Real (Throughline Sirens)

Eryk Sowa - Sieben auf einen Streich

Sound track from Chinese RPG game 古剑奇谭

剑魄琴心 Soul of Sword, Heart of Zither

Soundtrack from Chinese RPG 仙剑奇侠传五

仙緣再续 Resuming Study of Immortality

For World Radio Day 2013, Xiaoyu Zhang explains the history and background to China Radio International, which broadcasts 1592 hours of radio in 61 languages (including English, Bengali, Hindi, Russian, Hausa, Spanish), everyday.

World Radio Day 2013: China Radio International [English]

For full information visit: 
http://www.loop.co.nz/releases/stories-from-elsewhere

STORIES FROM ELSEWHERE  –By RHIAN SHEEHAN

File Under: Post-rock / Ambient, Experimental
 
A series of enchanting instrumental works, Stories From Elsewhere is Rhian Sheehan’s most evocative album to date - an excursion into a soundscape of tender ethereal textures, brooding cinematic string arrangements, and playful experimental lullabies. Sheehan has encapsulated a world of serenity and melancholia within this 12-track album. Stories From Elsewhere is a musical landscape to get lost in.

His first full-length album since Standing in Silence (2009), Sheehan transgresses Ambient and Post-Rock genres and moves deeper into a unique world of haunting atmospheres, reflective ambient electric guitar washes, childlike melodies, and stirring moments of elation.

Principally conceived by Sheehan in his Wellington, New Zealand based home studio; his strong sense of vision for the album’s live representation informed key collaborations, which are bound to extend to the performance of Stories From Elsewhere. Contributing artists included: Jeff Boyle (Jakob), Raashi Malik (Rhombus), Andy Hummel (Rosy Tin Teacaddy), Steve Bremner (The Adults), Ryan Prebble (The Nudge), and string players from the NZSO. Sheehan also enlisted the talents of Lee Prebble to help him put finishing touches on the album.

Sheehan describes how some of the music from the album came about:

 “The album as a whole came about via experimentation. I’ve been moving further away from computer made electronica over the last few years and tinkering away in my home studio with old children’s musical toys and gadgets I’ve collected over the years, working out ways to make interesting and unusual sounds. I mixed half of the album with Lee Prebble, which was good fun. We ran the drums and strings through an old 60’s plate reverb to get a more nostalgic atmospheric tone. Most of the textures on this album were made with electric guitars and vocals run through various outboard effects. I wanted to make an album that sounded very natural and organic - a collection of sonic stories that hopefully will be listened to as one body of work.”

“’Little Sines’ was conceived on my baritone ukulele and an old 80’s toy sampler I use to record and playback sine waves on. I then physically created the main melody on a handmade DIY music-box I own, but didn’t really think it was a particularly interesting melody until my young son began singing it relentlessly. I then knew I had an idea worth pursuing. This melody pops up throughout the album in various forms.”

 “’Creation Myths’ bizarrely came about via the main melody of ‘Little Sines’. One day I mistakenly placed the music-box piano roll melody from ‘Little Sines’ upside down. After some tinkering, I ended up with the finished track.“

“’The Upper Sky’ was a late night collaborative effort with my wife, Raashi and good friend, Jeff Boyle. I had a rough idea sketched out and they both helped guide the piece in the final direction.”

“’La Boîte à Musique’ was the piece that took the longest to complete. Again, the basic tune was conjured up via experimenting with old musical toy instruments. Essentially, it’s an experiment in the sonic manipulation of a simple melody. I had written a rough string arrangement for the outro section that I then passed on to collaborator, Ryan Youens, to put some finishing touches on.”

“’Nusquam’ I guess came about subliminally due to the soundtrack work I do. It’s a very filmic and emotive piece. I’m emotionally connected to it. The melody came very quickly, but I didn’t realise how affecting it could be until much later when I played a rough version to a friend.“

 “’Nocturne 1985’ was predominately created using an old 8bit toy keyboard. The only other instrument on this piece was the drums played by Steve Bremner (that enter mid way through the track). This is the most ‘electronic’ piece on the album. It has kind of a reflective early 80’s game arcade sound to it”.

The imagery for Stories From Elsewhere is the result of a collaboration between Sheehan and artist, Kieran Rynhart. After discovering Rynhart’s work at a local art gallery and falling in love with a print (which now hangs on Sheehan’s living room wall), Sheehan approached Rynhart with some ideas he wished to explore for the album’s artwork. The beautiful results are displayed throughout the Stories From Elsewhere artwork.

For full information visit: 
http://www.loop.co.nz/releases/stories-from-elsewhere


11 Somnus

TrashBARD: AI Music (Blockchain Lore)
Piano Improvisation and Other Wizardry: couchwaker
Digital Blockchain Artist: VLDZ ∞ Vampy
Band: Bombadils
Valchemy: AI Music

SCOTD December 4, 2013

Wendur

VLDZ

Recent comments

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Mitsutoshi Kiyono

ICARUS, THE SUN BECKONS..

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