Musique Contemporaine / Minimaliste

Bien moins inspiré par le folklore de notre région que sa nature, Juanita (@user-393868977) a conçu la playlist qui suit afin d’accompagner la lecture du premier numéro d’Akki, en visualisant aussi bien les lacs pyrénéens, qu’un road trip pluvieux dans la forêt landaise ou encore une Île de Ré vidée de ses visiteurs et visiteuses ; car c’est loin des projecteurs, de l’afflux de touristes et des normes que se développent les contre-cultures, les ambiances réelles. Cette sélection comprend des musiques évocatrices de la région, pour certaines issues de producteurs et productrices néo-aquitain.es, des régions voisines ainsi que des inspirations en provenance du monde entier.

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Akki de conscience : 01 contre-cultures

awa pasa por mi casa 𓈒ㅤׂㅤ𓇼 ࣪ 𓈒ㅤׂㅤ⭒ 𓆡 ⭒ㅤ𓈒ㅤׂ 🫧

My music

chill

•･ﾟ: *✧･ﾟ:*∘*:･ﾟ✧*:･ﾟ•

°* ੈ‧₊˚XOO𓆤°* ੈ‧₊˚

Jetlag Waltz

THE PIANO - The Composers Cut Series - Volume III

Music composed and performed by Michael Nyman

Michael Nyman's score for Jane Campion's 1993 film The Piano is one of the most successful film soundtracks of all time. The film itself won the prestigious Palme d'Or at the Cannes film festival in 1993 and went on to win several Oscars at the 1994 Academy Awards. Holly Hunter's role as Ada the film's central role was that of an elective mute who chose to communicate via her playing. If having the music feature so prominently in a film was unusual, for the music to additionally convey the dialogue of the main character is unique. The soundtrack of the film went on to become a multi million seller. Perhaps surprisingly for music with such strong ties to its original source many of the pieces from The Piano were subsequently used in a variety of other settings in film, television and advertising making it some of the most performed/frequently heard orchestral music of the last twenty years.

The concert suite for The Piano as performed by The Michael Nyman Band also became a staple of the band's concert repertoire and has been performed all over the world with the composer taking the roles of pianist and conductor. It is this expanded form of the soundtrack that Nyman chose to record as his own definitive edition in Abbey Road studios in April 2005. The piano pieces again form a dialogue, though here the dialogue is purely musical between pianist and orchestra rather having the piano pieces act as speech substitute as they did in the film. The resulting album is a wonderful example of film music transformed to a distinctive stand alone concert work.

"The purpose of the Composer's Cut series is to present music from my soundtracks in a state of continuous evolution. As I transferred particular cues from film to concert hall both musical structures changed and performance styles developed, enabling the music, perhaps, to realise its true potential. So these recordings represent the Michael Nyman Band's state-of-performance as of spring 2005." – MN August 2005


The Heart Asks Pleasure First

Teach Me How To Love

Standby Baby

September

Quarter Life Crisis

Fucks Me Up

Trio composé de :
Eric Brochard : laptop, patch max temps réel
Loïc Guénin : claviers analogiques, objets sonores
Kamilya Jubran : oud, voix

MALQA

Caballero & JeanJass - Yessaï (Prod By Mowley)

Philip Glass Metamorphosis (full Album 2006), Piano Branka Parlic

Legendary score by minimalist composer Philip Glass from Kundun (1997)

Philip Glass - Kundun - Escape To India

iamalwayslonely

buy/stream: http://lnk.to/friendofafriend

composed & performed by aidan peterson

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snapchat: apetey272

twitter.com/bennysingsmusic
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instagram.com/bennysingsmusic

artwork by kacper abolik

all rights reserved 2017 © instupendo

Friend of a Friend

Homme (Feat. Benny Sings)

official music video

homme (feat. benny sings)

composed & performed by aidan peterson

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snapchat: apetey272

twitter.com/lontalius
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instagram.com/lontalius
@lontalius

artwork by kacper abolik

all rights reserved 2017 © instupendo

Hand to Hold (Feat. Lontalius)

stream/download

hand to hold (feat. lontalius)

composed & performed by aidan peterson
vocals by jamison isaak (teen daze)

all rights reserved 2018 © instupendo

Fleur (feat. Teen Daze) - Single

Fleur feat. Teen Daze

fleur (feat. teen daze)

In a Landscape (1948) performed by Yundu Wang, a student of Hung-Kuan Chen and Vivian Hornik Weilerstein
Using muted piano, Chinese cymbal, and two variable-speed turntables playing a frequency record and a constant note record, this is believed to be one of the earliest electroacoustic works ever composed.
Under the rubric of "Cage.88@100," NEC's piano department chair Bruce Brubaker and project director Stephen Drury brought together piano students from the entire spectrum of NEC's teaching studios for a series of concerts top celebrate the Cage Centennial .
Recorded live in New England Conservatory's Jordan Hall Fenruary 6, 2012

John Cage: In a Landscape

A4 - MOXAL - Atzokokaka

Esto es para cuando estás en el trabajo y dices, pf, cuando llegue a casa voy a ver si puedo comentarle a alguien lo de la cascada de cuchillos fríos que tengo en el pecho, porque no he encontrado el momento en todo el día

(mirad el vídeo en Youtube!!!!)

Tengo en el pecho - Menara y Pablo

Whethan - 'Fantasy' Out Now!
Stream/download: whethan.lnk.to/FantasyID

Follow Whethan:
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http://soundcloud.com/whethan
http://youtube.com/whethan

Follow STRFKR:
http://strfkr.com
http://facebook.com/starfucker
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http://instagram.com/strfkr_music
http://soundcloud.com/starfucker_usa
http://youtube.com/user/Starfuckerssss

Download/Stream

Stay Forever (feat. STRFKR)

Another week, another track premiere… but is it truly just ‘another’ track that bubbled up onto the top of this appending queue? I feel I know the work that goes in by composers. No matter if the track is short of stretched in time. Each little note, each pad evolving in its frequency band. Each slight adjustment to the volume curve, to carry forth the story in dynamics. Each atmospheric treatment with the reverbed textures. Each painstakingly placed sound in the stereo field – front, back, and center. Post-processed, mixed, and mastered; listened to on every speaker; then played and listened to again, again, and then some more, until the music feels just perfect for the only one who made it. And what about the others? Will they hear the small details, the carved out, guided path, the melodies that pierce the harmony in places, the melodies that hold the message of the piece? Who’s genuinely listening out there, consuming and appreciating the endless time and love poured into music? I know that I am. I hope you hear it too…

This is the sixth full-length for Bordeaux-based Franck Zaragoza, appearing, once again, on the beloved n5MD under his Ocoeur moniker, under which he’s been making music for over a decade now. The album embraces sound design with its melodic side of synthesizer music. So all the knob-twist-junkies of the analog and software emulations can marvel at the output that’s much more than just another jamming-late-night-sink-hole of their time. Here, Zaragoza brings it all together into a single cohesive package of an album that seeps with inspiration from its every nook. The sound is rounded and gentle, in many places very vital and organic, and then is structured in the architecture of complex rhythmic twists [check out “Glow” on the full album when it comes out tomorrow]. Meanwhile, the concept comes in with a message, of slowly fading and receding from reality, into our anti-social, virtual, and ego-feeding worlds.

"‘Everything’ is an expression of empathy towards our world that I feel is being completely neglected and abused. It is like a clock ticking reminding us the creation, the beauty and happiness trampled by emotionless people, blinded by their own greed and hatred." --Franck Zaragoza

Catch Everything on n5MD released tomorrow, February 28th. Available on all digital platforms, digipak CD, and 180 grams of ultra-clear vinyl.

Everything

TRACK PREMIERE : Ocoeur - Everything

ORAMICS is honored to premiere a track from @aleksandra_slyz debut album on @Pointless-Geometry

Oramics Premiere is our new series on SoundCloud and YouTube that will showcase fresh tracks and videos from female, non-binary and queer producers. We want to use our platform to celebrate emerging talents and independent labels who support them.

https://pointless-geometry.bandcamp.com/album/aleksandra-s-y-human-glory

Aleksandra Słyż is a composer, sound designer, and sound engineer. She is fascinated by interactive and multimedia art. In her music, she looks for connections between the human body, sound, and technology. Her works presented so far have been in the United States and Europe.

Aleksandra Słyż's debut album "Human Glory" has a dual nature. Intense and very emotional experience, built by layering, thickening, and intensifying drone parts of synthesizers (MG), intertwines with recordings created using motion sensors (BG), which created the sound recording of the choreography. Słyż is not afraid to lead the listener along winding paths - through silence and intricate details fragments of sound design, to massive, tectonic walls of sound. The precise logic of the composition naturally blends with intuition, and the album's narrative freely leads the listener from the microscale of the smallest particles of the world to epic film panoramas.

[PL]

ORAMICS ma zaszczyt przedstawić utwór z debiutanckiego albumu Aleksdandry Słyż, wydanego w Pointless Geometry.

Aleksandra Słyż to kompozytorka, sound designerka, realizatorka dźwięku. Fascynuje się sztuką interaktywną i multimedialną. W swojej muzyce szuka połączeń między ludzkim ciałem, dźwiękiem i technologią. Jej prace prezentowane do tej pory były w Stanach Zjednoczonych i Europie.

Debiutancki album Aleksandry Słyż  “Human Glory” ma dwoistą naturę. Intensywne i bardzo emocjonalne doświadczenie, budowane przez nawarstwiające, gęstniejące i intensyfikujące się dronowe partie syntezatorów (MG), przenika się z nagraniami stworzonymi z wykorzystaniem sensorów ruchu (BG), dzięki którym powstał zapis dźwiękowy choreografii. Słyż nie boi się wieść słuchacza krętymi ścieżkami - przez ciszę i pełne kunsztownych detali fragmenty sound designu, aż do masywnych, tektonicznych ścian dźwięku. Precyzyjna logika kompozycji w naturalny sposób przenika się z intuicją, a narracja albumu swobodnie prowadzi słuchacza od mikroskali najmniejszych drobinek świata, do epickich filmowych panoram.

PREMIERE: Aleksandra Słyż: MG I

Orionis

@pup_puppy
“Sub Rosa” is Dominio’s first compilation album since the beginning of its publishing activity as an independent label at the beginning of this year. It features contributions from a list of both old and new friends of the collective which have performed at some of the different concerts that they have organised over the last two years. “Sub Rosa” is a reflection of Dominio’s strong commitment with their local scene as much as their search for a wider projection through international connections. Ultimately, their goal is to stimulate a dialogue between their particular context and the rest of the world. The presence in this album of a high number of collaborative pieces is, too, a crystallisation of this dialogue. Most of these collaborations were created by correspondence during the 2020 March-August period, and shall provide a sample of the constant appearance, evolution and reshaping of projects around the collective.

The figures displayed in the album cover are the work of the Valencia-based sculptor Claudia Dyboski (IG: @dyboski).

Tape and digital editions: https://dominio0.bandcamp.com/album/sub-rosa

looked at the masterpiece

CoucouDavou