Multitalented artist Calemma has dedicated his lifelong research to photography, media and music, all of which he has skilfully converged to influence his sound, creating a unique musical experience each and every time. 
His influences have been building up through the Acid House Scene and Detroit sound, while also drawing upon the electronic scene from Berlin and Eastern Europe.
Giovanni has been the co-founder of United Tribes ( Italy) Between 1992 and 1994, United Tribes marked an evolutionary step in the European music scene and defined new aesthetics in visual communication. 

As a DJ and producer his priorities are high quality electronic music and techno with the firm commitment to deliver a vibrant dance floor within a people-centred environment

As producer the first release was in 2021 with the single Acid Switch togheter with his friend Gabor
aka Disandat on the label Free Sequence, to follow with the EP Rama released the same year.

Another remarkable release  in 2021 the single Opera Aperta, a track crafted by friend producer Vantigham and spoken words by myself.


This autumn/winter 2022/23 Calemma will present his new musical project with the launch of his Label (Ground Control ) with the release of the second EP in close collaboration with Gabor (Disandat) Hungary. 
The label will be focus on Techno-Electronica-Experimental

TONIC HOUSE STUDIOS, SHEFFIELD
Studio time £260 a day.
Get your free quote now! Follow the link below to my website.
Or just DM to enquire.
Chilled vibe, broadcast quality productions in every style: R&B, Metal, Funk, Alt, Rap, Indie, Pop, Blues, Dance.

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I'm a Music Producer, and a Recording and Mix Engineer from Sheffield, UK.

APPROACH

Each band has a sound, which is usually the sound they produce when they play together. If the singer needs a mic to be heard, then that band’s sound already relies on technology. But take technology too far, and you lose the essence of their sound.

All my productions sound as loud and energetic as the experience you have when you hear them play together – even when you turn the volume right down…

… that’s what technology is for me.


TECHNIQUE

I’m constantly innovating new production, recording and mixing techniques – and I don’t just mean I have all the latest whizz-bang plug-ins. And I’ve developed a post-production style that has become just as important to my recordings as pre-production.

I make each production better than the last by stubbornly pursuing what I consider to be great production style, while jarring my mind open to bands’ production influences…

…plug-ins don’t make great productions – I do!


OUTCOME

A good recording becomes a great production when people can easily identify it, and identify with it. So just as a well-produced album hangs together as a single work, so everything a band is (songs, clothes, lyrics, ethics, lighting, sound, artwork, performance, etc.) should be indisputably THAT BAND…

…this is what I capture.


BIOG

I'm a Music Producer, and a Recording and Mix Engineer from Sheffield UK.

My family were profoundly musical when I was growing up, and I was classically trained from an early age. But when I discovered alternative rock in my mid-teens, it completely changed my perception of “good music”. I taught myself guitar and bass, and I've been in bands ever since, constantly expanding my musical taste and appreciation.

I produced my first album when I was 19 and developed my sound engineering skills throughout my 20s in studios like Jump Recording Studio and the much reputed Yellow Arch Studios. I also got really slick during 9 years as a live sound engineer, working in well-known venues like the Leadmill, and touring venues like Cardiff Arena and Hammersmith Apollo.

In 2006, I opened up Ebb-Tone Recording Studio in Sheffield with my band mates. The sound quality of the studio has improved massively because of the investment made possible by success. I’ve been lucky enough to record every kind of band in every kind of style, including a whole bunch of albums.

When I produced Downslide’s self-titled debut album, we worked really hard together to produce something unique but honest. We used their influences as a focus: accessible urban flavours with heavy guitars and vocals. I'm dead pleased with the sound and the shape of the album, and especially that it's a true reflection of the band as they are.

I also produced “You’re An Ocean Deep My Brother” by Firesuite, which I really think is a classic album: relentless in places, mournful and evocative in others, and definitely an album that is much weightier than the sum of its constituent tracks. We did it together, and the form, sound and musicianship make it a real artistic success.

Нi… dо yоu wаnt to watch my cam? chесk link below

UK based Producer. Released an album under my Renude19 imprint, on July 26 2025. It's called 'Reimagining Allen Ginsberg's Howl', and is an 8 song concept album and a verbatim reading of the classic counter culture poem from the 1950s. Features the voice of Ashley Slater reading the poem, supported by our singer Christabel on vocals & Aaron Emerson on keyboards. 

I have made tunes under a number of different names including Renude19, EDP, Every Day People, Everyone Dreams of Paris, Brotherhood, Doktor Strangelove, Treason, and Da Strobe. DJing since 1990, held residencies at Clubs in Brighton such as The Escape, Ocean Rooms and Funky Buddha Lounge, played worldwide from USA, Spain, Ibiza, France, Poland, Ireland and many more. Promoter of some great club nights in Brighton UK,  EveryDayPeople which ran for 5 years and the Glory Glory Brighton Pride parties.

Socialy anxious industrial psych rock in the north west of england

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