Formed in 2012 from the ashes of Tricky Woo, C’mon, Bella Clava, Lying Cheats, Change of Heart, Starvin’ Hungry, etc., Public Animal was named after an Alice Cooper song. Their high energy show finds vocalists Ian Blurton and Caitlin Dacey layering fuzz guitar and distorted organ over the groove-oriented rhythm section of Eric Larock and Ryan Gassi. The four diverse writers have built a sweat-soaked shrine to ‘60s/’70s rock, a greasy machine held together by strands of psych, pop, prog, garage, doom, shoegaze and soul. They have released records on Yeah Right!, Teenage Rampage, No List/Noise Agony Mayhem, Squirtgun in Canada and Electrohasch in Germany.

All songs are written, performed and copyrighted by Hashmarks (Sean Sollazzo, Alex Xenophontos, Tait Rowsell)

Hosted by Hammer Smashed Joey and Metal Mike
We are a weekly metal themed radio show with lots of music and entertaining and funny discussions.  We talk about local music, new music, and we usually complain about something. 

Hammer Smashed Radio broadcast on 103.7 FM CFBU in the Niagara region, in St. Catharines, Ontario, Canada
We air live every Sunday from 10pm to Midnight Eastern Time on 103.7 FM and online at www.CFBU.ca

Management:
sam@verdigrismanagement.com

BOOKINGS: 
ed@freetradeagency.co.uk

North America, South America, Canada 
averymctaggart@gmail.com

DJ BOOKINGS:
UK, Europe, Asia
ali@warmagency.com

US & LATAM
bowen@paradigmagency.com
Press:

nikki@orienteer.us

Ipecac Recordings is the brainchild of Greg Werckman (former label manager for the legendary punk label, Alternative Tentacles, employee for Mercury Records for a record 15 minutes, currently operating Pick-A-Winner Management) and Mike Patton (former frontman for Faith No More, Mr. Bungle, currently of Fantômas, Tomahawk, Peeping Tom).

Werckman and Patton had been scheming for years (in between video games) about starting their very own label, waiting for just the right moment to unleash their master plan. Ipecac Recordings is not about to make music biz history and execute a revolution (although one is surely needed) or bore you by waxing poetic about their original musical philosophies. But if we have to adhere to a "mission statement," how about the notion of being an honest, artist friendly label run on a shoe string with no outrageous promotional or production costs. This label is a home to Mike Patton's eclectic musical collaborations as well as a place where bands we admire have the freedom to release music they might not be able to, or want to, release on other labels.

Juno Reactor ranks among the all-time greats of electronic music as essential innovators. From their 9 studio albums, “Transmissions” the first Trance album, Scoring many films to performing their stunning live shows around the world at major music festivals, Glastonbury, Roskilde, Fuji Rock, The Glade, Boom, Ozora, and many more.

Juno Reactor are known for their cinematic fusion of electronic, global influences, and a dynamic orchestral approach, working with composer Don Davis for the score of The Matrix Trilogy. Central to the project is Ben Watkins and his collaborations with a constantly changing ensemble of musicians from across the world.

2016 opens up a new chapter with The Mutant Theatre show, a combination of Juno Reactor’s powerful onstage presence and two visually stunning performance groups from Russia, Agnivo and Stigma. Bringing a new dimension and unique touch from the creators of the Bible of Dreams.

Courtney Evers is following