https://fanlink.to/btip004_neida

Embark on an exhilarating musical odyssey with Neida's latest "Can't Get Enough EP", a mesmerizing follow-up to his standout contribution on June 2023's "Good Vibes Vol. 1". 
Unveiling a sincere exploration of sound and emotion through three original tracks and four remixes, blending rhythm and intensity in a way that keeps hearts racing and dance floors alive.

The EP's title track, "Can't Get Enough," thrusts us into a realm of frenetic beats and palpable energy, creating an immersive experience that feels both sweaty and liberating, while "Hydro" delves into aquatic dreamscape intertwining distortion and trap influences. 
"Trainwreck" propels the listener forward at breakneck speed, capturing the essence of a high-speed locomotive leading us to four visionary remixes adding a kaleidoscope of perspectives to the EP. 

Miss Jay's daring reinvention of "Dirty" sets the tone, with an intense video game-inspired groove evolving into drum and bass, infused with neurofunk influences. Portway's remix of "Can't Get Enough" takes the original into uncharted territories, fusing elements of dnb and electro, creating a futuristic yet vintage sonic landscape.
Galtier's reimagining of "Hydro" paints a sonic picture of fluidity, with a pacey, liquid-esque roller vibe that elevates the track into a conscious, heightened state of mind. Subsism then takes the reins, delving into dub, grime, and trance influences in the remix of "Trainwreck."

The result is a genre-blending piece that adds an extra layer of depth to Bad Tips' exploratory commitment.

𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐬 𝐌𝐚𝐫𝐜𝐡 𝟕, 𝟐𝟎𝟐𝟒 𝐢𝐧 𝐃𝐢𝐠𝐢𝐭𝐚𝐥

curated by gboi
designed by Johanna Burai
mastered by Perception Mastering

bandcamp

Neida - Hydro (Galtier Remix)

Tapping into the influences of Japan's thriving scene, Tokyo-based artist Hirotaka Umetani, AKA Albino Sound, continues the LEFT series with 3 tracks, each exploring a distinct strain of techno.

Albino Sound’s unique synthetic production veers heavily into peak time energies on this EP, injecting a charged electricity into his archetypal spacious, metallic sound design & upping the tempos - intricately weaving sharp, resonant highs through heavy, sound-system rattling lows for striking, high contrast effect

https://worshipbristol.bandcamp.com/album/worshipleft002

Artist Social Links
https://www.instagram.com/albinosound/
https://albinosoundtokyo.bandcamp.com/
https://soundcloud.com/hirotaka-umetani

Label Socials
https://soundcloud.com/worship_worship
https://www.instagram.com/worship_bristol/

PREMIERE: Albino Sound - Geyser [WORSHIP]

If INFORDIN’s sets are a call. Your movement is the response.
As both a DJ and the founder of Foodcourt.inc, INFORDIN (Ngāi Tūhoe / Ngāti Raukawa) has been carving a warpath in the Ōtautahi underground scene. Since the end of '22, INFORDIN has supported the likes of IPC, Main Phase and Coco Bryce, while creating her own club night Foodcourt.inc - a passion project which aims to give space and opportunity to BIPOC creatives & party goers. Resident DJ for Club Unique Radio and Queer Horizons INFORDIN has firmly solidified her place as a mainstay of Aotearoa’s underground dance scene.

@dinforin

"This mix features my favourite artists and albums that I cant stop listening to. Big 130 bass through to bouncy 160 tekkers. Thank you for having me Related Articles! Love infordin xoxoxo"

RA MIX 047 - INFORDIN - I ONLY WEAR FACTS ON MY SHIRT

A collection of lost project files; eternalised as forever demos. Made over the span of 2014 to 2017. Heavy, weighty movers with plenty of sub and proto-grime/early Night Slugs Club Constructions influenced through and through. Some with subtle yet blatant samples to the keen ear. Repeated noises have been re-sampled across all tracks. I also absolutely rinsed beeps quite alot.

Calibrated (Shellshock) is a repurposed remix of Krizzli & Jerry Riggs that was never released. The rest of the tracks are straight originals that I will never be able to change or edit. Enjoy them as they are.

Tracklist:
Purging
Calibrated (Shellshock)
TAT
CM-88B Jam
Stagger34

Artwork by Jiah Wells

G_Archive01

G_Archive01_Compiled

Musuama emerges from the aether onto NHS with 'Bailes Mudos'; being their first release and foray into the world of leftfield esoterica electronica. Hailing from Brazil with time spent in Mexico, Musuama’s exploration of synthetic sonics is fuelled by a healthy background in trained musical knowledge and an ever-present aura of genres like cumbia, reggaeton, guaguancó and festejo to name a few. The artist speaks further on this: ‘I was confronted by the constraints imposed by the timbral limitations of traditional instruments and recognized the transformative impact of technology on artistic expression. I believe that by embracing technological advancements across artistic fields, both the listener and the artist stand to gain by fostering an even deeper connection with creativity’.

The collection is transient in its collage of sound artefacts; a spaciousness encapsulates the artist's approach to their productions that is meshed with pulses of texture and an ephemeral fluctuation of echoes, delays and reverb; as if we are inserted into Musuama’s personal journey through cultures characterised by sound. Throughout, the release carries a sense of subtlety, hypnotised by a steady march that permeates through the homogenous story that is told via the EP.

https://soundcloud.com/musuama

Artwork by Jiah Wells
Mastering by Fausto Mercier

Bailes Mudos - EP

Bailes Mudos

Buy NHS027

Musuama - Ajetreo [NHS027]

Vief’s next fundraiser compilation, as voted for by the 14 contributors to the release, is raising money for Palestine Solidarity Campaign to aid their work in building public support for an end to atrocities currently taking place in Gaza.

Following the Hamas-led attack on Israel on 7th October 2023, the disproportionate response by the Israeli armed forces and government has led to (at the time of writing):

• At least 31,923 people killed, of which more than 13,000 are children (Al Jazeera)
• The destruction or damage of more than half of Gaza’s homes (360,000 residential units) (Al Jazeera).
• ‘Catastrophic’ levels of hunger for more than 1 million people and an ‘imminent’ famine in northern Gaza (the Integrated Food Security Phase Classification).

On 26th January 2024, the International Court of Justice ordered Israel to take “immediate and effective measures” to protect Palestinians in the occupied Gaza Strip from the risk of genocide by ensuring sufficient humanitarian assistance and enabling basic services. Amnesty International and Oxfam have accused Israel of defying this ruling.

“Israeli authorities are not only failing to facilitate the international aid effort but are actively hindering it. We believe that Israel is failing to take all measures within its power to prevent genocide.”

Sally Abi Khalil, Oxfam Middle East and North Africa Director. Oxfam.

It has been heartening to see the volume of fundraisers in the dance music world for this cause, and we all really hope you like the tracks in this release. Any support will be very much appreciated! 

@crouds
@viefrecords

Buy:
https://viefrecords.bandcamp.com/album/palestine-fundraiser

vief Palestine Fundraiser

PREMIERE: crouds - Welcome [Vief Records]

RAVL - What Tomorrow Hides

@djfarsight

Presence of mutant bass activity detected. Origins trace back to a source object called FARSIGHT, a high elasticity, high impact orb projecting deep wavy frequencies. Brace for collision.

Recorded at Uklon's Dantes Dance rave 7.22.23

23 ---- Farsight

unreleased remix from thug & i
free dl ☝️

@thugwidow

New Reality Remix

cassette/digital ♫ ♫ ♫

New Reality (Thugwidow & Text Chunk Remix)

Hot on the heels of nosync’s ‘Soundsystem Music’, Plasma Sources is proud to present Beton Brut’s ‘Project Researcher’, a 4-track offering of no nonsense, dancefloor-ready electronics which take influence from experimental club music, grime and musique concrète.

Having previously released standout EPs on CYTE Records, Beton Brut has built a reputation for delivering distinctively sparse and heavy-hitting productions which have garnered support from the likes of Mumdance, LCY and Walton. On ‘Project Researcher’, Beton Brut takes his sound and develops it even further.

In the producer’s own words, the EP is “about materials - raw, straight and to the point”.

’Lighter’ pulses with Beton Brut’s signature blend of grime-influenced bass-weight and snatches of pirate-radio MC chatter. ‘EMCA’ doubles down on this approach, with a more identifiable rhythm sure to keep heads bouncing at peak time.

As an EP, ‘Project Researcher’ feels like the auditory equivalent of observing a chemical process inside a petri-dish. Beton Brut sets himself up as a scientist on this release, meticulously collecting individual samples from the deep corners of YouTube, introducing these into abstracted environments and observing the reaction.

@betonbrutt
@plasmasourcesmusic

Buy:
https://plasmasources.bandcamp.com/album/project-researcher

Project Researcher

PREMIERE: Beton Brut - Lighter [Plasma Sources]

Chicago label and collective Satellite Era expands its palette of forward-thinking electronic music with its second compilation.

Read more on CxC 🔗 https://couvrexchefs.com/en/satellite-era-vitreous-brendan-rincon/

Article

PREMIERE: Brendan Rincon - Vitreous (Satellite Era)

Digital and live platform for emerging club music founded in 2011.
Requests: contact@couvrexchefs.com


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➯ 28.08.20 CxC: Tim Karbon, Scarlett, BJF, Philou CxC @ Gambetta Club, Paris
➯ 27.12.19 CxC: BJF & Friends @ ALG, Paris
➯ 15.11.19 CxC: DJ Marfox, Yayoyanoh, Petit Piment, Sylvere @ La Java, Paris
➯ 12.10.19 CxC: Plage Club Vol. 1 Release Party w/ LaBok, Tarquin B2B Noire & more @ Le 9b, Paris
➯ 14.09.19 CxC: 100KOBSESSION, Scarlett, Bile Noire, Philou CxC @ Le Zorba, Paris
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➫ 29.11.18, Boiler Room, Paris
boilerroom.tv/session/boiler-room-x-uber-pool-presents-b2b2b2b-paris
➫ 29.11.18, Couvre x Feu @ L'Alimentation Générale, Paris
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PREMIERE: Brendan Rincon - Vitreous (Satellite Era)

Couvre x Chefs

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