loving this... as with all your recordings! :)

"Filament and Place" is an exploration of the emotional connections that exist between the places and people that exist in our lives. It was created with field recordings, organic synthesis, half remembered dreams, and a longing for places that no longer exist.

Mastered by Porya Hatami
Cover photo by Natalia Drepina

Filament and Place

Buy CS / DL

Insouciant

Edges is taken from the album ‘Swept’, an exploration of emotional turbulence, resilience and rejuvenation. Created with electric guitar, modular and analogue synthesizers and pedals, most of the sounds were recorded at the start of the global pandemic. The album is bookended with field recordings made from the artist’s garden in East London. It opens with the sound of tarpaulin sheets on a neighboring construction site swept by heavy winds during Storm Ciara, shortly before the first UK lockdown, and closes with the sound of birdsong after rainfall, signaling hope for better times.

Swept

Wil Bolton - Edges

If a tree falls in a forest and no one is around to hear it, does it make a sound?

THE PROOF

Opus 6

opus 6

from the album Pastoralia, released March 28th, 2020. 
https://kellyjameswyse.bandcamp.com/album/pastoralia

Video + Art by Sean Waple: https://youtu.be/G7N7l_BSfmM
Recorded and mastered by Martyn Heyne at Lichte Studios. 

https://Kellywyse.com

ssSwan

There were endless possibilities, questions left unanswered and a door which sat ajar. There were three reasons why she might have left... The night was cold and dark, a faint chill ran through the town as he began to wonder where his long lost lover had gone. Absconding was weak and cruel - it answered as many questions as it posed and carried a bitter taste upon the tongue...

Tom Hodge & Franz Kirmann are long time collaborators and prominent musicians - the pair have worked creatively for decades and have recently recorded music behind a new documentary: "The Man Behind The Microphone". 

In doing so they also managed to compose new music of their own, built for no creative purpose other than love. This track is one of those.

PREMIERE: Tom Hodge & Franz Kirmann - Three Reasons Why [1631]

Edge of Tranquillity

Pink Sky's 3rd LP, meditations II. Recorded in same session as meditations, the sister-album reflects the mood and state of mind of living in a post-traumatic state.

A Memory

Look at the sky,
and become a bird for a while.
Before you fade in the clouds.
---
Released for Piano Day 2020.

Birds (Piano Day 2020)

#pianoday2020

Coversart on streaming platforms: 
Spotify: https://spoti.fi/2lOovVE
Apple Music: https://music.apple.com/artist/coversart/1475897456
Deezer: https://www.deezer.com/artist/71521152
Bandcamp: https://coversart.bandcamp.com/

Coversart on social media:
https://www.facebook.com/CoversArtMusic/
https://www.instagram.com/CoversArtMusic/
https://twitter.com/coversart_music
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Birthday Day release notes:

I’m excited to announce that my very first self-made release (it’s a single!) is now available on streaming platforms (spotify, apple music, google music, etc.). 
The single features three complementary tracks recorded in my studio in The Hague using a 70s Brinckmann upright piano. The first two tracks – Birthday Day and Aftermath – are composed by me. Birthday day was originally an accidental moody improvisation, played during a lonesome lunchbreak in my studio on my B-day. The second one was created under similar conditions a day after – the recording contains a blend of electronics, field recording and an acoustic piano.
The last (but not the least!) is my piano solo arrangement of “We Move Lightly” by Dustin O’Halloran (featured on the OST to 2011 indie movie “Like Crazy”). 
Hope you enjoy all three!!!
Love, peace, stream, share&like!

#Ambient #Neoclasscial #Piano

Birthday Day

Like many of you probably, spending the days at home… so decided to record a little ‘mini-at-home-concert’ with one old and two new songs as a contribution to Piano Day 2020 which will take place next week on the 28th of March – the 88th day of the year. Eerie times… you can literally hear the sound of sirens of hospital cars in the background… Wishing you all good health, take care.

Twin - ID - Scratch (Mini - Piano - Day - 2020 - At - Home - Concert)

Lumina (2020)
for orchestra (2222.4331.3perc.harp.pno.strings)

Performed by the USC Thornton Symphony (Donald Crockett, conductor)

Program note:

"Lumina" explores the spectrum of light and dark and the murkiness in between. Using swift contrasts between bright, sharp timbres and cloudy textures and dense harmonies, the piece captures sudden bursts of radiance amongst the eeriness of shadows.

Lumina

pianist / producer / composer
youtube.com/coversart
It's all about piano covers, lovers, live remixes, paraphrases & improvisations.

Birthday Day

Coversart

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