:ooooo, this is outstanding, no words, enjoying all of this, reminds to King Crimson, great track and atmosphere

what a relaxing music for enjoying this Sunday

Nice, smooth and relaxing composition. Enjoyed it.

Beautiful! Love all the textures and overall musicianship.

Good Jazz I Found

A slow and melancholic song, hope you like it.

Excuse me on Spotify: shorturl.at/hstFI
Spotify Playlist: https://rb.gy/hnzhvq
YouTube: https://youtu.be/82n6jeKPRo0

Facts about this Track:
Idea, Arrangment, Audio-Editing and Midi-Programming, Guitar playing, Mixing and Mastering by Ray

Vocals: Audio-Samples

DAW: PreSonus Studio One Professional 5
Guitar: Fender Stratocaster
Drums: EZDrummer Gospel
Percussion: EZDrummer Latin Percussion
Bass: EZBass
Keys: Aturia STAGE-73 V, EZKeys Electric 200A

Excuse Me

Realase 15.03.2022
Single :
Title : Ich liäbä Di Nacht
Artist : Karl Heinz – Heimgartner / Producer Karl Heimgartner 
Production : Philippines – Mix and Recording Home Studio
Dat: 14.03.2020
Karl Heinz – Heimgartner
A blues in Swiss dialect language. I love the night. How do you feel sitting like that at night. What do I hear, what do I see?

New Released September / 12 / 2025

Mixing: Christine Sampson : Mastering: Alessandro Giordano by MTM Mastering True Music Production/Es
Thank you for the cooperation, Freddie and Team MTM Mastering True Music Production.

Ich Liäbä Di Nacht

The first full length Record, Blisters available on limited CD sept 24th
Only at shorediverecords.bandcamp.com
Cover art by: Eetu Iljamo
www.redbubble.com/people/Tukkasotka/shop
Released by shorediverecords.bandcamp.com/album/blisters
Mixed and mastered Apocalypse studios UK.

Living Fast, Dying young

Here's one I just remixed for my upcoming instrumental album....
this would be considered the demo version.... ENJOY!!!!
#LKTRAR

Good Night Blues... (#the_instrumentals... demo version)

Let Me Sleep

Edge Of The Knife

Soundtrack for the documentary "Die Kunst Nachzulassen" by Michael Fritschi and Benjamin Kesselring. 
Saxophone by Muhi Tahiri. 

This soulful jazz ballad takes the listener on a journey of emotional depth and musical richness. The sensual saxophone and the romantic, melancholic piano work together in perfect harmony, creating a sound that is both hauntingly beautiful and deeply moving. The musicianship is impeccable, with each note and phrase played with incredible feeling and nuance.

The saxophone takes the lead, weaving a tale of longing and heartache with its smooth, expressive sound. The piano provides a delicate counterpoint, adding a touch of sweetness and tenderness to the piece. Together, they create a sound that is at once intimate and expansive, evoking a range of emotions from the listener.

"Letting Go" is a testament to the power of jazz music to convey complex emotions and tell stories without words. It is a piece that invites the listener to sit back, close their eyes, and lose themselves in the beauty and depth of the music.

Letting Go

(Ohhh)

Yeah

When l die
Will you even cry for me
Will you even ride for me
Will you even cry for me
When I die
Will you even cry for me
Will you even ride for me
Will you even fuckin miss me

Yeah
Tell me what's going on inside your head now, l don't want to lie today love
I don't want to know what you want now
I've been dying slowly
Every time and night lm feeling so sick
Demons inside my head going crazy
Pain inside it goes deep deep deep
I don't Want to lie  just leave me
Crying at my grave yard
Dying very slow
I don't want to lie  now tonight l will die young

When I die
Will you even fuckin miss me
Will you even think about me
Will you even love me 
When l die young will you miss me
If l die now will you think about 
When die young will you miss me 
If l die now will you think about me 
I don't know shit 
I'm dying slowly 


https://instagram.com/lilallotic?igshid=ZmZhODViOGI=

when l die {lyrics in the description}

Artwork based on photography by Lance Grandahl

RED VELVET

Get UP

A delicate nylon-string guitar flirts with a velvety acoustic bass. A piano caresses and unsettles us. A longing angel’s voice lures us. “Last Luna” isn’t just the spellbinding debut song by Mythic Blue Junk. It’s a first taste of a vibrant new genre that will transmute jazz, pop, and blues with ancient myth and futuristic vision. This alchemical elixir reveals enchanting, intertwining realms of fantasy music, fiction, art, and poetry. Enter and never leave.

Mother Of The Worlds

Last Luna

Four Walls

Don't W8 (Prod. GAXILLIC)

Coming soon! We pretend to be fine.
There's a fire in the wastelands. What's mine?
Waste of time.
There's a fire.
We Survive.

There's a crack in the side of the farm.
You would think that they'd run, but they stay.
Waste the light.
Avoid the night.
Stay alive. 

There's a river that's flowing with gold.
That you get, when you're good, if you're old.
Waste of life.
Taste the Night.
Stoke the fire.

All of her maybes, mistaken for definitelys.
All you can do is move on.
All of your sure things, replaced now with possiblys.
You've got no crutch to lean on.

All of his don't knows, revealed to be so lows 
That you didn't see where they came from.
All of the can does, are hollow lists of to does.
Interstellar. Toodle-oo. Now I'm gone.

There's a message we sent to the sky.
Imagine that won't be getting too far.
Trip the wire.
To the stars.
To the stars.

There's a man on the moon, and he's heating a Spoon.
As he looks sadly down on the earth.
There's a cow.
What's that now?
Holy cow.

Wee Willie runs through the town.
Crying loud as he seeks them all out.
Get to bed.
In your head.
Go to bed.

All you've got left are some rust, cans of peaches.
A pile of old vizzes and porn.
A fray bentos pie and your rosy complexion.
There's no one left you rely on. 

A bust of Beethoven, a packet of suet.
A commemorative plate, a Princess Di coin.
An overfilled ashtray, a battered red jumper.
Interstellar. Toodle-oo. Now I'm gone.

All of her maybes, mistaken for definitelys.
All you can do is move on.
All of your sure things, replaced now with possiblys.
You've got no crutch to lean on.

All of his don't knows, revealed to be so lows 
That you didn't see where they came from.
All of the can does, are hollow lists of to does.
Interstellar. Toodle-oo. Now I'm gone.

Interstellar... Toodle-oo

Some Kind of Departure

You can see an experimental video made to accompany this track at https://youtu.be/kjjs4dMyaec ... Enjoy! 🤗❤️

half-asleep eyes
open to a dreamlike world
of blossoms

Natsume Seibi (1749-1816) was the son of a wealthy Edo rice broker and was acquainted with a number of other famous poets, including Oshima Ryota and Kobayashi Issa. In addition to his poetry, Seibi left behind a number of fine examples of haikai prose. 

Haiku by Natsume Seibi

Notes from the Penguin Book of Haiku:

nebuki me o / hirakeba hana no / ukiyo kana

Ukiyo, the floating world of pleasure, specifically referred to the pleasure quarters with its various beautiful women (hana, literally ‘blossoms’) as well as to popular theatre and street spectacles.

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF dreamlikE [naviarhaiku611]

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Covert Acoustics is a creative sound collective dedicated to shaping immersive, genre-fluid sonic worlds.

Rooted in collaboration, we emerged from the world of production music — but have since outgrown those boundaries. Today, we focus on deeply crafted cinematic electronica and ambient downtempo, often blending music with foley, speech, and design to create narrative listening experiences.

Our catalogue spans EPs, albums, and singles — offering curated soundscapes that are as listenable as they are conceptual. Whether you’re tuning in for focused listening or seeking rich sonic textures for creative work, we aim to provide sound that resonates: deliberately, emotionally, and originally.

We’re here to reimagine what listening can be — one immersive release at a time.

Letting Go

Covert Acoustics

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