it’s just boiling up to the top and about to flow over

wonderful tune! reminds me of mass effect 1 Noveria abit haha, incredible job

really cool well done on such a great track

ON/OFF
Music by Overdrive & Khan

This is an experimental work that mixes Kraftwerk, rock guitars, post-punk atmosphere and electro music, with the essential help of the incredible Japanese singer-songwriter Khan.

Check out Khan's great music on her Soundcloud profile:
https://soundcloud.com/khan20233202

Hope you enjoy the track.

On/Off (ft Khan)

Soul - Instrumental

Website

CONSTANCY

Constancy

Tea & Pillows

Neutrino offers an immersive 3:19 minute auditory experience, inviting listeners on an ethereal journey through space. The track unfolds with captivating arpeggios set against a backdrop of slow, harmonic chord progressions, complemented by a unique, rhythmically arpeggiated texture that mimics the vastness of the cosmos. Swelling pads enhance the track's minimalistic ambiance, embodying the serene expanse of space. Mid-track, semi-arpeggiated bell tones emerge, adding timbral depth with melodies that evoke the wonder of interstellar exploration. Its engaging yet tranquil rhythm makes it an ideal backdrop for space-themed content, syncing beautifully with visuals or providing a soothing atmosphere for voice-overs.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Neutrino

I tried to make a piece that evoked the nature of Spring, but also the power of nature and the process of renewal (regenesis) during the season. I found it very difficult to mix but hopefully it gives an idea of what I was going for. It's Spring now :)

Spring (Regenesis) - Part Two

Hi everyone, here is my second track made with the voices of Natalie and Mai, with the Synth V synthesizer from Dreamtonics. The title is sung in Japanese. Thank you for your feedback, comments and shares ;)
Synth : SynthMaster 2, Halion sonic 7, Sylenth 1
Drums : samples from Cubase 12 element
Fx : samples from Cubase 12 element
Voices : Natalie & Mai (Synth V from Dreamtonics)
DAW : Cubase 12 element

Virtual Singers

Party Time

The Playing Fields Of England by These Guitars Say Sorry critiques the glorification of war and questions the romanticized ideals of heroism often associated with it. The song emphasizes the sacrifices made by ordinary soldiers and challenges the notion that war is something to be celebrated or revered.  These Guitars Say Sorry's  folk-inspired songwriting style, is accompanied by his percussive acoustic guitar playing acting as the perfect backdrop for the song's post punk lyrics.

On the playing fields of England
There are battles won and lost
I have seen them fought so many times I had almost forgot
That it's a pleasure and an honor as you go out to die
I'd do it all a thousand times for the old school tie

So hold your head up high
So I can see you're full of pride
As you lay down your life
On the playing fields of England

Past the ranks of blue and gray
Into the old school hall
You can read the roll of honor or heed the distant call
Like your father before you, you'll tread a distant land
You didn't learn the first time, so now you're going back

I look in your eyes and I can see the pain
And then you ask me who's to blame
I told you it was much more than a game
On the playing fields of England

Nobody thought to question why you went to die
Bravely put on the uniform and joined the end of the line
But age brings with it wisdom, but you'll never grow old to know
On the playing fields of England, you will reap what you have sown

As they fly your body homeward, draped in your country's flag
Past lines of grieving relatives who know you're never coming back
On the playing fields of England was where you chose to play
But a generation of you went marching to the grave

As you lie facing the sky, I can only wonder why
You believed a pack of lies about the playing fields of England
The playing fields of England


--------------------------
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The Playing Fields Of England - These Guitars Say Sorry [folk music | protest songs]

Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Hybrid classical piece written using Logic Pro.
BBC Symphony Orchestra from Spitfire. Vienna Synchron for certain strings. Albion One for CS Longs.

Farewell Horizon

MAGENTA - the original clip inspiring the song came from a series of 2 track improvs recorded directly to my modular sampler (saved in bank 'magenta') 

CASINO - a shout-out to a fav electronic act 'Casino vs Japan'

Magenta Casino

Covert Acoustics is a strategic alliance of musicians, composers, producers and audio engineers based in Basel Switzerland, teaming up to create cutting edge acoustic content for contemporary media.

For commercial and derivative licenses, please visit our Pond5 profile where you can buy all ours track for a number of additional uses.
https://www.pond5.com/artist/covertacoustics?ref=covertacoustics

The alliance was founded and is managed by @mic-studer, @vitamin-b & @sam-sherbini

Neutrino

Covert Acoustics

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