really good sound on this track I like this

Excellent vocals, arrangement, excellent bass and production

I don’t know if I can get a hold of you but I

Beautiful and unique piece, as usual.  Great work, Myckael.

Barter

I wanted to make purely electro music. Anyway, I hear a Glamrock song on the radio and the bass speaks to me. I want to adapt the thing and it becomes fucking reggae that I absolutely love!

Her Voice

Her Voice - KRT Production

Storms raging, oceans rising - keep ignoring this shaking I feel

Mixed and Mastered by Woods Studio February 2024
@woods_studio

Disconnected in G sharp

Oh, little darling, you're a spire.
Floating on wires, up high.
No getting tired.
Oh, you're still buzzing like a queen.
Like a soda stream. 
Like a losing team.

Oh, I've gotta say, you threw it all away.
Because you wouldn't count to three. 
Oh, what an awful state, as my meaning takes.
There's a line you don't cross with me. 
Cat got the cream.
Ended the dream.

Oh, little darling, you're a liar.
A soul on fire.
Crossed somewhere below the pyre.
You hid your secrets in the mire.
A slight of hand removes the choir. 
From the outliers.

Oh, little darling, how's your lows? 
A trip below.
To seek what we all know.
A month at least until you fly.
Soaring up high.
Goodbye to all goodbye.

Oh, I've gotta say, you threw it all away.
Because you wouldn't count to three. 
Oh, what a bloody state.
Aw! the message grates?
There's a line you don't cross with me. 
Cat got the cream.
Ending the dream.

Oh, I've gotta say, you threw it all away.
Because you wouldn't count to three. 
Oh, what an awful state, as my meaning takes.
There's a line you don't cross with me. 
Cat got the cream.
Ended the dream.
Cat got the cream.
Ended the dream.

Mixed and Mastered by Mariosyjp, many thanks! here's his link for anyone wanting to check him out.

https://soundcloud.com/mariosyjp

Count To Three [Mariosyjp Mix]

Self-Portrait

Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Maybe (This Life Is Just For You)

Mir Bredberg Weber: Main vocal/composer
Henrik Nybo: Akk.guitar/el.guitar
Palle Hjort: Piano/Hammond/accordian
Jeppe Gram: Drums
Jakob Falgren: Bas
Carsten Sindvald:  alto saxophone
Finn Henriksen: saxophone/baritone/tenor
Kaj Schmidt-Boisen: Trumpet
Dave Hennessy: Classic guitar

Live Out Loud

Spoken For

Nathan Dawe - We Ain't Here For Long -  ATH Remix

Into the feilds, 
We run as winter turns to springtime
It's all mine.
Like Sunday is my day to shine.

We've made our deals.
With whoever dealt our lots out. 
I-won't-shout.
If you don't touch mine.

It's just my little pile.
I don't care about your in-style.
In a short while.
We'll all just fade away, one day.

Oh, it's just insanity.
Living for the vanity.
Soon, you'll have to find your way home.
The money you have put away.
You hoping for a rainy day?
Let all the rainy days go.
Let's go home.
Let's go home.

Stare into the sun.
Have a debate upon the currents.
And wheth-er-they.
Belong in our buns.

Into the hills.
The crocuses are growing rotten.
In the bottoms.
I've forgotten more springs than you've seen.
(In your dreams)

All of our opposing wills.
Won't ever stop the sun from shining.
It's ti-ming-out.
The days of our lives.

Oh, it's all insanity.
Is this for the vanity.
You'll have to find your way home.
The money you had stowed away.
You saving for a rainy day?
Let's just let the rainy days go.
Let's go home.
Let's go home.

A new guy on the scene.
And he's packing in the dreams which floated away.
Win-ter-days.
We all hide away.

To the feilds, 
At the lightest hint of springtime
Still, it's all mine.
It's my day to shine. 
All mine.

Oh, it's just insanity.
Live for the vanity.
Soon, you'll have to find your way home.
The money you have put away.
You hoping for a rainy day?
Let all the rainy days go.
Let's go home.
Let's go home.
Home.

Mixed and Mastered by Woods Studio Norway.


Springtime [Woods Studio Norway Mix]

This track that me & scotty pitched ideas into was inspired by the legendary Led Zeppelin particularly the track - “Ramble on”, also inspired by heart - dream of the archer, we decided to use the mandolin as it was used prominently in 70s within the folk & hard rock context, also has abit of Celtic folk inspo from the 90s band The Cranberries. hope use enjoy!

The Archer

(Translation above)

Tailleur de vers (auteur), compositeur de chansons françaises à la recherche d'interprètes.
Membre SACEM

J'ai toujours chanté depuis tout petit des chansons de toutes sortes d'abord en colonies de vacances, puis à l'école en tant qu'élève, puis dans la chorale de mon lycée et du conservatoire de Saint-Maur-des-Fossés, où j'ai aussi travaillé la clarinette, et, après avoir fait musicologie à la Sorbonne Paris IV, pendant 39 ans en tant que professeur d'éducation musicale dans les écoles élémentaires de la ville de Paris (aujourd'hui à la retraite) avec un répertoire pour enfants, de variété ou de chansons que j'ai écrites pour mes élèves.

C'est sans doute ce qui explique mon éclectisme tous azimuts  :
- musique classique : Double concerto pour violon, violoncelle et cordes, Nostalgia, Étude en forme d'hommage, Hymne à l'humanité, Promenade,
- chanson française : le Sablier cassé, Promenade vespérale, Depuis la nuit des temps, Au pays des oiseaux, À deux doigts du bonheur, La Mine d'or, La Vie est telle, Amoureux de ton désir, etc., 
- tango  : Insomnie, Tango passion, 
- samba : Version sans bas, 
- bossa nova : Cueille la nuit, la Sirène endormie, 
- jazz : Marchand d'illusions, Miaou, le Rubis, 
- funk : Love, Love, Love, 
- rap symphonique (si, si, ça existe !) : la Langue râpeuse, 
- biguine : la Fraise Tagada, les Fourmis,
- EDM : la Tête dans les étoiles,
- dance music : La Danseuse étoilée, C'est un feu d'artifices,
- pop : Freelance love, L'amour en freelance, Allume ta vie, On danse, We dance, Preuves d'amour, Zone interdite,
- disco : Enfants de la batterie, 
- rock : Une vie dense, 
- musiques d'ambiance :  Fujara, Romances sans parole,
- reggae : J'aurai ta peau,
- java : Je doute, Le crabe à 1000 pattes,
- danse traditionnelle française : La Bourrée
- world music : Invitation au voyage, Mon dernier t'aime

J'ai eu la chance et l'honneur de faire partie de deux ateliers d'écritures avec Chantal Grimm,  et de Claude Lemesle !

Verse cutter (author), composer of French songs looking for performers.
Member SACEM

I have always sung all kinds of songs since I was a child, first in summer camps, then at school as a student, then in the choir of my high school and at the conservatory of Saint-Maur-des-Fossés, where I also worked on the clarinet, and, after studying musicology at the Sorbonne Paris IV, for 39 years as a music education teacher in elementary schools in the city of Paris (now retired) with a repertory of children's songs, variety songs, or songs that I wrote for my students.

This probably explains my eclecticism :
- classical music : Double concerto for violin, cello and strings, Nostalgia, Étude en forme d'hommage, Hymne à l'humanité, Promenade,
French song : le Sablier cassé, Promenade vespérale, Depuis la nuit des temps, Au pays des oiseaux, À deux doigts du bonheur, La Mine d'or, La Vie est telle, Amoureux de ton désir, etc., 
- tango : Insomnie, Tango passion,
- samba : Version sans bas, 
- bossa nova : Cueille la nuit, la Sirène endormie,
- jazz :  Marchand d'illusions, Miaou, le Rubis, 
- funk : Love, Love, Love, 
- symphonic rap (yes, it exists !) : la Langue râpeuse, 
- biguine :  la Fraise Tagada, les Fourmis, 
- EDM : la Tête dans les étoiles,
- dance music : La danseuse étoilée, C'est un feu d'artifices, 
- pop : Freelance love, L'amour en freelance, Allume ta vie, On danse, We dance, Preuves d'amour, Zone interdite,
- disco : Enfants de la batterie, 
- rock : Une vie dense, 
- ambient music : Fujara, Romances sans parole, 
- reggae : J'aurai ta peau,
- java : Je doute, Le crabe à 1000 pattes,
- traditional French dance : La Bourrée.
- world music : Invitation au voyage, Mon dernier t'aime

I had the chance and honor to be part of two writing workshops with Chantal Grimm, and Claude Lemesle!

CQFD

Myckael Marcovic

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