hahaha cela me met de tres bonne humeur haha continue comme cela tres creatif!

Haha! A cheerful number. Love that intricate bass! Sounds like a school round but in a good way!

Lyrics by Pierrot B.
Music by Alexander A.(Guitar, Backvocals), Alina D. (Guitar, Backvocals), Pierrot B.(Bass, Mainvocals)and Erik M.(Drums, Backvocals) 
Produced by Lex Malone

Lyrics Low Hokla
​​verse:
​​seven is my lucky number, that`s why we met so young, it wasnt just teenage love, more then i ever known!
​​can not talk, but sing! can not walk but drink!
​​
​​bridge:
​​i`m addicted to you, for what you give to me!
​​you changed my life in so many ways!
​​
​​verse2:
​​yes it`s true we once broke up, the first time when i had my job, but here we go again, you were always there for me!
​​can not talk but sing! can not walk but drink!
​​
​​bridge,
​​chorus:
​​cheers to you, cheers to the love of my life! cheers to the love of my life!
​​

Low Holka

Low Hokla

UNDERGROUND
A Tribute to Metallica's Kill'Em All Phase
Music by Overdrive

Check out the IG promo video:
https://www.instagram.com/p/C2AFHGkOJG7/

This is an original track inspired by Metallica's Kill'Em All phase, which features James Hetfield's AI-generated vocals. It's a non-commercial/experimental track made as a tribute to the band and created under the fair use permission of copyright statute.

The use of AI-generated vocals is still a source of much controversy and heated discussion. I've been following the issue closely since the beginning of 2023, when French DJ David Guetta replicated the voice of American rapper Eminem during a concert, causing a wave of immense buzz about it.

Also in early 2023, the track "Heart on My Sleeve", which used AI-generated vocals from Canadian rappers Drake and The Weeknd, went viral before being taken down by streaming services. 

In September, John Lennon's voice was removed from a demo tape recorded in 1978. The poor quality audio was processed with AI for a new Beatles recording, giving rise to the song "Now & Then".

During this period, there was an eruption of websites focused on voice cloning, which, in October 2023, led RIAA to request the inclusion of such websites on the government's piracy watchlist -- and the main target became Vocify.ai. 

On the other hand, Aditya Bansal, a 20-year-old UK student who founded Vocify.ai, claims that several record companies have already contacted him wanting to make models of their own artists for demo tracks, "as drafts before the full recording process".

As MusicBusiness rightly pointed out, "major record companies hate AI voice-cloning platforms that don't pay".

I myself have had some very interesting personal experiences on the subject. A demo track of "Underground" was posted on a Discord server dedicated to vocaloids and synthesized vocals. The track was deleted less than 24 hours later by the moderator, who made a point of publicly censoring me on the open channel, stating that he didn't accept what he called "unethical" methods. I tried to explain that it was an experimental track, with no commercial purpose; that it was made as a tribute; that I had also sent the link directly to the band on their official Metallica Instagram, and so on. But the mere act of replying got me summarily kicked off the server.

I honestly believe that merely using tools like Voicify.ai and Kits.ai is not an unethical activity when the aim is to test the potential of a new technology. And the track "Underground" worked exactly as an experiment. It taught me that AI-cloned vocals need a lot of filters on the daw to mask defects derived from the cloning process. It served to show that the quantity of examples provided during the training of the AI is essential for improving the quality of the model. It served to show that training the model is better with vocals recorded in mono than with vocals in stereo; better with vocals recorded dry than recorded with reverb; and so on.

Moreover, I'm particularly happy with the AI-generated commercial voices I already use with Synthesizer V software, so I have no intention of replacing them with cloned voices of famous singers.

Hopefully, this small initiative will at least serve to dispel a little of the immense prejudice that has arisen around a technology that will soon become commonplace in the music industry. Nowadays, no one remembers all the controversy caused by the emergence of radio, when record company managers boasted that no one would buy albums anymore. It's the same story every time a new technology emerges.

Hope you enjoy the track.

TECH TRIVIA
* The guitar solos were assembled from multiple pieces of isolated audios of Kirk Hammett's solos available on YT.

* The rhythm guitars and the bass are Kontakt libraries. 

* The original vocals were created in Synthesizer V with NineZero voicebank. The NineZero's isolated audio was then converted into James Hetfield's vocals.

Underground - A Tribute to Metallica's Kill'Em All Phase

https://myckalmarcovic.bandcamp.com/track/cqfd
Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer = What had to be demonstrated

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Nobody I Was

Autumn to Winter. Sit down, enjoy and feel the love. 

just you & i

Ardor  (demo) In honor of David Lynch

vocals by Enlia 🇲🇫 
https://on.soundcloud.com/Qz3SxGFtqrR7bF1t6

https://open.spotify.com/album/4R9jaZTFU3elwqxK3jhXB3
https://solmarineris.bandcamp.com/album/io-void-special-edition

Insanity | preview (IO VOID) © streaming and Bandcamp

Hi! Thank you so much for listening to my music. This song is inspired by a girl who may be real or maybe she is a fictional character with an interesting look and a mysterious smile that makes your imagination fly

Listen to here:
https://open.spotify.com/intl-es/track/0LSwlTjIIGUi6wNrBJgoKX?si=7efed7d61df14cd0

Lyrics
https://www.letras.com/itzco/lips-of-fire/

Lips of Fire

A Neon light , Late night train   
I’m caught in the rain, Midnight station
And my poor heart , On the line
So give me a sign, Our situation
But all I have is this feeling
Everything I love is up this time
I need you here this evening
Both of our hearts are down the line
Riding on midnight train
Way on down the line
I hope to see
Sleeping on a midnight train
Hoping, maybe you’ll, Be there for me
A million souls pass me by
A blink of the eye
No sensation
Hear your words one last time
Here in my mind
My salvation

But all I have is this feeling
Everything I love is up this time
I need you here this evening
All of our hearts are on the line

Riding on midnight train
Way on down the line
I hope to see
Sleeping on a midnight train
Hoping, maybe you’ll
Be there for me

Midnight Train (Midnight Station)

Thanks a lot amazing https://soundcloud.com/lisa-p-442529239 for incredible collaboration. It's been a while since I worked with a vocalist and it's amazing how well the vocals fit the music and perfectly hit the target in creating right atmosphere.

Lyrics:
I must descend, for me to ascend
regress to redress, the balance of my broken mind
the shadow is suspending me from all that I intend to be
diving deep into the well to save the ghosts who dwell,
I must descend, to bring me back to life
to bring me back to life
I must descend, for me to ascend
now the shadow is suspending me from
all that I intend to be
sink back down to images of agony
terror is my mirror
of fear
suppressing time inside my mind
layers of repression
testing the possession of the demons I keep inside
intent on override
shadow, my shadow lies over me (rep)
I despise the incubus deep inside, poisoning my soul, crawling inside me
deep down the well

Shadow

Shadow (From Sands & Skyline Tigers)

hey what is wrong with you
is it already too late
why don't you defend your values
is it already too late
hey what is wrong with you
is it already too late
why don't you defend your values
is it already too late

tell me
what's wrong with you
why do you let it 
just happen like this

it's time to say goodbye
from all the lies
it's time to say goodbye
from all the hate
what's wrong with you
why do you let it happen 
tell me why 
tell me why

What is wrong with you

What Is Wrong With You

(Translation above)

Je suis auteur-compositeur et interprète... par défaut de chansons françaises. 
Après des études au conservatoire et musicologie à la Sorbonne, j'ai enseigné l'éducation musicale à des élèves en école élémentaire de 1982 à 2021.

Dès 1989, alors que je découvrais la MAO, j'ai commencé à faire des centaines d'arrangements de chansons pour enfants ou adultes dans tous les styles pour les faire chanter. Cette solide expérience m'a amené dans un premier temps à composer des chansons pour mes élèves. Puis, je me suis lancé dans un répertoire pour adultes. 128 chansons à ce jour !

Mon répertoire va de la danse traditionnelle française (La bourrée du maumarié), à l’EDM (La tête dans les étoiles) en passant par la musique classique (Double concerto pour violon, violoncelle et orchestre à cordes) et la chanson française, le gros du panier, avec le plus souvent cette pointe d’humour qui fait tant défaut aujourd’hui dans beaucoup de chansons, (ce qui est étonnant quand on voit autant d’humoristes fleurir aux six points de l’Hexagone…)

Même si certains apprécient ma façon de chanter, mes chansons sont faites pour de vrais interprètes qui aiment monter sur scène.

Né en 1961 à Paris.
Membre SACEM

I'm an author-composer and performer... by default of French songs. 
After studying at the Conservatoire and musicology at the Sorbonne, I taught music education to elementary school pupils from 1982 to 2021.

As early as 1989, when I was just discovering computer-assisted music, I started making hundreds of arrangements of songs for children and adults in all styles, to get them to sing along. This solid experience initially led me to compose songs for my students. Then I started working on a repertoire for adults. 128 songs to date!

My repertoire ranges from traditional French dance (La bourrée du maumarié), to EDM (La tête dans les étoiles), classical music (Double concerto for violin, cello and string orchestra) and French chanson, the mainstay of my repertoire, most often with that touch of humor so lacking in so many songs these days (which is astonishing when you see so many humorists flourishing at the six points of the Hexagon...).

Even if some people like the way I sing, my songs are made for real performers who like to get up on stage.

Born in 1961 in Paris.
SACEM member

CQFD

Myckael Marcovic

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