DC Heros vs Villans

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Prom Night(prod. @frankthe_)

Made  with Maschine MK3 ,Berhinger TD-3 ,Roland TB-303 ,Roland 808 ,Roland 909....

Acid Trip (KRT Production)

First Day Out

Apologies

from the coming Like a Drop in the Ocean EP:
https://salonblanc.bandcamp.com/

AS YOU SEE - Like (snippet) [field recording/soundscape]

Written, performed, mixed, and mastered by Cozmo Jethro.
Female vocals by my daughters, Lydia Matamoros-Lapp and Merey Reed.
Scratching by Cozmo Jethro.

Portland Metro (feat. Merey Reed and Lydia)

Back To Illin (Prod. By Yung Nab)

Written, produced, mixed, mastered, and performed by Jed Lapp.
Additional voices: Christina Matamoros-Lapp, Adam Putnam.

This is an autobiographical look
Of the most important farts I ever took
And the dope ones I’ve experienced
That deserve to be in my songbook

This first verse was made worse
Cause of the curse of a girl
Jessica my crush
Probably thought I needed a royal flush
After I ripped one in freshman English

I’ll set the scene for you now
How I could be such a cow wow
Just finished walking Jessica to class
Little did we know what was lurking in my ass

We all sat down to take a test
The silence was def (echo)
Me in the back row, relaxed at rest
(fart noise) Damn, I ripped one, what a mess.

It’s like time stood still
As everyone looked up from their test
As I sat there petrified, scared to death

Maybe they couldn’t figure it out
Who’s responsible for such a nasty out
Then adam, this anus in the front row
Turned around and made it a show

“Jed was that you?!”
Damn it I’m caught.
My embarrassment grew
As everyone looked at me in the room.

Walking with Jessica after class
I made a joke about my nasty ass
I said, “Did you enjoy my sound FX?”
She looked at me like, what the heck.

There was a fart that I was told
By my wife yo and it never gets old.
Thanksgiving turkey got her system mucked
The smell that was coming from her butt

The setting is during black Friday
This kind of fart makes you run away.

Someone was following her around the store
For about 10 minutes (echo)
Then she dropped a ninja fart
As this person moved into the fart cloud
The perpetrator took a wiff and was out.

Another tasty one that I remember
Me and my wife one September
Swimming alone in a pool
Swam between her legs like a fool

Then came this noise I’ll never forget (wooooopppppp!)
Like an underwater gas jet.
I surfaced, “Was that an underwater fart?”
“You bet it was sweetheart”

This one had impeccable timing
That’s Why it’s mentioned in my rhyming
My step daughter, her boyfriend, wife and me
Playing cards against humanity.

As always we were having a fabulous time
Like the funkiest of funky fresh rhymes.
Boyfriend played the card that said quote
Farting and little came out, unquote

And then he ripped one right on cue.
Aw man, damn.
We all cracked up, it couldn’t have been more perfect
Even if boyfriend was a fart architect.

So those are the most influential farts of my life
Some great some full of strife
I make a song like this, why?
Just for fun, good bye.

Gas Emergency

El 25 de mayo de 2020, tres agentes de la policía de Mineápolis, Minesota, EE.UU.,  torturaron y ejecutaron extrajudicialmente a un hombre afroamericano llamado George Floyd. En esa oportunidad, Tamika Danielle Mallory, una activista estadounidense, copresidenta de la Marcha de las Mujeres 2019, emitió un discurso acerca de la historia de la brutalidad policial, ejercida en EE.UU.,  sobre las personas afroamericanas. Este recordado y valiente discurso  de Tamika,  se viralizó en las redes sociales de todo el mundo. Sus palabras me tocaron fuerte,  a tal punto que me inspiraron para componer esta canción,  totalmente instrumental, a la que titulé “Levantamiento”. Está referida  a ese levantamiento social, que este desgraciado asesinato,  provocó  en el pueblo afroamericano de EE.UU., demandando justicia y fin de la brutalidad ejercida por la policía. Dedico también esta canción a todos los pueblos del mundo que alguna vez se levantaron o continúan  aún hoy  levantándose;  demandando no más violencia,  igualdad social, respeto a los derechos humanos, libertad y paz. Finalmente, aclaro, que esta canción de ninguna manera pretende ser  un llamado al “levantamiento” de los pueblos oprimidos, sino más bien,  sería como una especie de película que narra una historia basada en hechos reales, a fin de que el  conjunto de la sociedad tome conciencia de esa situación, reflexione y se active para que nunca más se repita. Recién ahora me animo a publicarlo y compartirlo con quien quiera escucharlo…    -  Gustavo Camargo.

On May 25, 2020, three police officers in Minneapolis, Minnesota, USA, tortured and extrajudicially executed an Afro-American man named George Floyd. On that occasion, Tamika Danielle Mallory, an American activist, co-chair of the 2019 Women's March, gave a speech about the history of police brutality, exercised in the United States, against Afro-American people. This remembered and brave speech by Tamika went viral on social networks around the world. Her words touched me strongly, to the point that she inspired me to compose this song, totally instrumental, which I titled “Levantamiento”  (“Uprising”). She is referring to that social uprising that this unfortunate murder caused in the Afro-American people of the United States, demanding justice and an end to the brutality exercised by the police. I also dedicate this song to all the people of the world who have ever risen or continue to rise today; demanding no more violence, social equality, respect for human rights, freedom and peace. Finally, I clarify that this song is in no way intended to be a call for the “uprising” of oppressed peoples, but rather, it would be like a kind of film that tells a story based on real events, so that society as a whole become aware of that situation, reflect and activate so that it never happens again. Only now do I dare to publish it and share it with whoever wants to listen to it... 
- Gustavo Camargo.

LEVANTAMIENTO (leer comentario descriptivo) - GUSTAVO CAMARGO

Album art picture of Jed Lapp and Christina Matamoros-Lapp.

Weekend

Storytelling. That's what it's all about.  My tracks are all true stories of things I have experienced and the people I have come in contact with that have shaped my journey. Some produced by me, some by my friends, some downloaded beats. Most of the features are close friends and family, most of who recorded in person at my studio. Thanks for visiting my channel.

Portland Metro (feat. Merey Reed and Lydia)

Jed Lapp (Cozmo Jethro)

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