Glasgow-based laboratory theatre ensemble, exploring the place between movement, song, words and breath.

ქართული ხალხური სიმღერის აუდიოთეკა / Georgian folk songs audiotheque

Ólafur Arnalds is a BAFTA-winning multi-instrumentalist and producer from Mosfellsbær, Iceland. Ólafur Arnalds mixes strings and piano with loops and beats crossing over from ambient/electronic to pop.

'UN' (6-track EP on C40 chrome II white CASSETTE + FREE DIGITAL DOWNLOAD *** SOLD OUT!
> https://phoene.bandcamp.com/releases

Credited as vocalist and songwriter on SAYCET's 'Through The Window' (released in 2010) and most recent album 'Mirages' (march 2015), Phoene Somsavath collaborated with Parisian electronic producer Saycet for seven years, adding her diaphanous figure to the live shows on laptop, guitars and keyboard.

With Saycet, she played hundreds of shows, touring Asia (Japan, Singapore, Malaysia, South Korea), playing festivals from Mexico to Moscow, and performing 'Through The Window' live on stage in Germany, Denmark, Switzerland, Luxemburg and Britain – as well as most of the cities in their home country France.

After the recording of 'Mirages' was completed in 2014, she decided to relocate from Paris to Glasgow, dedicating the past two years to her solo project and crafting her own soundscapes.

Since the creation of the project, P H O E N E has been very prolific and active with two EPs ('Dennistoun' and 'Anthem'), a split single with WOLF (ex Zoey Van Goey/Chemikal Underground), a series of tapes to be released on her own imprint F:rmat (with first EP titled 'UN' available on her Bandcamp), while playing numerous shows in quick succession in her newly adopted city, most notably as support for Loscil (Kranky / Ghostly International)in november 2015 and Braids in june 2016.

Her music is a distillation of layers of fascinating, fine-grain cacophonies that fold and unwind into rich, organic beats and lush headspaces, tensing and releasing, leaning against oblivion. The track 'Eugene' has caught the attention of Brighton-based label Fat Cat who featured the demo on their website.

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Past gigs 
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2017
25.01 @ The Hug & Pint support w/ Half Waif
25.02 @ Glad Café w/ Cucina Povera, Lo Kindre & Morkebla
29.04 @ The Flying Duck - Crossed Wires
16.06 @ The Art School - Fuse

2016
18.10 @ Glad Café 'UN' EP launch w/ Brother Michelle
12.11 @ Festival of Light / East Pollokshields Quad w/ Auntie Flo, Alasdair Roberts
09.06 @ The Art School (Superzone)
17.06 @ The Hug & Pint w/ Braids

2015
13.03 @ The Old Hairdresser's (ELEMNTS)
26.03 @ The Flying Duck (FEKA)
10.04 @ Stereo (Philanthrobeats 3rd birthday)
24.04 @ The Poetry Club (Paraphernalia)
08.05 @ The Poetry Club b2b Arm Watches Fingers
12.09 @ The Glad Café (Save As Collective)
26.09 @ The Rum Shack (Apocalypso) 
08.10 @ Broadcast (Lightworks: Installation)
17.10 @ The Hug & Pint w/ OKRAA
22.11 @ The Glad Café w/ LOSCIL 
18.12 @ Petit Bain - La Cantine (Paris)
19.12 @ Le Module (Paris)

Artwork 'UN' EP Holly McGowan 
http://www.hollymcgowan.eu/

Hello and Welcome, Bonjour, Guten Tag, Yo
EVERYTHING HERE IS FREE TO DOWNLOAD!
All recordings have been made by myself, using a Roland R-05 and you are welcome to use them.
All samples here are 24bit 44.1kHz Wav
A lot of the recordings have been made around the Wirral and Liverpool area ( U.K ), focusing mainly on long ambient recordings, but also on one shot samples


Sleepers:  https://found.ee/sleepers

kelora000@gmail.com

Rahman Altin is a multi award-winning Film, TV and Composer, Producer and Opera Singer...
 


Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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