Compilation +++

I like

Electro

Favourites

Antennas overture (Panzerkreuz 1010)

Mr Joseph - Tape Rock

Out now on the new DJ Kicks by Brandt Brauer Frick

James Braun & Troels Abrahamsen - Wooden Knuckles

First release of new project between DeFeKT and me. 

Release date: expected mid-late April
Cat no: TINFOIL001
Distribution: Veto Music Wholesale 


Buy on Juno

Tinfoil - Tinfoil 1 (previews)

buy album: https://anthonyrother.bandcamp.com/album/netzwerk-der-zukunft
www.psi49net.de

Anthony Rother - Medium

Track by TelleFunk
Tellefunk EP - Crobot Muzik

Tellefunk -  Mashina Za Ples (Dancing Machine)

Cyborg

"...a mind-bending, eclectic and challenging sonic stream that doesn’t contain even a shred of pretentiousness, but is full of creativity, individuality, expressivity and outside of the box thinking." - Igloo
"Come to this show blindfolded and you’ll have a hard time believing the music is being created by just three people." – Capital Bop

"The Kandinsky Effect is an accomplished band not because they implement electronics into jazz music, but rather for how they utilize electronic configurations to make their music radiate." – Audiophile Audition

"...five solid years of recording and touring have fine-tuned their approach, stretching out beyond the confines of jazz into many directions, with electronics, funk grooves, bop, touches of punk, progressive rock, ambient and much more....not content to just re-tread what’s been done before them, but determined to break new ground at every turn, all the while keeping their sound completely listenable and satisfying." – Exposé

On Somnambulist, The Kandinsky Effect wields its musical power in a welcoming way. Their third album isn't form-eschewing free jazz, nor are the tonalities the trio employs particularly "out". The real revelation -- and revolution -- comes simply in the way saxophonist Warren Walker, bassist Gael Petrina, and drummer Caleb Dolister organize sound.

The trio is a purist's nightmare -- and not only that of a jazz purist either. Since their first, self-titled album came out in 2010, The Kandinsky Effect has been boldly blending jazz with elements of everything from hip-hop to electronic music, making for an idiosyncratic amalgam that never goes exactly where you might expect it to;  nothing can completely prepare you for its marriage of groove, atmosphere, and incendiary playing.
Bandleader Walker feels the album is the most effectively conceived collection of what he wryly calls the group's "nerd music" to date. "I feel like I had a clearer idea of what I was looking for in the sound of my compositions and how to approach writing for this group," he says, "it's a sort of coming-of-age piece."

The ability to incorporate a broad range of musical, geographical, and emotional influences into their music is at the core of The Kandinsky Effect's makeup. Formed 2007 in Paris, France, the original lineup included Petrina and Parisian drummer Gautier Garrigue. In 2010 they recorded their first album, The Kandinsky Effect. While influenced by hip-hop and electronics, the album was much more rooted in jazz and featured mostly acoustic instrumentation. Dolister joined for 2013's Synesthesia, which began to expand the band's sound, blending everything from Petrinas fondness for electronica to Dolister's love of heavy rock bands like Meshuggah, and Walker’s unique approach to composition and electronic soundscapes. 

Over the years, the group has traveled extensively, performing multiple trips and tours in Europe, Asia, and North America, perfecting what Dolister calls their "intellectual groove instrumental music." And from the slip-sliding beats and slithering sax lines of opening track "Copalchi Distress Signal" to the insistent pulse and layered, lyrical melodies of closing cut "Muji," there's a feeling of the refinement process reaching fruition on Somnambulist.

The Kandinsky Effect, "Somnambulist" from 'Somnambulist' (Cuneiform Records)

Ambergris

Peripherals

Sorus

Luke Vibert 's new album under his increasingly-less-rare Kerrier District moniker is, quite simply, a corker – and we're delighted to offer up the first taster. 4  is everything we've come to expect from the Cornwall hero's forays into wonky boogie, a deliriously fun detour through the kind of elastic funk he pulls off with panache. It's no accident that a half-dozen tracks have 'disco' or some variation thereof in the title (we see you, "Discuntek").
It feels as if you could splatter them all together into a deliriously skippy mush; not to say that they're interchangeable, mind. The closing "Come On Kerrier" provides one last burst of energy, a pitched-up combination of 'Kerrier' and Vibert proper, gaudy and giddy and glorious. April 6th is when 4 drops via Hypercolour – dig out your 70s calendars and start marking the days.

Kerrier District "Come On Kerrier" - Boiler Room Debuts

Special futuristic version of "And Seven More"
22.03.2015
Sitar and voice (unedited)samples downloadable here: 
http://www.freesound.org/

And Seven More (futuristic version)

Pre-order the album 'Alternative Light Source' to receive this track as an instant download - http://smarturl.it/altlightsourceiTunes
Tour dates at http://www.leftfieldmusic.com

Pre-order:
iTunes - http://smarturl.it/altlightsourceiTunes
CD - http://smarturl.it/altlightsourceCD
Vinyl - http://smarturl.it/altlightsourcevinyl

Universal Everything

Lapti - Must be the one

Out 18th May on Hypercolour. 
Read more: http://djmag.com/node/54261

PREMIERE: Kerrier District - 'Techno Disco'

UNKNOWN — FOR PROMOTIONAL USE ONLY

Single-sided 12"

300 copies

*** No digital ***

As played by Powell at last year's Diagonal vs. LIES Boiler Room


DIAG021 Unknown 'For Promotional Use Only'

beatverliebt. in MIDAS 104 | 021

///links

@midas104
www.facebook.com/MIDAS104
booking contact: tanja@ursl-records.com

@beatverliebt-podcasts
www.facebook.com/beatverliebt

///NOTE
Unfortunately, we had to add 40 seconds of silence to avoid upload issues.

<a href='https://theartistunion.com/tracks/6cd491'>Download for free on The Artist Union</a>

Free Download

beatverliebt. in MIDAS 104 | 021

HIdden Valley Cruisin (Demo)

This week's guest was https://soundcloud.com/pl-anet

PL_anet - Spectrum
Tainted Cell - Nu-Tron
Umwelt - Object Celeste
Binary Systems - Hydrochloride
Das Muster - Multidimensionales Verfahren
Code Rising - 8-Bits & Pieces
Robodrum - Trans
Silicon Scally - The Silent Years
Scape One - Protoplasmic Interfusion
Achim.Bloch - Centripetal
Umwelt - Delinkant

PL_anet

Dark Science Electro presents: DJ PL_anet

Other channels you might like...
▶ @WeArePantheon
▶ @Drumstep
▶ @TrapMusic

Name Your Price: http://bit.ly/1gFlVcG
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http://EDM.com
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Submit music to the email found in the sidebar of the channel info!


Clap Yo Hands

Name Your Price

Tempest - Clap Your Hands [Premiere]

Limited edition (300 copies worldwide) 12" white vinyl.
Includes Radical User Interfaces, Nexus Telecoms, Arcade Killers and Electronic Slave.

Autechre announced their first North American tour in a decade, in support of their 2013 album Exai. Support for the tour comes from Rob Hall and Cygnus. 

Radical User Interfaces EP will coincide with the tour Autumn 2015.

Cygnus Radical User Interfaces

Monday night. It was still dark when I started. But everyone already sensed the first sunrise of this year’s Burning Man. I had arrived at the Black Rock Desert just hours before. After traveling direct from Germany which took more than two days.

I knew that the sun would rise 40 minutes into my set. I wanted to build everything around that. But when the sun indeed appeared over the dark mountains in the distant that moment, it was overwhelming. It felt like the music was manifesting itself now, with no more help from me, and we all were traveling into a new day together.


www.soundcloud.com/barntofmagazine
www.facebook.com/BarntOfMagazine

Barnt - Robot Heart - Burning Man 2015

DL https://alight.bandcamp.com/track/floki

Alight - Floki

Exterminador mix dark electro

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

07-Up the box

Central Processing Unit, commonly referred to as CPU Records, is an independent British record label, founded in Sheffield in 2012, specialising in electronic music.

Distributed by Kudos Records London UK.

We are not currently seeking unsolicited demos. Due to the volume of digital submissions, it is impossible to listen and respond to each one.

Cygnus Radical User Interfaces

CPU RECORDS