A-Sim returns on his own imprint with 4 high bpm tracks. "Is This Real Life" is the mental deconstructed techno track from the EP, ready to hit the floors in 2077.

PREMIERE : A-Sim - Is This Real Life

Wulkan - Escalation EP
BUY LINK: https://potoprecords.bandcamp.com/album/escalation-ep
Label: POTOP(https://soundcloud.com/potoprecords)
https://soundcloud.com/wulk4n

Cracow based duo Wulkan starting with their debut EP full of explosive, rackety sounds. Their first release includes a remix by one of the most influential polish DJs - Olivia. Wulkan’s hard-shell electro derives inspirations from raw, robotic classics of the genre blending this sound with junglist amen breaks. Punchy yet mesmeric vibes flowing from all directions, drowning out thoughts and dragging you into a deep waters. You better learn to swim.

BUY LINK

PREMIERE : Wulkan - Pyramida [PTP008]

Welcome to the Future... Happy New Year 2015!

Mirror Comparator

Artist – Sync 24 & Morphology 
Title – Low Pass Gateway
Label – Cultivated Electronics 
Format – 12” Vinyl/Digital 
Catalogue Number – CE017
Release Date – Vinyl – May - 2015
Worldwide Distribution - www.clone.nl

Here is the second in a series of collaboration EP's which sees CE label head Sync 24 team up with other artists. The Low Pass Gateway EP is with the Finish duo Morphology. Written over 3 trips to London in Sync 24's studio and finished in Finland, the guys serve up 4 tracks of dance floor aimed electro goodness.  

CE017 - Sync 24 & Morphology - Low Pass Gateway

window (draft)

Hello World

Limited edition 12" vinyl in shrink-wrapped printed sleeve with paper inner. Includes Cruising, Celular, Tunnel and #1#0#2.

CRUISING

DJEDJOTRONIC - CRUISING

Limited edition 12" vinyl in shrink-wrapped printed sleeve with paper inner. Includes Cobalt Blue, Scintillation, Asynchronous and Protocol 2.

Cobalt Blue

Silicon Scally - Cobalt Blue

Two years after debuting on Central Processing Unit with the acclaimed Aftrmth EP, Nullptr returns to the Sheffield label for the release of new full-length album Future World. Nullptr has created a set of perpetual-motion marvels here, wind-’em-up-and-watch-’em-go electro tunes in which synth lines and 808s weave dexterously in and out of one another to form these lovely interlocking patterns.

Many of the tracks on Future World are anchored by needlegun grooves in the Drexciyan mode. The album’s opening number ‘Arrowhead’, an eerie dystopian-electro take, sets the scene in this regard, and cuts like ‘Cytron’ and ‘Phantom Cell’ also have a rugged bump to their low-end - particularly the latter, which features a deliciously nasty bassline drop about halfway in.

While busybody drum programming persists throughout the album, Nullptr’s fondness for washed-out pads means that Future World also provides the listener with space for contemplation. Third track ‘Sweet Luna’ may be robust enough to do damage on the dancefloor, but its deep chords and relatively muted bassline also push it in the direction of 90s electronica and IDM-techno. ‘Sweet Luna’ opens the door for many of the subsequent numbers to balance driving beats with wistful textures, and while electro remains Future World’s core style the harsh sound of machine-funk is softened throughout by these warm synth tones.

Rather than playing it safe within the genre’s familiar confines, Nullptr instead uses electro as a base from which to incorporate other sounds throughout Future World. ‘Wave Cannon’s bleep-bloop modulars and twittering hi-hats are pure robo-funk, but the track’s jumpy bassline shows off a sense of adventure derived from braindance. There is also the ghost of a breakbeat in Nullptr’s snare programming here, something which lurks in the back of ‘Arvanche’ later in the tracklisting. Meanwhile the uptempo ‘Bit Device’ pushes through to the ruminative techno of Virginia’s early Ostgut Ton releases.

Nullptr throws us another curveball in Future World’s home straight. The album’s title-track closes the record out, and it’s a cut which takes us deeper than anything that’s come previously. Here Nullptr both lowers the tempo and also does away with drums, leaving the listener with little more than some hanging-garden synth pads and pregnant bassline. It proves to be a hugely atmospheric coda for this delightful album.

RIYL: Jensen Interceptor, Assembler Code, The Exaltics, Drexciya

A1 - Arrowhead 5:08
A2 - Wave Cannon 5:23
B1 - Sweet Luna 4:38
B2 - Bit Device 4:03
B3 - Cytron 3:39
C1 - Phantom Cell 5:46
C2 - Arvanche 5:22
D1 - Hakusan 4:08
D2 - Chiron 5:00
D3 - Future World 4:09

Future World

NULLPTR - Future World

Automatic Tasty (Jonny Dillon) has been away from Central Processing Unit for five years now, releasing on labels such as AC Records and Furthur Electronix in the intervening time. However, new EP The Future Is Not What It Used To Be shows that the chemistry between label and artist is still in good nick by offering up four tracks of contemplative electro-boogie.

While the preceding CPU/Automatic Tasty drop may be 2015’s The Life Parochial, The Future Is Not What It Used To Be actually has more in common with Sentimentalist’s Choice, Automatic Tasty’s CPU debut which came out back in 2013. This is not due to a huge stylistic shift - all three records bring together classic electro, techno and boogie sounds to create charming and melodious tracks - but more to do with the tone of the record. You see, while The Life Parochial was a squelchy machine-funk delight, The Future Is Not What It Used To Be is a more pensive affair befitting its title.

This isn’t to say that The Future Is Not What It Used To Be is a muted EP. Far from it - this record contains some of the most gorgeous electro joints you’ll hear all year. The vibe is established on its eponymous opening jam, a vocoder-laced production pitched somewhere between the more ruminative tunes on Posthuman’s 2018 LP Mutant City Acid and contemporary boogie acts such as Funkineven/Steven Julien and Galaxians. The track is made by the beautiful, bittersweet timbre of its synths, and these are maintained on following number ’Romance In The Old Country’. Given the offbeat skip in its groove and sunset-glow ruefulness of the keys, ’Romance In The Old Country’ is a cut which invokes the instrumentals of Jessy Lanza LPs - and even (whisper it) a little Sade.

The Future Is Not What It Used To Be is an EP of evocative track titles, but there may be none more accurate than first B-side ‘Rising Sun’. Here, Automatic Tasty tweaks the wistfulness of the A-side cuts into something more uplifting. While a thoughtful quality remains in ‘Rising Sun’s soft synths and skittering 808s, the track is driven by the exuberant energy of the ‘Woo! Yeah!’ drum break to become the sort of tune you drop as dawn begins to break over the rave. ‘Rising Sun’s afterglow falls over the closing track ‘Adventures In The World Of Becoming’, a steady IDM-electro pulse that channels the spirit of Aphex Twin’s seminal Selected Ambient Works 85-92.

‘The future is not what it used to be - no past, no memory’. With this robo-voiced intonation, Automatic Tasty returns to Sheffield’s Central Processing Unit with four moving, poignant machine-funk tracks.

RIYL: Funkineven/Steven Julien, Posthuman, Jessy Lanza, Shanti Celeste, Selected Ambient Works 85-92

Automatic Tasty - The Future Is Not What It Used To Be

"Our 6th Angel in the series 'Zadkiel' is releasing on 5/3/2. Featuring lloyd Stellar , Sarmigetusa , The Spy , Efemme_ and local boy NICOL . 
As always all profit goes towards mental-health charity, Art Angel.

The artwork is designed by Gary Lazereyes but it's main feature is an incredible piece titled 'Something Missing' by Amber Sutherland, who is part of the Art Angel programme. We are humbled to use some of Amber's creativity and give it the attention it deserves, and we plan to work more with the amazing talent this charity brings out in people."

Lloyd Stellar
Soundcloud: https://soundcloud.com/lloydstellar
Facebook: https://twitter.com/hilltowndisco

Hilltown Disco
Soundcloud: https://soundcloud.com/hilltown-disco
Facebook: https://www.facebook.com/hilltowndiscodundee
Twitter: https://twitter.com/hilltowndisco

PREMIERE: Lloyd Stellar - Through The Smog (Hilltown Disco)

Central Processing Unit, commonly referred to as CPU Records, is an independent British record label, founded in Sheffield in 2012, specialising in electronic music.

Distributed by Kudos Records London UK.

We are not currently seeking unsolicited demos. Due to the volume of digital submissions, it is impossible to listen and respond to each one.

DJEDJOTRONIC - CRUISING

CPU RECORDS