Lucinda Chua is the latest artist to guide us through our weekly Sunday relaxation ritual.

Across this hour-long mix, the south London-based musician and composer taps into the healing nature of her work. Rooting through her collection of delicate pop, ambient and sensitive electronic music, she delivers a mix that’s equal parts soothing and stirring, with tracks from Aphex Twin, Rosalía, Four Tet, Coby Sey and more. 

Check out the tracklist on crackaud.io → crackm.ag/2VVmn0D
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Sunday Mix: Lucinda Chua

Featuring tracks from Dean Blunt, Anthony Naples and, of course, The Beach Boys.

Check out the tracklist on crackaud.io: https://crackm.ag/3j8gGVE

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Sunday Mix: DJ Pitch

Circuit des Yeux puts together a soundtrack for wintry Sundays. For when you're "drinking a little too much coffee, doing house chores in the afternoon and buzzing through last minute emails before the week begins again".

Check out the tracklist on crackaud.io: crackm.ag/34gIKBi 
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Sunday Mix: Circuit des Yeux

@hitfactoryrecs is @djwawabk, @claywilson, and their musical orbit of friends and collaborators. Their regular mixes and releases stand as a foil to perfectionism, commodification, and the music industry PR machine — two relative veterans of the music community reclaiming DJing and production on their own terms.

"This mix was recorded at the Hit Factory with nothing but vibes in mind. This ain’t a mix to prove that we’re good or know how to beat match or anything like that. Just years and years of listening to music with the hope of gaining a deeper understanding of it along with ourselves. Let the feelings take over when you hear the music not the thoughts."

Read the full interview:
https://spontaneous.zone/042-hit-factory.html

@hitfactoryrecs

Read Interview

Spontaneous Affinity #042: Hit Factory

IG: @claywwilson @iamthespiral

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@thelotradio

SENSORIA with Guest Ali Berger @ The Lot Radio 03 - 03 - 2022

Belia Winnewisser never set out to be a DJ, it just happened. Music had always been at the core of the Zurich-based producer and musician's life but it wasn't until she moved in with a friend who had a DJ set up that she decided to add this to her musical ventures. 

As an artist Belia's background in Sound Arts and Contemporary Arts led her into the field of sound design, an interest that now makes up her day-to-day work at a radio station in her home city.

Outside of work she's a composer, singer and keyboardist who, as well as writing music solo for labels like Präsens Editionen, Spa Recordings and most recently Die Orakel, is part of a handful of collaborative projects including α=f/m, a pop duo with Rolf Laureijs, and as part of indie band Silver Fir.

On this week's mix she showcases her love of club-focused sounds, with a nod to her sound design training, that begins with the blissful sounds of Sign Libra before working its way through slick house, acid and breaks from the likes of Anz, Otik and Bliss Inc.

Belia Winnewisser: The 'Ransom Note' Mix

“A collection of songs related to sleeping and dreaming, to aid you through an afternoon nap or cosy day.”

Check out the tracklist on crackaud.io: crackm.ag/3DykN6d
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Sunday Mix: Hinako Omori

ANY018: Lite Drama
he/they
Portland, OR
@litedrama

mixcloud.com/mixed-feelings
instagram.com/lite.drama
instagram.com/uwupdx
instagram.com/freeformpdx

SOMETHING WE SHOULD KNOW ABOUT YOU
I'm a double earth sign

WHAT IS ALWAYS?
community, dancefloors, gem stones, organization, those videos of parents packing lunch, aromatherapy, fog machines, things in bloom

WHEN WOULD YOU NEVER?
If I don't feel like it

TELL ME ABOUT YESTERDAY
Panaderia visit, family brunch, party planning, rainy dog walks, ceramic session, dreamy sleep

ANY018: Lite Drama

I Like Reality

“Left at the Station” carries the pulse of modern electronic pop, blending the crisp, synth-driven clarity of Hot Chip with the bittersweet momentum of New Order. The track moves on tight percussion and shimmering keys, wrapped around vocals that are intimate yet detached telling a story of parting without drama, of distance created not by force but by silence.

It’s music built on contrasts: danceable yet melancholic, bright in tone but heavy in feeling. Each verse unfolds like a passing blur seen through a train window fleeting, fragmented, and strangely tender. The chorus anchors the song in repetition, echoing the way memory loops itself when you replay a moment you can’t rewrite.

At its heart, the track explores quiet goodbyes: not broken by words or fights, but by pauses too long and gestures not made. It is a song for missed chances, for platforms that stay empty long after the train has gone.

A soundtrack for departures steady in rhythm, fragile in meaning.

Left At The Station

The Rapture DJ RO MASHUP

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Sunday Mix: Circuit des Yeux

Crack Magazine