L'amour toujours

Craie est un duo composé d’Amédée de Murcia et de François Fournet. 
Au côté de ce premier se tient Somaticae, solo percussif à l’approche résolument bruitiste, se jouant de rythmes cassés et aiguisés, baignés de larsens et de saturation. 
En opposition, le premier alias de François Fournet, KollektivTraum, construit une identité mélodieuse et mélancolique, réinvestie dans une approche plus breakée pour son dernier projet : Dezeffe. 
Craie se veut l’intersection de ces deux univers, la résultante de la précision chirurgicale d’Amédée de Murcia, accouplée à la brume sentimentale de François Fournet.

Craie - Jam III (Edit)

Premiera w Radio Kapitał! Zapraszamy na odsłuch utworu "This Robot Needs A Human Touch" w remixie jamaszki FT, z niepublikowanej jeszcze EPki Fau - "Lost Melodies".

Po ośmioletniej przerwie, z nowym materiałem powraca, związany z kolektywem BTS - Fau. Na EPce „Lost Melodies” znalazły się 3 oryginalne utwory, wsparte remiksami Jamaszki FT, Piotra Figla i ISNT. Premiera 30 lipca > behindthestage.bandcamp.com

@fauunfau @jamaszka_ft @behind-the-stage @piotrfigiel @isnt
Cover art by Aleksander Jagodziński / @aleksanderjagodzinski

Więcej nowości i przedpremierowych odsłuchów usłyszycie co wtorek i czwartek o 12:00 w audycji Świeżynka > https://radiokapital.pl/shows/swiezynka

Lost Melodies

Fau - This Robot Needs A Human Touch (jamaszka FT Remix)(BTS)

Ghost Songs

Iodine

Après avoir organisé de nombreux concerts à Marseille, le collectif et label Champ Döner s'attache désormais à la production de cassettes et a lancé sa première série de splits : deux artistes convoqué(e)s et invité(e)s à se remixer le temps d’un morceau. C'est aux côtés des duos Humbros et R.I.P, primo-invités de cette série, que Champ Döner officiera sa première fois à Ola Radio.

@josue.confort @thibaut_de_raymond @lsma_rds @charles_dubbois humbros.music

Champ Döner Invite Humbros & R.I.P.

carved yourself into the wall

From the artist:

"While making this album I was inspired by the scientific themes and topics expressed by both 1970s magazine "Radical Software" and 1980s magazine "OMNI" for their influence on the video synthesis and broadcasting culture of our present day. Radical Software arrived in 1969 at a time of major social upheaval. The Viet Nam war was raging and the loss of Martin Luther King exacerbated feelings that a war on race war seemed inevitable. 

The Nixon presidency amplified feelings of dispare but compelled many to imagine alternatives to the soulless, murderous culture in they were existing in. The urge to create new cultural structures, developed revolutionary video hardware that would play a pivotal role in accelerating the social change people desired. Authors of the magazine understood that change would only occur by increasing the level of social pressure. 
Through their reading of Buckminster Fuller, Gregory Bateson and Marshall McLuhan, they realized what needed to be changed was not the machines, but the instructions used to operate them. The social implications proved radical hardware was fine but what was critically needed was "Radical Software". The magazine became a form of social activism. It would be a forum, a video craft how-to-magazine, a rudimentary marketing and distribution system for the burgeoning community, and a journal of philosophical speculation and political opinion for all who shared their vision. The cover of the album is created by CINEMA.AV using LZX video synthesizers."

Anderson Chimutu is a first generation Malawian American who resides in the city of South Bend, Indiana. Growing up near Chicago and Detroit, Chimutu was exposed to many legends of the regional music scene. This influenced him to get involved with various instrumental bands and djing. Now he focuses on solo productions, which integrate the use of granular sound processors and drum machines. This new approach, coupled with the desire to represent his African heritage, has given birth to Fumbata Phiri. His first offering as Fumbata Phiri came in the form of 2020's "Decoherence", released on the Hungarian label Exiles. He followed that up with "Equipoise", released on UK label Hard Return, "Actuation" on released on Eternal Search in 2021, and now in 2022, "Liminal Space" releasing on Chicago label, Reserve Matinee ran by Michael Stumpf (FAITHFUL) and John Daniel (Forest Management). The sonic qualities found within "Liminal Space" can be described as minimalist and obscure, yet very rhythmic. It's as if a machine has re-programmed itself, using onboard interface sounds, to make cryptic dance tracks. Chimutu wants to challenge the narrative surrounding African influenced music, and does so by creating what comes naturally to him. Putting forth an extension toward the future, while being cognizant of the history that has brought him to this point.

Buy via: https://reservematinee.bandcamp.com/album/liminal-space

https://soundcloud.com/fumbataphiri
https://soundcloud.com/reservematinee

Premiere: Fumbata - Terraforms [Reserve Matinee]

Senyawa’s Alkisah release is an experiment in decentralised music distribution. The duo of Rully Shabara and Wukir Suriyadi held an open call from which they selected 44 music labels disseminated across the world to participate by creating different versions of the work for different regional markets. The connections forged during this monumental project continues today as The Alkisah Network. Ahead of a presentation and panel discussion at CTM, the network has kindly shared a mix of some of the many Alkisah remixes out there. 

Tracklist
1. Senyawa dan Singo - Kekuasaan REMIXED (Arrington De Dionyso)
2. Bing Renang - Wamena II (Jakarta Edition)
3. VISIO - Istana remix (Artetetra & Communion)
4. Dylan Martorell - Live from Don Dossers Magnificent Garden Stay (Silent Army)
5. Stephanie Merchak - Kabau (Ruptured)
6. Telepanico - Istana (IN:EX)
7. Kinlaw & Robin Stewart ft Franco Franco - Menuju Muara (Avatar Remix) (Avon Terror Corps)
8. Bapak - Kiamat (SOFT / BRUTE)
9. 若潭 Ruò Tán & 王子衡 Wang Ziheng - Kabau (WV Sorcerer Productions)
10. Peter Kirn - Menuju Muara (L_KW)
11. Bashar Suleiman - Fasih (Drowned By Locals)
12. Prontaxan - Kekuasaan (Yes No Wave)
13. Sumber Kencono - Kiamat (Kontingen Kalbar)
14. Niño & The Isolitics - Kabau (Gandula & Galleta)
15. Moa Pillar - Kiamat (School of the Arts)
16. Cyclops - Kekuasaan (Chaos Non Musica)

Read more on Alkisah Network here: https://www.ctm-festival.de/festival-2022/programme/features/alkisah-network

CTM 2022: The Alkisah Remixes

Left Right

Firewind

Download/Stream: https://fanlink.tv/wSTg
Listen on Spotify:  https://open.spotify.com/intl-de/track/71evxlHnF8nCNC8VzU0vIh?si=ff5f450e20234679
Submit your DEMO: freemusicwave@yahoo.com

► Ozkan Sapan
https://soundcloud.com/dj-ozkansapan
https://www.instagram.com/ozkansapan
https://www.facebook.com/DjOzkanSapan/

► FreeMusicWave
https://soundcloud.com/freemusicwave
https://www.youtube.com/channel/UC4wUSUO1aZ_NyibCqIjpt0g
https://www.instagram.com/freemusicwaverecords/

FREE DOWNLOAD

Ozkan Sapan - So [FUTURE HOUSE]

https://amedeedemurcia.hotglue.me/craie/
Craie is the duo formation of Amédée de Murcia and François Fournet.
Behind the first stand Somaticae, a solo based on percutions and bruitism, playing around broken and sharp rythms, flooded in larsens and saturation. 
On the opposite, François Fournet has first built a melancholic and melodious identity as KollektivTraum, his first solo that he reinvested in Dezeffe, his second solo that resolves around rythms filled with breaks and setbacks. 
Craie is the intersection of these two musical sides, the result of Amédée de Murcia’s chirurgical accuracy, melt in François Fournet’s sentimental fog.

Craie est un duo composé d’Amédée de Murcia et de François Fournet. 
Au côté de ce premier se tient Somaticae, solo percussif à l’approche résolument bruitiste, se jouant de rythmes cassés et aiguisés, baignés de larsens et de saturation. 
En opposition, le premier alias de François Fournet, KollektivTraum, construit une identité mélodieuse et mélancolique, réinvestie dans une approche plus breakée pour son dernier projet : Dezeffe. 
Craie se veut l’intersection de ces deux univers, la résultante de la précision chirurgicale d’Amédée de Murcia, accouplée à la brume sentimentale de François Fournet.