this is such a change from the other track i have heard so far.  this is sunny and everything is going great, while the other almost seemed frightening.

Excellent track magnificent melodies and production.

The burning eternal question - do you love me?
Do you love me, you love me?
Well so do people who sell ice-cream
They'll say anything, they think I'd like to hear

Do yo love me like they do?

Hey girl, you better watch out
cos people care not for what you may
Though it's written on their faces
They hide behind sweet words

Anybody for ice-cream (or tennis)?
(a nod to @nic_nic_nic: Nic for tennis suggestion)

Live Studio recording, engineered by Darren Flynn
Drums Steve O'Keeffe (The Pale/BluesConfidential  www.bluesconfidential.com
https://soundcloud.com/bluesconfidential) 
Bernard Byrne (The Pale)
Lead vocals, BV, guitar, art by Suzanne Ledwith

Change of Address

Hey Ho

"Up in the Gallery" (German: "Auf der Galerie") is a short piece of fiction written by Franz Kafka. It was created between November 1916 and February 1917 and published in the collection „Ein Landarzt“ (A Country Doctor) in 1919. The story offers two versions of a scene in which a young man watches a circus ringmaster and a woman on horseback. (Wikipedia)

The picture shows a section of: At The Circus Fernando, The Rider
by Henri Toulouse-Lautrec (1888)

Public domain translation by Ian Johnston (November 2003)                     


Up in the Gallery

If some frail tubercular lady circus rider 
were to be driven in circles around and around 
the arena for months and months 
without interruption 
in front of a tireless public 
on a swaying horse 
by a merciless whip-wielding 
master of ceremonies, 
spinning on the horse, 
throwing kisses and swaying at the waist, 
and if this performance, 
amid the incessant roar 
of the orchestra and the ventilators, 
were to continue into 
the ever-expanding, gray future, 
accompanied by applause, 
which died down and then swelled up again, 
from hands which were really steam hammers, 
perhaps then a young visitor to the gallery 
might rush down the long stair case 
through all the levels, 
burst into the ring, and cry “Stop!” 
through the fanfares 
of the constantly adjusting orchestra.


But since things are not like that,
(Since things are not like that…rep.)         

since a beautiful woman, in white and red, 
flies in through curtains 
which proud men in livery open in front of her, 
since the director, 
devotedly seeking her eyes, 
breathes in her direction, 
behaving like an animal, and, as a precaution, 
lifts her up on the dapple-gray horse, 
as if she were his grand daughter, 
the one he loved more 
than anything else,
as she starts a dangerous journey, 
but he cannot decide to give the signal with his whip 
and finally, 
controlling himself, gives it a crack, 
runs right beside the horse with his mouth open, 
follows the rider's leaps with a sharp gaze, 
hardly capable of comprehending her skill, 
tries to warn her by calling out in English, 
furiously castigating the grooms holding hoops, 
telling them to pay the most scrupulous attention, 
and begs the orchestra, with upraised arms,
to be quiet before the great jump, 
finally lifts the small woman down from the trembling horse, 
kisses her on both cheeks, 
considers no public tribute adequate, 
while she herself, leaning on him, 
high on the tips of her toes, 
with dust swirling around her, 
arms outstretched and head thrown back, 
wants to share her luck with the entire circus—
since this is how things are, 
the visitor to the gallery puts his face on the railing and, 
sinking into the final march as if into a difficult dream, weeps, 
without realizing it.  (rep.)

Up In The Gallery (Kafka, 1919)

C÷M performing Journey's End live at St. Augustine’s Arts & Events Centre, Brighton 6th May 2022) as part of the show "From Where? To Here" 
(see https://craigwinstanley.online/from-where-to-here/ for further information). For a review of the show, see https://thegmreviewer.wordpress.com/2021/09/18/c-div-m-from-where-to-here/

The voice hasn't recorded brilliantly, but you can hear the saxophonic and flautistic journey of Jon Ogara (@allopenelectrics), who is M to my C...

When time weighs heavy in a distant place
When bygone memories swarm diminished space
When the past’s trodden path dwarfs the future’s trail
When what once shone bright, flickers drawn and pale
When the sweetest taste yields a bitter hue
When all’s grown tired that sparkled new
When you reach in vain for neglected friends
Thoughts turn to journey’s end

Journey's End (by C÷M , recorded live in Brighton)

somewhat out of my comfort zone but great fun to do. 
Listening in stereo is recommended, in mono if you like it straight up without the whoosh ;)

original track : https://soundcloud.com/user-649412648/heavenly-water-open-collab

Holy Shitshow - Heavenly Water - open collab [Gruppo Infernal version]

Super Magic

Life is amazing. Flowers grow in sidewalks, hawks make nests on top of skyscrapers, sun is warm, rain is life giving.
I think we complicate life by confusing it with "living" by goals and imposed "desires" that make us anxious: need more money/have to live in a penthouse/bigger faster cars/
It's not bad to work and produce but when you lose sight of mortality/empathy/sharing. then your "productivity" will not bring you satisfaction or peace.
we are very temporary. It is just as easy to care as it is to hoard and to help as it is to hate.
anyways I hope you enjoy this song.I'mplaying around with guitar notes, no structure just let the fingers go wherever whenever

tiny little lizard scampers on the screen
grabbing tight the wires with his tiny little feet
gets into a spot of sun that hits him on his back
he's so happy now I wish I could always feel like that

happy little firefly flits across the lawn
flashing bright his small tail light ,singing his happy song
nothing here to slow him down or cause him pain or fright
I wish that when I walk out side I'd always shine that bright

So I'm the only one in the world today
the only one here to sing and play
I put on my Sunday best
I say to heck with all the rest
I'm going to walk among flowers and trees
No people here to fear or please
I'll let the sun warm my back
I'll let my light shine bright
Not worry so much about living
but just go celebrate life

it's not that complicated

After a trip through the Mediterranean with the paramour of my life years ago... these lyrics emerged as an expression of gratitude and love. Yesterday those lyrics found home in this new original composition.

Forever thinking about you and the family we've made baby.

Thinkin' About You [Instrumental]

whenourulersgointohiding

A song created by percussion beats.

GarageBand Drums Used: Taiko Drums, Chinese Kit, Bluebird

Dragon Soul

Cindy and her Glasses

hand pan,guitare et cymbale
musique; deep man
photo: thomas bosman,,https://soundcloud.com/user-640493364-116410684

Senteur

A combination of bemused rantings into the disinterested void & ambient doodling. Visit https://craigwinstanley.online I would like to create dark impenetrable experimental music, but I'm too fond of melody...
Bandcamp: https://cdividebym1.bandcamp.com/

Also see collaboration with Jonathan Ogara (https://soundcloud.com/allopenelectrics)
https://soundcloud.com/cdividebym

Other collaborations with the wonderful Augenmerk (https://soundcloud.com/augenmerk; https://soundcloud.com/augenmerk/from-the-inside-of-being_craif-winstanley-augenmerk) and Lemonade: https://soundcloud.com/lemonadelove/red-queen-by-craig-winstanley-ft-lemonade-1

Videos:
https://www.youtube.com/watch?v=kakGLRTbV9o

MintFam community: https://soundcloud.com/mintfam.
Exclusive track (Smoothing the Wrinkled Front): https://soundcloud.com/mintfam/craig-winstanley-craig-smoothing-the-wrinkled-front

All tracks created using guitars, keyboard (midi) and Presonus Studio One Artist software.  Oh, and sometimes a microphone.

On here since October 2015.  

I've never really understood musical "genres".

Journey's End (by C÷M , recorded live in Brighton)

Craig Winstanley

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