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A2: Jim Thompson - Lucky 7

PRS015 is here. It's my newest EP - Heart, Mind, Soul - on PRS.

It contains three different tracks that I feel all, in their own way, fit in different club spheres. I guess this record fits quite well in the house or deep house bins, but no worries if you would put it elsewhere.

You can already now support directly by buying via www.safedist.ro.. It'll also be in a record store near you very soon [shout out for the continued support to all independent stores out there that keep supporting my ishhhh]

See you soon <3
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C.K - Heart, Mind, Soul (PRS015)

This four-part aural experience emulates a gentle atmosphere of hyaline translucence, paired with an optimistic glossiness that gently reflects a warming light with a softening glow. Weightlessly swimming through a sky of drifting clouds, you softly ascend into a higher realm of radiant love.

‘I Remember My Dreams’ sonically depicts a futuristic utopianism, a world gleaming with hope and a positive future. A beautifully soft landing in a desert of clouds that fade into distant skies.

Weightless, drifting pads glide effortlessly amongst pristine drums, uplifting acid lines, a rhythmic reminder of a harmonic appreciation for ones own existence. We dream for a beautiful world, that once observed can bring light to any world living in darkness. A well deserved day in paradise, mind reclined and a softened gaze as you stare up at the vivid fractal skies in wonder.

‘Fatswoop (2002 Mix)’ is a soundtrack to a leisurely cruise through our planets exosphere. Above the clouds, perfect blue hues fade into the shaded void of outer space. Translucent synth lines of a delicate purity compliment the progressive, slowly-evolving bassline, which cohesively maintains a perfect level of lethargy in the tracks sonic trajectory. Glistening chromatics shimmer elegantly throughout, reflecting light like freshly polished chrome. Enchanting twinkles diffuse like the scattered stars that populate the endless space above. The destination is great, but here, the journey is much greater.

‘Downtown Trip’ emulates walking down a neon-lit street at a leisurely pace, whilst the glowing signage above reflects abstracted colours on the smooth panelwork of brushed aluminium. Another track which nods to the past with a futurist infusion, retro snares pierce through the layers of ever-rising arp's that feel like ascending through the stratosphere. Glossy pads that reflect the soft lighting of the sky above, all tied together with an organic low-end that holds a warming groove with it's flawlessly arranged structure.

It pulsed from floating speakers, entwined with the light hums of hovercars zipping past. The city pulsed with life, a dreamscape of metallic buildings and holographic billboards sometimes flickering with static.

‘The Beach’ is a calming, gentle experience that emulates atomic dissipation from your physical self into the surrounding atmosphere. Weightless, delicate particles sway in clouds of ethereal movement. Dancing slowly with gratitude for natures geometry. Soft, comforting pads of nurturing beauty breathe in rhythmic expansion, infused with breezy vocals like whispers from an angelic realm high above the sky. Warming twinkles decorate the space throughout like the reflection of the high sun on slow-moving waters. Drift with the stars, the atoms and the dust. Become nothing as you become everything. We are one here.

Available here: https://dreamsoftware.bandcamp.com/album/planet-earth-help-desk-ep

Jamie Leather - Planet Earth Help Desk EP Previews (DSOFT005)

Alien Communications provides an hour of warm, emotive electro, recorded live at Subculture - the world’s longest-running weekly electronic music party at Sub Club, Glasgow.

Multi Multi Mix Vol. 11: Alien Communications

BANDCAMP: https://craigieknowes.bandcamp.com/album/i-waste-my-time-so-you-dont-have-to

Craigie Knowes day-one affiliate The Burrell Connection rejoins the label for his much anticipated EP ‘I Waste My Time So You Don’t Have To’. Featuring the fantastic ‘E Before I’ which has been heard in various forms across Berlin’s underground in the past few months, accompanied by an additional version taken from The Burrell Connection’s recent LIVE performance in Tresor, invited by Wania's LNS & DJ Sotofett. The B-Side comes correct with the dubbed-out power of ‘Celestial’ alongside the quintessential Burrell Connection galaxy-spanning pads and bass combo on ‘Ensemble’. One for the real heads, from dub to club. 10 Years of Craigie Knowes: 2015-2025.

Releases Thursday 21 August, 2025.

Written & produced by The Burrell Connection
Mastered & cut by Marco @ Analogcut, Berlin
Design by Guillaume de Ubéda
Distributed by One Eye Witness, Amsterdam
Promoted by RISEN PR
Released by Craigie Knowes in Perth, Scotland

BUY @ BANDCAMP

CKNOWEP69 | The Burrell Connection - I Waste My Time So You Don't Have To (EP)

Pour célébrer les 5 ans du collectif claclaclac!, Duane invite Von Riu pour une heure de dubstep, breaks et tech douteuses sur les ondes de Rinse en guise d’appetizer avant la Cité Fertile du 12.07 ou il closera l’open air en compagnie de Joe Palpite.

CLACLACLAC! : Duane b2b Von Riu - 11 Juillet 2025

https://gladstonebutler.bandcamp.com/album/no-haterade-ep

https://soundcloud.com/gladstonedeluxe
https://soundcloud.com/fixedrhythms

Gladstone Deluxe is one of the most exciting musicians in the US right now. They make futuristic, deep, percussive yet smooth techno, deep house and electro. They also play timbales in NYC queer and trans salsa band Las Mariquitas, and are a frequent collaborator with fellow East Coast sonic trailblazers Kiernan Laveaux, Johnny Zoloft, and Mira Mira. They have released on Black Techno Matters, Data Disk, Misc, Innocent Music, How Things Are Made, and now Fixed Rhythms is excited to add to the Gladstone lore with their new offering, “No Haterade EP”.

A1 “Cleanse” is zippy tech-y house…think groovy, up-beat, sexy, like something you’d hear in a Titonton Duvante set. A2 is a remix, “Teakup - Where’s My Snare (Gladstone Deluxe Remix)”. Now the EP takes a turn towards psychedelic electro. Spacey trippy vocal manipulations, swelling deep space gravitational waves swelling and resolving. The B side opens with the “No Haterade” track. Arpeggiated electro that slaps with swagger. The final track is a longer, 9 minute driving deep housey techno tune. A bass line that you never want to stop, luscious pads, brain-tingling pings, melodic percussive synth runs, and a touch of acid.

If Gladstone is not already on your radar, take heed! Big tunes here!

𝐇𝐔𝐑𝐅𝐂𝐋𝐔𝐒𝐈𝐕𝐄 ➟ Gladstone Deluxe - Garden Dub

Buy on Bandcamp: https://spectralbounce.bandcamp.com/album/perfect-encounter

Amsterdam label Spectral Bounce recruits French club stalwart @chris-carrier-841295497 for SPEC06 — Perfect Encounter. Active since 1994, the Parisian artist has released a wellspring of records on Robsoul, Slapfunk and his own Sound Carrier recordings, parallel to his longtime career as a DJ. Characterised by swirling delays and progressive arrangements, Perfect Encounter shows the producer exploring the mesmeric corners of tech house, ideally fitted to the Spectral Bounce aesthetic.

Opener “XLR8” starts with rolling toms that make way for fluid, modulated tones; each bar ebbs and flows to the sweeping synths set in motion by Carrier. Processed with a multitude of delays, rhythmic FX boldly swish above the drums, making for an immersive soundstage. Second track “Light Side” retains the billowing echoes but moves more nimbly, cutting things back to make for a spacious and breezy number. Its croaking synths hop around the stereo field, accompanied by tight percussion and a walking bassline.

The hallucinogenic “Third Moon” sees Carrier step further into trance-inducing territory. The track’s pulsing, syncopated bass note thrums underneath an arpeggio that evolves into a heady prismatic drone. While the chugging beat is ever-present, melodic refrains rise up and evaporate like wisps of vapour, alongside a vocal that fades away as quickly as it appears. The EP’s eponymous “Perfect Encounter” dials up the tension and closes the record with a mysterious touch. Speedy 16th note patterns propel the beat, creating shifty rhythms that rattle and hiss. A rasping, gelatinous synth and squeaky detuned tones resemble extraterrestrial signals — alien morse code for an enraptured dancefloor.

Art by Susanne Janssen
Words by Cameron Leaf

Bandcamp

Chris Carrier - Perfect Encounter (SPEC06) | Spectral Bounce | Snippets

Asphalt DJ B2B Gzardin | Live from Stanitzel Festival

Boys

Beetle parade

10 Years of Craigie Knowes: 2015-2025

BANDCAMP 👉 https://craigieknowes.bandcamp.com
BOOKINGS 👉 sam@klsbookings.com

CKNOWEP69 | The Burrell Connection - I Waste My Time So You Don't Have To (EP)

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