Song Machine 2017

Goodbye (Won't See You Tommorrow)

PROTAGONIST, the title of the latest album by Eliza Spear, is a fitting one: the story may be hers, but anyone can imagine themselves in the role of the hero when they listen. Where other songwriters might settle for easy cliches, she reaches instead for the sorts of vulnerable truths that can bridge the divide between her and the listener. Her melodies have a way of drawing you in: first low and conversational, like a friend offering secrets into your ear, then soaring and triumphant, calling you to follow on the journey she’s started. Her music, at its core, is about seeing yourself in someone else’s struggles and aspirations, turning lived details into anthems to which anyone can relate. 

In the case of “Lucky Lucy,” a standout from her 2022 debut full-length Right Now, It’s Like This, that might mean striking up a conversation with a stranger at a bar just because you both have freckles. From that seemingly insignificant similarity, Spear weaves a surprising and richly emotional love story, with a twist ending too poignant to spoil in writing. That first album, set to warm acoustic instrumentation with sleek pop accents, was an ideal introduction to Spear’s work, drawing a wide range of themes and experiences into a coherent but multifaceted whole.

For Protagonist, she took a more deliberately focused approach. All of the lyrics stem from a particularly intense period of her life, and she interweaves them into a song cycle of sorts: an image or idea introduced on one track might surface again on another, given complex new resonance by its shifted surroundings and the passage of time. She also honed her sound, opting this time for a palette of gleaming synthesizers, body-moving drum machine rhythms, and hooks big enough to shout along on the dancefloor or from behind the wheel of your car. Where some songwriters might sacrifice subtlety in favor of such big-tent appeal, Spear has retained all the writerly nuance of her earlier work and then some. Like two of her heroes, Carole King and Taylor Swift, she combines the intimacy of the singer-songwriter canon with the immediacy of the best pop. 

Since moving from her Los Angeles hometown to New York, Spear has been a tireless performer. Though she’s played plenty of shows in traditional venues, she is fond of presenting her music in unconventional spaces, where she can forge more powerful connections with listeners than the dichotomy of artist and audience allows. In 2020, when pandemic restrictions made old-fashioned concerts impossible, she went on tour across the backyards of America, giving socially distanced shows for small groups in the outdoor spaces of their homes. She expected to be on the road for two weeks, but word started to spread: one backyard show led to another, and she ended up touring all summer. Sometimes, she’ll set up a door frame on the sidewalk of her Brooklyn neighborhood and invite passersby to step through and “become the protagonist,” turning the conceptual heart of her work into a literal journey through space. Or you might find her in Brooklyn’s Prospect Park with a box of donuts, making new fans by offering a delicious pastry to anyone who’s willing to sit and listen to her music. Such adventures, one gets the sense, are borne of the same inspiration that leads Spear to write songs in the first place: to meet people where they are, and enrich their lives by sharing a piece of her own. 

Listen to Protagonist, and you might just wonder if she’s singing about you.

Creating content for creative characters.

Goodbye (Won't See You Tommorrow)

Craigiefresh