Name: Matias Aguayo & The Desdemonas - Boogie Drums by Crammed Discs in Makalai
Duration: 7 min 3 s
Description: From the debut album "Sofarnopolis", out on October 13

Makalai

All credits to Porn Sword Tobacco!
Influences:
Anything creative, nice and honest. An afternoon stroll, Recording studios, Gunnar Ekelöf, Karl, Pilkington, Massimo Ranieri (perdere l'amore), Journey(only the young), Nintendo, Leonard "the hills" Mills, Mozart, Stephen Hawking, Murals, Carl Sagan, D+M mastering, Crispin Glover, Nacho Libre, Ed witten, Wierd rants from outlaws and homeless people, instrumentals, 80 blocks from tiffanys, old records, For the sake of the song, Matt monro, Bo Widerberg, George Carlin, Alan Watts, Omar s, the interior of my grandmothers place, Roy Andersson, Galt Mcdermont, Techno, the Swedish woods, My Friends, Vilgot Sjöman, the heartful quality of the foot fist way, Mr.Dawkins, Internet, DJ Gazz, Christopher Hitchens skills, Reh Dogg, Richard Feynman, Cappuccino, Africa, punny..

Porn Sword Tobacco - Cubical Fever

Spell On Me

Burning inside

The Summoning Of The Kraken

Fire! - She Owned His Voice

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

from the album 'precious systems' available 7/15

precious systems

mj guider 'white alsatian'

To be released September 28th 2017.
Pre-order here: https://charlois.bandcamp.com/album/die-kinder-aus-dem-park

-

Bionda e Lupo are like little you'll have heard before, a boy/girl band like no other. Synth wave is fed a line of modern alienation, delusory disco to a disdainful drum beat, house emptied and ridiculed. Rhythms are stark, melodies are as mechanical as the lyrics. "Zug Der Vogel" is sparse, vocals intertwine in an empty embrace whilst bars sparkle. "Twoi Glasza" is more playful. Bright words shimmer against sweeping strings. The past is parodied across the EP but nowhere more so than in "Die Kinder Aus Dem Park." A former classic dug out before being peppered by machine gun percussion. The stilted rhyme of "Eckstein" closes, a ballad of bittersweet images and lost hopes.

Bionda e Lupo - Die Kinder Aus Dem Park

Leonor - Melodia Cosmica

From the debut album "Sofarnopolis", out on October 13

Sofarnopolis

Matias Aguayo & The Desdemonas - Boogie Drums

1st single of upcoming Ellicist album "Point Defects" which will be out on Morr Music 12-04-2019
Ellicist are Thomas Chousos & Florian Zimmer. Chousos studied composition in Greece before moving to Berlin, where he is working as a producer and sound engineer under the moniker Tadklimp. Florian Zimmer has been playing with several groups. Besides Ellicist he is a member of Saroos and Driftmachine.

Point Defects

Ponds & Graves

LP/CD/DL

Ellicist: Ponds & Graves

From the album Stand Above The Streams by Jason Sharp

Released 23 Feb 2018
180gLP / DL
cstrecords.com/cst130

Composed by Jason Sharp

This music was performed wearing a customized heart monitor providing a single pulse to trigger analogue drums, sine wave patterns, controlled feedback, and synthesizers in real time. All electronic rhythmic material stems from this source.

Jason Sharp: Amplified heart, feedback, synthesizers, bass and baritone saxophones

Adam Basanta: Controlled feedback and amplification systems

Stand Above The Streams

Jason Sharp • "Stand Above The Streams Pt 2A"

ELEH - LIVING SPACE
[TOUCH TO:114]
Release date: 11th October 2019

Following Slow Fade for Hard Sync (2009) and Location Momentum (2010), Living Space is Eleh's third physical release for Touch. Seven years in the making, this new release consolidates the artist's parallel narrative between a series of vinyl and CD releases for Important Records -- where the emphasis is on a minimalist aesthetic -- to a visual counterpoint that hints at the cinematic and painterly qualities of the music.

Sound, as a healing force, is an idea as old as the medium itself. Inspired by the legacy and above all the spirit of John Coltrane, Living Space features five new compositions that seek to express the beauty of slow change, not only through the microtonal shifts in sound that Eleh navigates but moving with the atmospheric and shape-shifting conditions that the music creates as it interacts with the listening space, whether bedroom or concert hall, each one of them unique.

If the ambition of Living Space is to reflect both personal and collective growth cycles, the experience of its audition has the effect of stopping time. Melodic and harmonic progressions are implied and not stated obviously, to enable listeners to apply their own emotions and feelings to the music.

Using modular and analog synthesizers, piano, organ, bass, and symphonic chimes, Living Space stresses the promise of the CD's final track -- "Lighter Touch" -- forsaking the forceful hand for an approach that mirrors the slower and softer exposures of plant life and leaf formations, slow moving waters, not flash floods nor forest fires.

In counterpoint to the music, the 60-minute CD is presented with a six-panel digi-file with Jon Wozencroft's water photography extending the meditational pull of these new compositions.

For those for whom Eleh needs no introduction, see if you agree. Anyone who has yet to experience the artist's sonic alchemy, Living Space is the perfect starting point.

Living Space

Eleh - Collect Yourself (excerpt)

Listen to the new single 'Skateboarding', taken from the upcoming album, available for pre-order now.

https://smallpond.plctrmm.to/SB

An introspective collection of psychedelic modular synth led experimentations, ‘Bright Serpent’ is the new album by Kristian Shelley aka electronic musician Inwards. Electronic textures and rhythms rub up against manipulated recordings of real instruments, voices and field recordings to fashion transportive snapshots of an inner sound-world.

‘Bright Serpent’ is set for release on 10th April 2020 by Small Pond Recordings on vinyl, CD and digital formats.

Skateboarding

Anticlines

Edge

confuzzling locomotive open to slow mindful exploration of vivid sensations till I find the true and only

Matias Aguayo & The Desdemonas - Boogie Drums

Crammed Discs

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