WireGit+

Tomorrow is the release of Diary of Purple Songs on PNRC. But the 30th of this month I'll release the Cultlove EP on RVRB MUSIC!!! Worked very hard on this for a few months. It features 8 songs including Would You Join My Cult?. Today I'll upload the single Desire Song on soundcloud and the videoclip is already watchable at the Mexican Vans website: http://v66.com.mx/ . Check it out<4 #cultlove for all of you.

Lyrics:

Colored grey, streetlight bliss
I am a man who smells like piss
You took my kids in '96
Last night I dreamed I kissed your lips

You make me cry
It took so long
Heroin tears
Desire Song

I'm walking down to memory lane
The years I was a little saint
A black man says I'm running out
Reality is lost and found

You make me cry
It took so long
Heroin tears
Desire Song

Desire Song

The KVB - Across The Sea

Capitol (Black Marble Remix)

Tuxedomoon - Devastated (Demo 77) (from "Unearthed")

made with PURE FRUSTRATION
but also in addition
teenage engineering beat maker played on amp
and piano
and trusty zoomh1
and edited in NCH
it will all be over soon


argh another stoopid appointment ruining shxt

"Bulbform",  Out Now. 

EP: http://www.sacredbonesrecords.com/products/sbr065-trust-bulbform
Itunes: https://itunes.apple.com/us/album/bulbform-single/id460139693?ign-mpt=uo%3D4

Trust - Bulbform

Soft Cell cover from The End Of All Things (Downwards 2011) 

http://boomkat.com/cds/461820-tropic-of-cancer-the-end-of-all-things


L.O.V.E. Feelings

Red Barked Tree

Adapt

Read & Burn 01

Comet

John Maus - Touchdown

The first single from the Liars new album WIXIW released June 2012.

Liars - No.1 Against The Rush

www.phedreamour.com
www.betafrontiers.com
www.dapsrecords.com

06 Beta Frontiers - Hondo (Lee Paradise Remix)

WIRE – CHANGE BECOMES US – pinkflag (pf20)

“Well, it seemed like a good idea at the time…,” laughs Colin Newman when asked to explain Wire’s original motivation for Change Becomes Us. While that might sound like the kind of feeble excuse you’d offer in mitigation when a drunken escapade goes horribly wrong, not only was it a good idea, it actually turned into a superlative one. 

In spring 2012, Wire’s plan had been to convene at Rockfield Studios in Wales to review the rudimentary blueprints of songs that had never made it beyond a few live performances in 1979 and 1980 – a time when the band-members were in creative overdrive yet the band was disintegrating. The aim wasn’t simply to resuscitate and record old songs – in fact, many of them hadn’t become proper songs in the first place, existing only as basic ideas or undeveloped parts. Rather, the objective was to approach that unrealised work as an oblique strategy, a potential springboard for Wire’s contemporary, forward-looking processes, a possible point of departure for new compositions.

This took place with Wire firing on all cylinders, as a four-piece studio entity again, the core line-up of Newman, Graham Lewis and Robert Grey now enhanced by guitarist Matthew Simms. Simms had played a key role in helping the band to cultivate and shape its new sonic landscape throughout the preceding year’s live work. Out of the exploratory Rockfield session and subsequent, extensive development and production at Newman’s Swim Studio, the ostensible source material became, in the classic Wire tradition, something quite other than what it may have once been or what it might have become if it had been pursued in 1980. 

“Love Bends” is a case in point. Its roots lie in “Piano Tuner” -- the raucous, octave-hopping number performed in February 1980 at the Electric Ballroom in Camden and preserved on Document and Eyewitness -- but it’s now morphed, improbably, into an irresistible, totally modern pop song. “It had to be turned into something else,” explains Lewis, “because it only really had one bit.” Just as improbably, the gently lilting “Re-invent Your Second Wheel” is tangentially connected to the notorious “Zegk Hoqp,” which was more of a one-time happening than a song at the Camden gig -- mostly shouting and banging, executed by a stage-full of Wire cronies in funny hats. “It was written for performance, around people with newspaper headdresses; not with music in mind,” Lewis emphasizes. Similarly transformed, “& Much Besides” is a six-minute oneiric-melodic interlude that gives no hint of its putative origins in “Eastern Standard” --  a dreary, obtuse three-minute geography lesson delivered with former manager Mick Collins at the Electric Ballroom concert.

Newman’s writing and production reimagines the past in ways that ultimately break any substantive connection with it, making entirely new pieces; and these songs themselves enact Wire’s restless drive to become other, often thriving on a fundamental tension between opposing sonic characteristics. With its stop-start, soft-hard, quiet-loud structure, “Adore Your Island” veers between what Newman describes as “prog and unhinged punk rock,” never quite resolving itself; the drama of “Attractive Space” hinges on a progressive splitting of the song’s personality, between its calm expansive, anthemic orientation and an increasing sense of intensity and claustrophobia. 

Change Becomes Us encapsulates the paradoxical essence of Wire’s creativity. The tendency of these new songs to refuse a single, settled identity is emblematic of the band’s ever-evolving aesthetic -- one that’s always hinged on sustained tensions and oppositions: between the familiar and the unfamiliar, the comfortable and the unsettling, the melodic and the brutal, the cerebral and the visceral, the smart and the moronic, the obvious and the inscrutable, the rational and the absurd. This intrinsic, core ambivalence generates the essential otherness that has characterized Wire’s most memorable, distinctive work -- from the epochal innovations of Chairs Missing and 154 to the electronic-pop deconstructions of A Bell Is A Cup to Send’s postmodern-punk expressionism and the widescreen lyricism of Red Barked Tree.

Change Becomes Us is an undeniable part of that illustrious lineage. Definitely more than just a good idea at the time.

Wilson Neate


Change Becomes Us

Keep Exhaling

Time Lock Fog

medio mutante 17 Anos

Red Barked Tree is the new album by Wire
It is released in the UK on January 10th

Tuxedomoon - Devastated (Demo 77) (from "Unearthed")

Crammed Discs

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