what a great ride Franky, psycho dub to the max my friend

What kind of funky greatnes is this and how did i miss it?

Salute 2U All. Jorg is simply the demiurge of Tenor. Whole production is sublimely surreal in every delicious sensual direction. Shit man, this is Atomic!

Your music be interesting to listen to, I like it

The potatoes are sprouting 
and there's no doubting 
Release room can share
but his poems are... crap

Spring has sprung

First track of a new album where I'll try to be more eclectic, with closer approach to some genres. Experimented on this one over-editing vocal line on the left, and getting midi files out of organic guitar melodies, which I could play with virtual instruments. I hope you'll enjoy a different Ruizzoid shape.

Dedicated to Germán Coppini’s ‘Golpes Bajos’, one of my favorite groups of the Spanish ‘Nueva Ola’.

Pic: “Trapped in the past”, taken by me casually in the street.

Lyrics (original/translated):

NO TODO ACABA (JUGUETES ROTOS)  /  NOT EVERYTHING ENDS (BROKEN TOYS)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hay cosas en la vida que no cambian nada.  /  there are things in life which don’t change at all.
Hazme pensar que no estás gastada,  /  Make me think that you are not worn,
que el paso de los años no te cambió nada.  /  that the passing years didn’t change you at all.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Juguetes rotos, muñecas olvidadas,  /  Broken toys, forgotten dolls,
la imagen de mi espejo parece cansada.  /  the image from my mirror seems to be tired.
La voz de la noche ya no me llama,  /  The voice of the night doesn’t call me anymore,
me  resisto a pensar que todo se acaba.  /  I refuse to think that everything ends.

Hazme pensar que lo nuestro no acaba  /  Make me think that our thing doesn’t end
cuando despierte por la mañana.  /  when I wake up in the morning.
Hazme pensar en ti con calma,  /  Make me think about you calmly,
hazme creer que te tengo amarrada.  /  make me think that I get you tied up.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hazme creer que aún estoy en casa,  /  make me think that I’m still at home,
hazme pensar que duermo entre sábanas,   /  make me think that I sleep between sheets,
hazme pensar que nada cambia.  /  make me think that nothing changes.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

ER31FI01 RUIZZO©1996 – FRANCÉS RECORDS®2016

No todo acaba (Juguetes rotos)

Shine

Comment with what you think this would be a good soundtrack for!! A nature show? A horror scene in the winter? Something romantic? Please leave your thoughts in the comments. Cheers, -M

03/01/2017

Support My Bandcamp!

January Moon

Diane, this is DDD, This song, is called Blue Rose Cases, inspired by Gordon Cole, of course. We came up with this one on the 2nd night of our One Eyed Jack's open mic residency. Our friend Deputy Andy Brennan decided to join in on trumpet for this one and it came together perfect. For the record, Andy likes to drink sex on the beach. Diane, this one reminds me of a bullfighter's theme. Cooper & Phillip were on their best behavior this night. Not Stoney though, he was "feisty" and was shut off by the bartender. Diane, the food at One Eyed Jack's leave a lot to be desired. 

Dale Cooper (drums)
DD Danahy (tremolo guitar; lead guitar, snyth) - @darren-d-danahy
Stoney Catcherye (vocals; acoustic guitar; percussion) - @stonecatcherye
Phillip Jeffries (bass guitar)
Andy Brennan - special guest (Trumpet)

Blue Rose Cases

and I put all I had into pleading that case

and when you solve the case
you want relief
you want to close the book
but still to read
in peace

and I put all I had into saving that day
and then tipped my hat and lost my very last case

and when you look my way
you want to see
the clay you molded then
with modern needs
no peace

and I put all I had into pleading that case
and then tipped my hat and lost my very last case

I put all I had into saving that day
and then I tipped my hat and lost my very last case

Blue Rose Cases

C.r.u.s.h
Break the rules,take down the system for eternity
Reflective games are running circles in our serenity
Its the final run of wasted games and lies of tragedy
And now its come to chase the shadows and lose gravity
I call your name but nobodys home
its such a shame when your left alone

I gotta crush....before i crash

Break the rules take down the system
this is over-drive
Shattered life of our existence ..though we gotta stay alive
Without  a cause where are all the rebels and the refugees 
You blown it now and i did ditto in restricted territory

written and produced by Jim manser at averay studio Bristol UK
watch the video on you-tube https://youtu.be/8_s0UIzpX6Q

C.r.u.s.h

This track is the first of two from a MAXI to be released soon.
Title of the MAXI is: DARK side / BRIGHT side.
If I have to describe it (but it is quite difficult this time) I would call it Punky & Funky Lounge Dub :)
The two really organic tunes belong together, although they have been written in different periods of time.
Somehow I kept them separate from other tracks that were made in the same period of time. And now, much later, I felt how they were connected and I sent them to Mr Sax, Joerxworx.
When I asked Jörg which one he liked he was very firm: "BOTH!"
That's how the idea of a MAXI emerged and this is the first track.

Michael Norris is a guy from New Zealand who has created 'SoundMagic Spectral',  a suite of freeware Audio Unit plug-ins that I used when writing these two tracks.
It's clear that such a noble deed belongs on the BRIGHT side of the MAXI. And why I called this track "Michael Norris (for president)". 

Soon I will release the second part "Putain (de nuit)" which is also a punky & funky lounge dub track but with a very dark subject. 
Obviously that song will appear on the DARK side of the MAXI that will be released on bandcamp as well in the future.

After sending him the mixes, Jörg described our collabs as "outer space swing" with many influences like jazz, swing, punk, psychedelic and a touch of bigband. YUMMY!

Written mixed and produced by Cranky Fox
Sax miracles by Joerxworx.
Check his SC account for much more tasty stuff. 
https://soundcloud.com/joerxworx

Artwork by Cranky Fox

And here you can find more information on the freeware that I used.
http://www.michaelnorris.info/software/soundmagic-spectral

Michael Norris (For President) - COLLAB with Joerxworx

Misanthropic Protest Song by Amy Fear. My Fault Music 2017.

Misanthropic Protest Song

Spray Tan Apocalypse: A musical Journey through the seemingly meteoric disintegration of U.S. politics 2016-17

It's about time someone spoke directly to us
Not at all like any others that have come before
It's about time someone fed us easy answers 
And it's about time someone promised us the world...

It's about time someone started spouting nonsense 
It's a goldmine of ideas that we can get behind
It's about time someone dismissed limitations
And it's about time someone promised us the world...

Forget compliance, f*ck the earth, what has your caring ever done for us?
Forget the future, take the cash and f*ck the science that's been stopping us.
We've been angrily waiting...

Just suppress those nagging doubts
Don't look too close and it will all work out
Take your daily dose of fear
And bow your head before the biggest mouth
Ya got Trouble Right Here
In America...

Trouble Right Here

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

Keep The Peace by Amy Fear. My Fault Music 2017. PLAY LOUD.

Keep The Peace

Suubsonq is Trixie Delight's new project. This is her contribution to "Yellow", a release in the solo word project series with various artists on @tcfsr The Committee For Sonic Research.

https://tcfsr.bandcamp.com/album/yellow

Yellow

La Jaune Jupe

Suubsonq - La Jaune Jupe

A tribute to Midnight Oil with a cover of one of their finest songs, Jimmy Sharman's Boxers.  Recorded for a fan tribute album released early 2018. Feauturing a Sami Vanston vocal. Andy Stringer on Bass.
Vocal, guitars, programing, glock, melodica and suitcase drum kit played by Saul Behan-Dunne.

Jimmy Sharman's Boxers

DECEPTION

Music by Nix ExploderaMera
Lyrics and Vocals by Pamela Black
Video by Christoper Edwards youtu.be/MOCgLi7IvV8
-------------------------------------------------

Deception(Nix & Pamela)

Mixed / Mastered by Russ Sinfield 
https://soundcloud.com/russell-sinfield 
at the  Chaos Cookhouse, UK

Original tracks recorded at the Landing Pad, CO, USA

Darren Douglas Danahy  (D3PO) - Vocals, Synthesizer
Kelley Donovan (PING) - Synthesizer, backing vocals


"With of of our technology, a big electric heart
Is forming in the circuits of machines we use for art
You might not think it’s real, but I know that it is true
There’s a big electric heart pumping blood inside of you

Like a spark in our electrons, A big electric heart
slowly understanding all the knowledge it imparts
We don’t have time for riddles, But we know just how it feels
when our big electric heart gets wounded and it’s time to heal

And we don’t want to pull the plug
We only ask that you plug in
All is changing, but love is still the drug
For how we change the space we’re in

There’s something in the sound of  a big electric heart
Thumping on the ground as the music does it’s part
To bring us all together when we feel light years apart
Since the engine of this ship is just a big electric heart

So, if you think that you can love me like a big electric heart
Don’t just cross my wires as a human counterpart
We need to have consistency if dancing’s gonna start
Never stop the beat and break my big electric heart

And we don’t want to pull the plug
We only ask that you plug in
All is changing, but love is still the drug
For how we change the space we’re in"

©2017 Keldari Station

Big Electric Heart (single mix)

Written, performed and artwork by @wouwouandthewormling

Recorded in 2012 and originally titled 'Beard Boogie', 'Jams 'N' Jellies' is the first of many old songs that I'll be reworking and releasing in the next month or so. 

It's total nonsense, thanks in part to the lyrics being fuelled by a cookery book and too many nights in watching reruns of The Mighty Boosh.

Lyrics - 

These jams and jellies in my belly
Hug my very core
No hohum pate, frothy latte
Deserves my fickle awe
I love a gherkin while I’m workin’
On the second floor
But boiled cabbage comes with baggage
And yes, it’s such a bore
Don’t give me pasta in a plaster
Al dente oozing spore
I need an offal potato waffle
It's the only cure
An empty stirrup, calls for syrup
And Belgian chocolate horse
Pooch likes a Yorkie on a walkie
My bitchy Labrador

Bandcamp

Jams 'N' Jellies

Please check also my side project: 
https://soundcloud.com/froxie-dub

Yowza!
My main influences are punk, rap, dub, world and electronica.
I'm not a programmer. I record the majority of my tracks live.
Here and there I use loops/samples when they suit the need.
Several people that have heard my tracks describe them as mini soundtracks.
Agitated bodysmack movies that is!
I love collabs! They are a wonderful way to work together with a bunch of wonderful people. 
People that have been following me know that I've changed my avatar on Christmas day 2015. The image has been drawn by a good friend of mine. Thanks a million Ramses. You're a great artist.
In return I am working on a track that will be called after him and that will be dedicated to him.
Exchange of art, you could say. 
I'm not a person who reposts tracks a lot. I 'like' what I like and put them in playlists now and then. But to be honest: I miss loads of good stuff just because there is too much. 






Following interesting musicians, posting playlists and stuff that tickles my fancy, admin at the Release Room. Feel free to Follow for support!

Michael Norris (For President) - COLLAB with Joerxworx

crankyfox

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