punked & funked

(guinæpig // rhoya)
Original track by Crass off the Album Penis Envy (1981)

Original music by Crass. Songwriters: Penny Rimbaud / Jones / Gee Vaucher / Steve Ignorant / Peter Coomber / Philip Andrew Clancey / Andrew John Palmer / Joy Muriel Elizabeth Haney

Song available on Compilation album:  CRASS​:​: DECONSTRUCTED RECONSTRUCTED
https://industrialcoast.bandcamp.com/album/crass-deconstructed-reconstructed
https://industrialcoast.bandcamp.com/track/bata-motel
https://soundcloud.com/rhoya

Ineffable Ruin: Bata Motel  (Crass Cover)

Crass - Do They Owe Us a Living?

3rd edit in Vito and Druzzi's Edit series:

I love this track especially Joy De Vivre's vocal.  When I first heard the original it totally blew me away.   It's off of the 1979 album Stations of the Crass.   I've always wanted to make an edit of it and here it is.  

Buy Original

Crass - Walls(Fun In The Oven) Vito's Drum Edit

13 Songs

Suggestion

Red Medicine

Do You Like Me

End Hits

Arpeggiator

Furniture

Germ Free Adolescents

I Live Off You

Warrior in Woolworths

performed by: Crass, from the album: The Feeding of the 5000

~End Result (1978)~

I am a product, I am a symbol of endless
Hopeless, fruitless, aimless games
I'm a glossy packages on the supermarket shelf
My contents aren't fit for human consumption

I could tragically injure your perfect health
My ingredients will seize up your body function
I'm the dirt that everyone walks on
I am the orphan nobody wants

I am the stair carpet everyone walks on
I am the leper nobody wants to touch much
I am a sample. I am a scapegoat of useless
Future less, endless, mindless ideas

I'm a number on the paper you file away
I'm a portfolio you stick in the drawer
I'm the fool you try to scare when you say
"We know all about you, of that you can be sure"

Well, I don't want your crazy system
I don't want to be on your files
Your temptations I try to resist them
'Cos I know what hides beneath your smiles, it's best

I am a topic, I am subject a for useless
Future less, endless, mindless debates
You think up ways that you can hide
From the naive eyes of your figurehead

But don't you find that it ain't easy?
Wouldn't you love to see me dead?
Your answer is to give me treatment
For crying out when you give me pain
Leave me with no possible remnant

You poke your knives into my brain
You send me insane I am an example
I'm no hero of the great, intelligent, magnificent human race
I'm part of the race that kills for possessions

Part of the race that's wiping itself out
I'm part of the race that's got crazy obsessions
Like locking people up, not letting them out
I hate the living dead and their work in factories

They go like sheep to their production lines
They live on illusions, don't face the realities
All they live for is that big blue sign, it says, it says
"I'm bored, bored, bored, bored"

End Result

From The Feeding of the Five Thousand released as part of the Crassical Collection, fully remixed and remastered.

Crass - So What?

01 - crass - mother earth

03 - crass - you've got big hands

Metz "Call of the Wighat" from the various artist compilation album Really Bad Music For Really Bad People: The Cramps as Heard Through the Meat Grinder of Three One G Compilation LP available from www.threeoneg.com
 
Eighteen years ago, Three One G Records flew in the face of Queen purists with the release of Dynamite With A Laserbeam: Queen As Heard Through the Meatgrinder of Three One G, the label’s 20th release. On it, bands like Melt-Banana, Weasel Walter, The Locust, Bastard Noise and The Blood Brothers unapologetically tackled some of the most beloved and universally recognizable music in popular culture and made it nasty, noisy, and brutal-- and they did so with nothing but love and respect. This was followed by an equally bold tribute to Australian avant-garde legends The Birthday Party, entitled Release The Bats. More frenetic energy from the likes of bands like Cattle Decapitation, Das Oath, SSion and Some Girls, more chaotic feedback giving way to unsettling synth lines, and still (knock on wood) not a lawsuit in sight.
 
It is only fitting, then, that Three One G’s one hundredth release be another tribute, this time to an iconic band known for its raunchy and pure punk spirit, all while looking effortlessly cool: The Cramps. For the label’s third comp, the lineup of musicians enlisted to take part is even more diverse, including the likes of Chelsea Wolfe, Daughters, Mike Patton, and Metz, among others-- all members, in some way or another, of the extended Three One G family. Here you’ll hear everything from Cumbia-style Cramps as interpreted by Sonido De La Frontera, to Panicker’s electronic dance-centric distorted version of “I’m Cramped”. Just as The Cramps mastered the art of covering music through their own warped lens, Three One G carries on the torch of re-imagining songs with swagger and style, making it their own while honoring a band whose influence on the label is obvious.
 
This compilation will be the landmark 100th release by Three One G Records. It will be available digitally as well as on limited edition vinyl on May 1st, 2020. Mastered by Brent Asbury at Measurable Harm. Layout and design by Black Moon Design. 
 
Really Bad Music for Really Bad People:
Child Bite “TV Set”
Metz “Call of the Wighat”
Secret Fun Club feat. Carrie Gillespie Feller “I Was a Teenage Werewolf”
Chelsea Wolfe “Sheena’s in a Goth Gang”
Sonido de la Frontera “Zombie Dance”
Qui “New Kind of Kick”
Zeus! feat. Mike Patton “Human Fly”
Retox “Garbageman”
Magic Witch Cookbox “People Ain’t No Good”
Microwaves “Don’t Eat Stuff Off the Sidewalk”
Daughters “What’s Inside a Girl”
Panicker “I’m Cramped”

Really Bad Music For Really Bad People: The Cramps as Heard Through the Meat Grinder of Three One G

Metz - Call Of The Wighat

06 The Wipers - Return Of The Rat

The Dead Milkmen - Dean's Dream (Acoustic Version)

End Result

Crassical

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